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Women in the house of mirth
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“The dinginess, the crudity of this average section of womanhood made him feel how highly specialized she was” (Wharton 6). In the House of Mirth, the main character Lily Bart spends her entire life trying to escape this idea of dinginess. On her quest to maintain society’s approval, she denies her true identify along with any hope of ever finding true love and is eventually “blotted out” by this society (Ammons 348).
In the beginning of the novel, Wharton reveals the thoughts of Seldon toward Lily Bart. “He was aware that the qualities distinguishing her from the herd of her sex were chiefly external: as though a fine glaze of beauty and fastidiousness had been applied to vulgar clay” (Wharton 7).Wharton builds this physical attraction between Seldon and Lily Bart by letting readers into the mind of Seldon and the delicate actions of Lily Bart. Seldon “enjoyed Lily Bart; and his course lay so far out of her orbit that it amused him to be drawn for a moment into the sudden intimacy which her proposal implied” ( Wharton 6). The delicate approach of Lily coupled with her suggestive words toward Seldon reveals Lily’s true feeling toward Seldon. “I’m dying for tea---but isn’t there a quieter place?” (Wharton 6). Lily manages to secure privacy with Seldon avoiding as much attention as possible. Even the insinuation of Seldon and Lily being in a relationship would be especially detrimental to her social standing. When surprised with the appearance of Mr. Rosedale, she innately lied only later realizing the true effect of “yielding to a passing impulse” (Wharton 15). Her mistake would “cost her rather more than she could afford” (Wharton 15). Lily Bart lived in a society where even slightest blunder could result in severe social...
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... true love for Seldon is felt but never verbally expressed. “In the silence, there passed between them the word which made all clear” (Wharton 256).She spends most of her life running away from the idea of loving Seldon although internally she cared about him deeply. In the closing, Seldon love drew him to Lily:
It was this moment of love, this fleeting victory over themselves, which had kept them from atrophy and extinction; which, in her, had reached out to him in every struggle against the influence of her surroundings, and in her, had reached out to him in every struggle against the influence of her surroundings, and in him, had kept alive the faith that now drew him penitent and reconciled to her side (Wharton 255-56)
Lily was plagued with fulfilling society requirement but in the process denied herself of true love and ultimately her own identity.
In the novel, Lily even says, “Thirty-two names for love. Was it unthinkable he could speak one of them to me, even the one reserved for lesser things like peanuts in your Coke?” Lily would accept any glimmer of hope that would mean T. Ray loved her. Even after T. Ray mentally and physically abused her, Lily’s heart still wouldn’t let her give up on her desire to be loved by her father.... ...
In the beginning of the novel, as the reader is first introduced to Lily’s character, she comes across as an extremely negative young girl. While thinking about
The lives we lead and the type of character we possess are said to be individual decisions. Yet from early stages in our life, our character is shaped by the values, customs and mindsets of those who surround us. The characteristics of this environment affect the way we think and behave ultimately shaping us into a product of the environment we are raised in. Lily Bart, the protagonist in Edith Wharton’s The House of Mirth, is an exceedingly beautiful bachelorette who grows up accustomed to living a life of luxury amongst New York City’s upper-class in the 20th century. When her family goes bankrupt, Lily is left searching for security and stability, both of which, she is taught can be only be attained through a wealthy marriage. Although, Lily is ashamed of her society’s tendencies, she is afraid that the values taught in her upbringing shaped her into “an organism so helpless outside of its narrow range” (Wharton 423). For Lily, it comes down to a choice between two antagonistic forces: the life she desires with a happiness, freedom and love and the life she was cut out to live with wealth, prestige and power. Although, Lily’s upbringing conditioned her to desire wealth and prestige, Lily’s more significant desires happiness, freedom and love ultimately allow her to break free.
The successful integration of love with marriage, of sensitivity and cultivated emotions with the banality of housework, of an active sensory pathology with mystical yearnings, of superiority in mind and body with inferiority of social circumstance, of moral integrity with monotony, of esthetic taste with practical budgeting are the masculine ideal of what women should be in Emma’s society. (Danahy, 204)
Towards the beginning of the story, Lily feels conflicted and guilty. She doesn’t have much going for
...gh daughter because of her wealth. Lily is aware that marrying for money and social staus will not bring her happiness, but chooses a socially uplisfting life instead of her own happiness. Later in the novel we find out that Gryce marries another woman . This shows the importance of money and social status, and also, how powerful the elite circle, that lily will do anything to be apart of, is. From the previous events, one can deduce that you can never rely on man to bring you to power. The New York circle is so exclusive and elite that you can never be sure of your position, you must constantly plan, plot, and climb your way to the top, and once there you must fight to keep your position. This is the life the Lily Bart wants to badly, in Old New York money, social status, and how other perieve you was the most important things to these woman.
