Evil Reaps Darkness in Macbeth "By their deeds you shall know them" is a Biblical passage which seems to state a lesson reiterated in Shakespeare's Macbeth. We intend to examine closely the dark future which the Macbeths deserved because of their sinful conduct. A.C. Bradley in Shakespearean Tragedy comments on the darkness within the play: The vision of the dagger, the murder of Duncan, the murder of Banquo, the sleep-walking of Lady Macbeth, all come in night scenes. The Witches dance in the thick air of a storm or, 'black and midnight hags', receive Macbeth in a cavern. The blackness of night is to the hero a thing of fear, even of horror; and that which he feels becomes the spirit of the play.
Blackness in Macbeth The Bard of Avon shows in his tragedy Macbeth an evil couple who face the dark hand of death - as a result of criminal deeds. Let us look closely at the growing, enveloping darkness of the play as it progresses. In his book, On the Design of Shakespearean Tragedy, H. S. Wilson identifies the darkness in the play with evil, hell, devils: Mr. Kenneth Muir, in his introduction to the play - which does not, by the way, interpret it simply from this point of view - aptly describes the cumulative effect of the imagery: "The contrast between light and darkness [suggested by the imagery] is part of a general antithesis between good and evil, devils and angels, evil and grace, hell and heaven . . .
Darkness and Evil in Macbeth Darkness in our society is indicative of evil. For instance, a black cat, a dark night, and a dark place are all symbolic of diablerie. Authors use these symbols to describe an evil character or setting. William Shakespeare employs the imagery of darkness in Act 4 of his play Macbeth to describe the agents of disorder. The witches, Macbeth, and Scotland are all described as dark because they represent the agents of chaos.
In response, Macbeth calls on darkness to hide his evil thoughts. Lady Macbeth also conjures up the forces of darkness to ensure the heavens don't see her having these thoughts, Come, thick night, /And pall thee in the dunnest smoke of hell, /That my keen knife see not the wound it makes, / N'or heaven peep through the blanket of the dark, /To cry, "Hold, hold" (I.v.53-57! By the end of Act I, we can see that Macbeth and Lady Macbeth have... ... middle of paper ... ...er fit in and was never comfortable with a role he obtained by evil means. Shakespeare's images are not only connected to his characters and theme but also are woven into a moral message. Shakespeare is warning his audience to refrain from getting caught up in the pool of blood and darkness.
Thus, he is very disturbed and unsettled if he should continue with the murder. In conclusion, Macbeth possesses a lot of evil traits and he is one of the most unique entities in the play. He is very ambitious, but, on the other hand, he is even willing to commit a crime such as murdering his King and cousin, so he can obtain the crown. Since the witches’ prophecies, all the darkness has gathered in his head. Thus, all of these songs are devoted to Macbeth because it represents one specific part of Macbeth’s life.
That peculiar compression, pregnancy, energy, even violence, which distinguishes the verse is a further contribution to the play's preoccupation with the fears and tensions of darkness. (1307) Lily B. Campbell in her volume of criticism, Shakespeare's Tragic Heroes: Slaves of Passion, describes how the imagery contributes to the atmosphere of the play: Macbeth is, however, not only a study of fear; it is a study in fear. The sounds and images in the play combine to give the atmosphere of terror and fear. The incantation of the witches, the bell that tolls while Duncan dies, the cries of Duncan, the cries of the women as Lady Macbeth dies, the owl, the knocking at the gate, the wild horses that ate each other, the story, the quaking of the earth - all of these are the habitual accompaniments of the willfully fearful in literature. (238-39) A.C. Bradley in Shakespearean Tragedy comments on the dark imagery of the play: The vision of the dagger, the murder of Duncan, the murder of Banquo, the sleep-walking of Lady Macbeth, all come in night scenes.
The entire mood of the play is effected by the disruption of nature. Repeated images of darkness, blood, and violence contribute to this tone The vision of the dagger, the murder of Duncan, the murder of Banquo, the sleep-walking of Lady Macbeth, all occur in the darkness of night and evoke for Macbeth a feeling of fear and horror . Again the dramatic verse intertwines the language and themes. The theme of transformation was apparent in Macbeth, the hero esteemed by his peers, however through his desire for power he transformed into a man obsessed with his desires, his tragedy was his downfall
The world renowned masterpiece, Macbeth, is a tragedy that has lasted throughout the centuries and has had a significant impact on English literature. The play takes place in turbulent times, in which betrayal, falsehood, and concealment lead to misery. To thoroughly encompass the suffering and wickedness that take place throughout the tragedy, Shakespeare uses dark imagery which evokes a sense of foreboding and imminent evil. A.C. Bradley describes Shakespeare’s technique concerning the imagery with his quote, “Darkness, we may even say blackness, broods over this tragedy …. All the scenes which at once recur to memory take place either at night or in some dark spot.” Nighttime is associated with unscrupulous beings and actions while morning and afternoon signify all that is good and new beginnings.
For instance, in this instance of darkness imagery Duncan and Macbeth were talking when Macbeth says aside "Stars, hide your fires! Let not light see my black and deep desires" (1. 4. l50-51). When words like dark and desire are put in that context it creates many horrible mental pictures about murders and fights which arouses peoples emotions. Ross is later talking with an old man when he states "By the clock `tis day, and yet dark night strangles the traveling lamp" (2.
Shakespeare, William. Hamlet. Norton Critical Edition. Ed, Cyrus Hoy. New York: W. W. Norton & Company, Inc., 1992.