Imagery and Symbolism in David Guterson’s The Country Ahead of Us, The Country Behind

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Imagery and Symbolism in David Guterson’s The Country Ahead of Us, The Country Behind

In David Guterson’s anthology, The Country Ahead of Us, The Country Behind, characters are portrayed effectively and succinctly through the imagery of their surroundings. Many of his stories are symbolic in that they reflect relationships and feelings of characters. Guterson’s titles have a more complex and deeper connection to the story than is first apparent. They too are often symbolic of a main character, or of relationships.

In "Angels in the Snow," Guterson describes the world as fragile because of the snow that has fallen. This fragility of the world, at that particular time, is representative of the relationship between John and Cora. The next morning the world is described as ‘a fragile, white place’ and this symbolises their relationship which has also become very fragile because of what John has revealed. The whiteness of the snow symbolises innocence and purity, but at this moment, through Cora’s eyes, John has lost the last of his innocence. Guterson also uses the act of making angels in the snow to portray innocence that is rapidly fading.

We made angels in the snow, Cora and myself, swept our arms through

the powder, left an impression of wings that would melt before the new

year.

It is as if John already knows what is to come, and is aware of how soon it will be. He is aware that his relationship with Cora has changed. She now has confirmation that John is not as innocent as he might have liked her to think. Through making the angels he is making one last attempt to seem innocent, for this is a very innocent act. John appears to think that if he can some how act innocently, he can convince Cora that he really is so.

In "The Flower Garden," Guterson continues his exploration of the fragility of a relationship between a man and a woman and again portrays this by drawing parallels with what is happening in nature. The relationship between Anna and the narrator is a very fragile one like the garden they ‘planted with nursery sets and fragile garden cuttings.’ The relationship and the garden are at the beginning of their being, and both are very fragile. Both have to be thought out, then nurtured carefully. Any mistake or misjudgment can have long and lasting consequences.

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