Symbols and Images in Fahrenheit 451
Fahrenheit 451, by Ray Bradbury is a futuristic novel, taking the reader to a time where books and thinking are outlawed. In a time dreadful FOR those who want to better themselves by thinking, and by reading, BECAUSE READING IS OUTLAWED. Books and ideas are burned, books are burned physically, where as ideas are burned from the mind. Bradbury uses literary devices( I ONLY SEE ONE DEVICE!) such as symbolism, but it is the idea (WHAT IDEA?) he wants to convey that makes this novel so devastating. Bradbury warns us of what may happen if we stop expressing our ideas, and let people take away our books, and thoughts. Bradbury notices what has been going on in the world, with regards to censorship THROUGH book burning in Germany and McCarthyism in America.
Bradbury is also a WRITER WHO incorporates symbolism into his book. Bradbury's use of symbolism throughout the novel makes the book moving and powerful by using symbolism to reinforce the ideas of anti-censorship. (WHAT DO YOU MEAN BY THIS?) The Hearth and the Salamander, the title of part one, is the first example of symbolism. The title suggests two things having to do with fire, the hearth is a source of warmth and goodness, showing the positive, non-destructive side of fire. Whereas a salamander is a small lizard-like amphibian, WHICH in mythology is known to endure fire without getting burnED by it.
Perhaps the salamander is symbolic of Guy Montag who is described as a ONE because he works with fire, endurING ITS DANGER. YET HE CONTINUES TO believes that he can escape the fire and survive, much like a salamander does. On the other hand, it is ironic that Guy, and the other firemen believe themselves to be salamanders because both CAPTAIN Beatty's and Montag's destruction comes from the all mighty flame, from which they thought they were invincible.
The symbol of a Phoenix is used throughout the novel. This quote accurately describes the Phoenix,
"It is known to be a mythical multi-colored bird of Arabia, with a long history of artistic and literary symbolism, the Phoenix is one of a kind. At the end of its five-hundred-year existence, it perches on its nest of spices and sings until sunlight ignites the masses. After the body is consumed in flames, a worm emerges and develops into the next Phoenix.
[14] Results can be found in the back of Surrey at War by Bob Olgely
The theme of Ray Bradbury's Fahrenheit 451 can be viewed from several different angles. First and foremost, Bradbury's novel gives an anti-censorship message. Bradbury understood censorship to be a natural outcropping of an overly tolerant society. Once one group objects to something someone has written, that book is modified and censorship begins. Soon, another minority group objects to something else in the book, and it is again edited until eventually the book is banned altogether. In Bradbury's novel, society has evolved to such an extreme that all literature is illegal to possess. No longer can books be read, not only because they might offend someone, but because books raise questions that often lead to revolutions and even anarchy. The intellectual thinking that arises from reading books can often be dangerous, and the government doesn't want to put up with this danger. Yet this philosophy, according to Bradbury, completely ignores the benefits of knowledge. Yes, knowledge can cause disharmony, but in many ways, knowledge of the past, which is recorded in books, can prevent man from making similar mistakes in the present and future.
In conclusion, symbolism is a greatly significant element in the novel. A symbol is something that stands for or represents something else. Fahrenheit 451 "probes in symbolic terms the puzzling, divisive nature of man as a creative/destructive creature" (Watt 1). A large number of symbols arising from fire emit various "illuminations on future and contemporary man" (Watt 2). The symbols in the novel add much insight and depth to the storyline. Ray Bradbury uses various consequential symbols such as fire, burning, the Mechanical Hound, and hands in Fahrenheit 451.
Often, dystopian novels are written by an author to convey a world that doesn’t exist, but criticizes aspects of the present that could lead to this future. Ray Bradbury wrote Fahrenheit 451 in 1951 but discusses issues that have only increased over time. The encompassing issue that leads to the dystopic nature of this novel is censorship of books. The government creates a world in which it is illegal to have any books. Firemen are enforcers of this law by being the ones to burn the books and burn the buildings where the books were found. By censoring the knowledge found in books, the government attempts to rid the society of corruption caused by “the lies” books are filled with in hopes the people will never question. In Fahrenheit 451, censorship is a paradox.
After all the knowledge people get from books, it Is crazy to think that reading books would be a crime. In Fahrenheit 451, it is against the law to read books or even have books, but just like today people break the laws. Firemen would get called telling the location of someone who has books and they would have to go to that house and search and burn all the books. In this novel, Ray Bradbury uses imagery to show the difference on how people act in their society.
Often in novels writers use symbolism as a device to make their themes and ideas come across clearly to the reader. In the novel The Scarlet Letter, Nathaniel Hawthorne uses many forms of symbolism. People and objects are symbolic of events and thoughts of hawthorn throughout the course of the book. The Scarlet letter itself is a symbol he uses to contradict the puritanical society of the story. Nathaniel Hawthorne uses Pearl both as a symbol in the novel, and to work on the consciences of Hester and Dimmesdale.