“There are various orders of beauty, causing men to make fools of themselves in various styles,” George Eliot. Beauty has caused men to move mountain, and jump through countless hoops. It is a quality that is subjective and affects the beholder differently. In Poe’s Ligea and Hawthorne’s The Birthmark, Ligea, Rowena, and Georgina all had different orders of beauty that similarly affects how their husbands saw them. In these two pieces of literature there was an exaltation of beauty as an abstraction that hid the depth of the women and led to deceit and the sense of superiority in their husbands.
August was correct when she said that Lily must be her own mother. Lily will not always have someone to care for her. If this happens she must learn to care for herself. Lily was also relying too much on the statue of Mary. When the statue of Mary was chained up Lily could not go to her for help.
Previously, the narrator has intimated, “She had all her life long been accustomed to harbor thoughts and emotions which never voiced themselves. They had never taken the form of struggles. They belonged to her and were her own.” Her thoughts and emotions engulf her, but she does not “struggle” with them. They “belonged to her and were her own.” She does not have to share them with anyone; conversely, she must share her life and her money with her husband and children and with the many social organizations and functions her role demands.
Toni Morrison allows her readers to explore race through their own perspectives by not explicitly identifying the race of the two main characters in her only short story, “Recitatif.” By withholding this information, Morrison enables the reader to apply their own prejudices to their understanding of the characters’ identities. Reading “One Art” by Elizabeth Bishop and “Recitatif” by Morrison together creates a deeper understanding about societal standards and establishing one’s own identity than evaluating either piece alone.
During the Victorian Era, society had idealized expectations that all members of their culture were supposedly striving to accomplish. These conditions were partially a result of the development of middle class practices during the “industrial revolution… [which moved] men outside the home… [into] the harsh business and industrial world, [while] women were left in the relatively unvarying and sheltered environments of their homes” (Brannon 161). This division of genders created the ‘Doctrine of Two Spheres’ where men were active in the public Sphere of Influence, and women were limited to the domestic private Sphere of Influence. Both genders endured considerable pressure to conform to the idealized status of becoming either a masculine ‘English Gentleman’ or a feminine ‘True Woman’. The characteristics required women to be “passive, dependent, pure, refined, and delicate; [while] men were active, independent, coarse …strong [and intelligent]” (Brannon 162). Many children's novels utilized these gendere...
Her family life is depicted with contradictions of order and chaos, love and animosity, conventionality and avant-garde. Although the underlying story of her father’s dark secret was troubling, it lends itself to a better understanding of the family dynamics and what was normal for her family. The author doesn’t seem to suggest that her father’s behavior was acceptable or even tolerable. However, the ending of this excerpt leaves the reader with an undeniable sense that the author felt a connection to her father even if it wasn’t one that was desirable. This is best understood with her reaction to his suicide when she states, “But his absence resonated retroactively, echoing back through all the time I knew him. Maybe it was the converse of the way amputees feel pain in a missing limb.” (pg. 399)
...er without all of that. Poverty is repulsive to that society and overshadows her beauty, the one thing she comes to depend upon as her saving grace. Faced with financial destitution, she is forced to attempt to reconcile with herself; with the values that have been instilled in her since childhood and with her desire for individual freedom. Her desire for individuality is strong and causes internal conflicts, as well as goes against the group mentality of the society she is a part of, leading to external consequences. The reasons for Lily's death are not fully clear, and it remains to be seen whether the overdose was intentional or an accident. Why she died is not as important as is Wharton's message to society from those who attempt to thwart its power: "You win."
Edith Wharton's The House of Mirth is an affront to the false social values of fashionable New York society. The heroine is Lily Bart, a woman who is destroyed by the very society that produces her. Lily is well-born but poor. The story traces the decline of Lily as she moves through a series of living residences, from houses to hotel lodgings. Lily lives in a New York society where appearances are all. Women have a decorative function in such an environment, and even her name, Lily, suggests she is a flower of femininity, i.e. an object of decoration as well as of desirability to the male element. We see this is very true once Lily's bloom fades, as it were, a time when she is cast aside by her peers no longer being useful as something to admire on the surface. The theme of the novel in this aspect is that identity based on mere appearance is not enough to sustain the human soul physically or metaphysically. Once she is no longer able to keep the "eye" of her peers, Lily finds herself with no identity and dies. This analysis will discuss the theme of the objectification of women in a male dominated society inherent throughout the novel.
We trace her struggles with personal grief, a restricted social life, socio-economic decline, and romantic misfortune, a long history of trauma and repression.”(445)