Illustrating Nature in “Dover Beach” by Mathew Arnold and “Calm is all Nature as a Resting Wheel” by William Wordsworth

Looking deeply into nature brings the feelings of sublime contentment and new feelings of inspiration that one cannot find in any alternate surrounding. In Wordsworth's "I Wandered Lonely as a Cloud," the speaker, when "in vacant or in pensive mood," recalls a memory of a past picturesque outdoor scene that "is the bliss of [his] solitude." His mind's pencil edges a lasting portrait of a scene in nature and the emotions of its beauty in the speaker's mind. The "dancing daffodils" will stay with the speaker even when the original drawing has faded. Another poem, "Composed upon Westminster Bridge," expresses the lulling atmosphere of the early morning and its encompassing calm a... ... middle of paper ... ...s are "profuse strains of unpremeditated art," singing exactly what it feels, without restraint.

Initially, the beach that Arnold's speaker describes seems serene, calm, and peaceful. This is the Romantic world that the speaker (and Arnold) wants to live in. However, for Arnold the modern world can be peaceful only if natural order and the authority of social institutions can be maintained. Arnold's recognition of the futile illusion of such stability soon overcomes the sense of tranquility with which the poem opens. As the speaker begins to contemplate the scene and listens to the pebbles grating with the waves, an "... ... middle of paper ... ...s the apparent pleasure offered by Dover Beach in the beginning.

It is high tide and he sees the coast of France and "the cliffs of England... / Gleaming and vast, out in the tranquil bay." All seems lovely and quiet. According to Baum's research on the date and circumstances of the poem, Arnold is probably speaking to his new bride (86) as he says, "Come to the window, sweet is the night-air." But gradually the reader senses a shifting of mood and tone. Now he describes the "line of spray... / Where the sea meets" the land as "moon-blanched."

In "Dover Beach", Matthew Arnold uses detailed adjectives and sensory imagery to describe the setting and portray the beginning mood, which begins with the illusion of natural beauty and ends with tragic human experience. The poem begins two-part stanzas, the first which is promising and hopeful; the second replaces optimism with a reality which is grim. Arnold uses contrast when he appeals to the sense of sight in the first section and to hearing in the second. Arnold starts with the descriptions of the "calm sea", "fair tide" and the "vast" cliffs which create a calming, innocent appearance. This sets the mood of peace and contentment which the speaker feels when he gazes out upon the sea.

A man has taken a woman to a beautiful beach in France. There they look over the cliffs at the beautiful ocean, the moon is full and bright, and the night-air is calm and peaceful. She thinks that she is going to this romantic place to be wooed by this man. Instead he turns to her and talks to her about Sophocles. She, not understanding what exactly is going on, later realizes that he was getting to the point of having each other and always  being there for one another.

Arnold is the speaker speaking to someone he loves. As the poem progresses, the reader sees why Arnold poses the question stated above, and why life seems to be the way it is. During the first part of the poem Arnold states, "The Sea is calm tonight" and in line 7, "Only, from the long line of spray". In this way, Arnold is setting the mood or scene so the reader can understand the point he is trying to portray. In lines 1-6 he is talking about a very peaceful night on the ever so calm sea, with the moonlight shining so intensely on the land.

The Romantics were highly enthused and inspired by nature. Nature allowed the Romantics to express themselves freely. The poem, A Nocturnal Reverie, took place at sundown (Finch 581). This setting allows the reader to get a taste of the natural feeling portrayed by a Romantic author. The narrator began by explaining the winds coming in at night.

Moreover, humans connect with God through nature, so the exchange between the speaker and nature led to the connection with God. The pleasant moment of remembering the daffodils does not happen to the poet all time, but he visualizes them only in his “vacant or pensive mode”(line 20). However, the whole poem is full of metaphors describing the isolation of the speaker from society, and experiences the beauty of nature that comforts him. The meta... ... middle of paper ... ... since it deals with the growth of the mind. Therefore, the poet uses syntax and form to emphasize on the important matters that occurred in each stanza.

(13) Chopin gives us the ability to feel the sentiments of her characters as they wander along the shore. We can hear the soft crashes of the waves and smell the sweet, cool odor of the sea. Chopin allows us to feel the warmth and serenity that Edna feels towards the ocean. The sea is a place of comfort and contentment for Edna. Chopin uses adjectives such as "seductive" and "whispering" to illustrate this.

As though walking on a land of gold, the sand so soft, so smooth glistens as it reflects the suns rays with joy of its presence. Cool, light and refreshing, the breeze gently kisses up against my skin and glides through my hair, sending a gentle shiver up my spine. The rustling of leaves, small orchestra of birds and delicate splashes of the sea are amazingly soothing and relaxing. The whole beach itself looks like a painted picture with a spectrum of colours all merged with one another yet too magnificent to be painted by the human hand, its perfection at its very best. Like a dancing male peacock showing off his finely detailed feathers, the sea also puts on her best show, showing off a wide range of colours that reflect of her surface with her original twist that causes the colours to move in an unusual but spectacular pattern.