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Identity And Responsibility: Fatherhood In Bernard Malamud's The Fixer

analytical Essay
807 words
807 words
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Identity and Responsibility: Fatherhood in The Fixer

"Permit me to ask, Yakov Shepsovitch, are you a father?"
"With all my heart."
"Then you can imagine our anguish," sighed the sad-eyed Tsar. (Malamud, 332)

This passage, coming in the final pages of Bernard Malamud's The Fixer, represents a human reality commonly portrayed in both real life and fiction: the truth one feels is often much more significant than the sum total of the events that have actually transpired. In actuality, Yakov Bok, the novel’s protagonist, has no children, nor does he have any reason to lie and say that he has. The discussion takes place during a delusion episode en route to the court date that will finally decide Yakov’s fate after over two years of painful abuse and dehumanizing humiliation. No consequences rest on the truth of this exchange. If we assume that he has no reason to answer dishonestly in his fantasy, and that he is not somehow mistaken about the existence or nonexistence of his children (a subject that is so close to his heart throughout the book that he surely would remember), then we as readers must only conclude that he is telling the truth. If it is not the literal truth, then it is certainly the psychological truth.
There are several other moments that shine throughout the final chapters of The Fixer, that jump out at the reader, suggesting themselves to us as the long awaited key to what all this suffering and sorrow has been for. There is the sacrifice that Kogin, the guard, makes when he puts his life on the line when he can no longer witness any more torture; or Yakov, when he rebelliously throws his disgusting, filthy undershirt in the Deputy Warden's face. Yakov shouts his praise of liberty and revolution and "Death ...

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...aw, to make him a more forgiving man and consequently a better Jew. "What she did I won't defend—she hurt me as much as she did you," he tells Yakov in their conversation in Book One. "Even more, when the rabbi says she's now dead my voice agrees, but not my heart.... I've cursed her more than once but I ask God not to listen. (Malamud, 10)"
In no insignificant way, Shmuel's relationship with Yakov almost directly mirrors the way Shmuel feels about his daughter. They both hurt him, but he absorbs it and continues on, accepting it as It is not his religion that tells him how to accept misfortune. Instead, he uses religion as a tool to put up with what he perceives to just be his lot in life. It is almost impossible to not see him as a father figure to Yakov, in the way that he frets, persuades, bickers, pleads, and prays that the fixer will become a better man.

In this essay, the author

  • Analyzes how the passage, coming in the final pages of bernard malamud's the fixer, represents a human reality commonly portrayed in both real life and fiction: the truth is often more significant than the sum total of the events that have actually transpired.
  • Analyzes the dramatic moments that shine throughout the final chapters of the fixer, satiating readers who spent several hundred pages in quiet, melancholy anticipation.
  • Analyzes how yakov's fatherhood represents identity and responsibility in the novel. he must accept himself, as a jew, and his responsibility to his wife, family, community, his past and himself.
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