In the book Fahrenheit 451 by Ray Bradbury, the author used juxtaposition and imagery to draw a parallel between the two characters, Montag and Clarisse. He discusses them by placing their traits in comparison with one another to highlight their differences. One of the most obvious ways Bradbury applied imagery in the first chapter is by the constant comparison of those in the fireman’s world to serpant or bug-like creatures. In fact, the novel starts off with a vivid image of the fireman burning down a book filled house with “the great python spitting its venomous kerosene upon the world…” (Bradbury 1). Then, as Montag was watching the house burn, he “strode in a swarm of fireflies” (Bradbury 1). He even describes The Hound as a giant spider-like
A phoenix is mythological bird that turns to ashes upon dying and is born again from the ashes. It represents our capacity for vision, for collecting sensory information about our environment and the events unfolding within it. Phoenix Jackson uses her sensory information to get across the log in the pinewoods. The author notes, “Putting her right foot out, she mounted the log and shut her eyes. Lifting her skirt, leveling her cane fiercely before her, like a festival figure in some parade, she began to march across. Then she opened her eyes and she was safe on the other side” (234). Also, the phoenix is sometimes pictured in ancient and medieval art as endowed with a nimbus, which emphasizes the bird’s connection with the sun. Like the coloration of the phoenix bird, Phoenix Jackson’s appearance in the story is similar. Welty writes:
the tube as a group of girls ganged up on Flavia and the attitudes of
Fahrenheit 451 is a science fiction book that still reflects to our current world. Bradbury does a nice job predicting what the world would be like in the future; the future for his time period and for ours as well. The society Bradbury describes is, in many ways, like the one we are living in now.
Jesus, the central character of the New Testament, makes a prominent appearance in the Quran. His purpose in the New Testament differs considerably from that in the Quran as can be observed in the level of importance attributed to him in the two texts. While Jesus is the protagonist of the New Testament, the Quran makes no such observations. The Quran claims to undo the distortions (called tafrih in Arabic) that had crept into the Injil (the Gospels) and the Torah. It further claims to restore the monotheistic nature of the Abrahamic religion, and thus directly refutes the Biblical depiction of Jesus.
Ray Bradbury once stated, “I never consciously place symbolism in my writing. That would be a self-conscious exercise and self-consciousness is defeating to any creative act … During a lifetime, one saves up information which collects itself around centers in the mind; these automatically become symbols on a subliminal level and need only be summoned in the heat of writing.” (The Paris Review). Bradbury’s may not have consciously placed symbolism in Fahrenheit 451, but his use of symbolism throughout the story allows the reader to relate back to their most basic instincts, all while seeing a deeper meaning to what they are really looking at.
Bradbury uses poetic devices throughout the novel to paint vivid images. Two of these poetic IMAGES are the use of fire and water WHICH portray different meanings. Bradbury refers to fire and its purpose on a number of occasions. To the firemen, fire symbolizes purification through the burning of books. This is ironic since such an act usually denotes destruction. Captain Beatty, chief of the fire department, believes that "fire is bright and fire is clean."(60) This belief develops when he explains to Montag the reasoning behind burning books. The reader is at this time given an image of Beatty, his character, and his way of thinking. In one instance, the flames were used to cleanse the fire department of its evils by its elimination of the chief. In this case, "Montag shot one continuous pulse of liquid fire on [Beatty]" until "he was a shrieking blaze, a jumping, sprawling gibbering mannikin, no longer human or known, all writhing flame on the lawn."(119) A picture is created in the mind of the reader showing how Montag finally stands up for what he believes is right. Furthermore, when Montag set his own house ablaze, he undergoes an uncommon emotional experience in which he views the fire as a new starting point. The fire signifies Montag sterilizing his life by burning his house and "he felt himself gush out in the fire, snatch, rend, rip in half with flame, and put away the senseless problem."(116) This captures Montag in a stage of anger and frustration after his wife has left him and his chief is ready to arrest him.
First symbolism is blood, where it presents the human being’s repressed soul and sadness. Second symbolism is “The Hearth and the Salamander” as to represent the fire’s dominance at the beginning of Montag’s life and how it eventually bring sorrow upon him. Third symbolism is phoenix where it’s rebirth refers to the cyclical nature of human history and the collective rebirth of humans and Montag’s spiritual resurrection. Where the city was ruined at the end as the result of human relies technology and not gaining knowledge from books. Throughout the development of the novel, Ray Bradbury uses three symbolisms to represent different ideas of destructions of life without books and if human in the future relies technology to bring them
Light, especially fire, and darkness are significantly reoccurring themes in Fahrenheit 451. Guy Montag, the main character, is a fireman, but in this futuristic world the job description of a fireman is to start fires wherever books are found; instead of putting them out. Montag takes a journey from a literary darkness to a knowledgeable light. This journey can be compared to the short story Allegory of the Cave by Plato, in which a prisoner experiences a similar journey. An example of light, in reference to knowledge, occurs just after Montag meets Clarisse for the first time. "When they reached her house all its lights were blazing" (9). Since Montag had rarely seen that many house lights on, I interpreted those lines as saying "that house is full of knowledge and enlightenment; not like the rest of the houses around here which are always dark." Clarisse went on to explain to Montag that her mother, father, and uncle were just sitting around and talking. This was also something that wasn't very commonplace in the city. Fire is an important element of symbolism in Fahrenheit 451. Fire consumes minds, spirits, men, ideas, and books. Fire plays two very different roles in this book. The role of a destructive, devouring, and life ending force, and the role of a nourishing flame.