How do experiences, good or bad, shape the identity of an individual and make them stand apart from others? While identity centres on a role played by an individual, it may be expressed with new customs and based on self-decisions. Beyond this, literature plays an important role in the formation of various forms of social identity, including national, ethnic, and religious identities. In addition, as literature continues to address the fundamentals of identity formation in an attempt to illuminate this aspect, its primary role is to further formulate the concepts of literature and the ideas of identity to enable adolescents to negotiate their identity; they begin to understand how to better do this through the discussion of the literature they read. In Ray Bradbury's Fahrenheit 451 and Shakespeare's tragic drama Othello, identity is a very key thematic issue which may be better justified as a character's public perception. Furthermore, there is a varying range between how the character's Montag and Othello are perceived in public compared to how they behave in private. Both Montag and Othello exhibit a secure identity, yet their overall lifestyle and self-decisions demonstrates that Montag bears a more stable identity.
Both Montag and Othello exhibit a secure identity. While the crisis of identity is at the core of Fahrenheit 451, it soon becomes clear that the main character's identity begins to develop while recognizing his passion for his work. Hence the novel opens with the expression of his joy on the job: “It was a pleasure to burn” (Bradbury, 2). Moreover, he seems to look forward with pleasurable satisfaction to the end of a good day's work:
He knew that when he returned to the firehouse, he might wink at himself, a mi...
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...o was originally a slave. Thus, Othello's public perception was that of an outsider as a result of his social insecurities. Clearly, Montag's and Othello's overall lifestyle make Montag have a more stable identity.
Both Montag and Othello exhibit a secure identity, yet their overall lifestyle and self-decisions demonstrates that Montag bears a more stable identity. In summary, the character's Montag and Othello vary in the degree in which they are perceived throughout the novels. In Ray Bradbury's Fahrenheit 451 and Shakespeare's tragic drama Othello, identity is a very key thematic issue which may be better justified as a character's public perception. Again, a character's identity is the overall essence of that character, and when faced with the multitude of literature that incorporates such element, it is essential to individuals when negotiating ones identity.
As you walk down the street, you see posters and billboards surrounding that one person you think you may want to be. In a society that is filled to the brim with persuasion and propaganda, it is common that people forget who they are and become someone else. The desire of popularity causes misconceptions and a sense of self that is not sure of itself, leading to the question “Who am I?” Being yourself can come easier than you think just by recognizing that it is you. Not by being someone you see on the billboard, your friends, or who you see on television. Yourself is who you really are. In the story “Two Kinds” by Amy Tan, conflict between a mother and daughter causes identity and individualistic problems. A mother tries to relive her life through her daughter by pushing her to do things she may not be capable of doing. The mother believes that her daughter will have it all in America: success, fame, and wealth. The daughter loses herself and identity by focusing on becoming the person her
There are many factors that lead to the development of an individual’s identity. Franz Kafka’s “The Metamorphosis” illustrates an extreme change in Gregor Samsa’s external identity and the overall outward effect it has on the development of his family. While James Baldwin’s “Sonny’s Blues” illustrates a young man struggling to find his identity while being pushed around by what society and his family wants him to be. Both of these characters exhibit an underlying struggle of alienation but both also demonstrate a craving for belongingness. This conflict of trying to belong to something as well as satisfying the needs of society, has directly impacted their own individuality and the lives of the people around them.
Identity is primarily described primarily as what makes a person who they are. While it is seen as an individual asset, one’s identity can be shaped and persuaded not only by life experiences, but by society as well. Bryan Stevenson speaks on several controversial issues and proclaims certain societal problems and the typical behaviors noticed in response to them. How one approaches the issues that are spoken about may expose their true identity. Stevenson argues that how one reacts to racial inequality within the criminal justice system may regulate their identity. In addition to that, how dealing with the nation’s history may force a growth on one’s identity, eventually bringing peace and acceptance to the nation. Lastly, how one views the
Shakespeare's tragic hero, Othello, was a man whose gifts far outnumbered his weaknesses. On the battlefield, he was accomplished; in his profession, he was highly ranked; and, in his life, he was blissfully married. Despite these great advantages, however, Othello's destiny was ruin. Everything he had so carefully made for himself would be destroyed by one flaw: his fear of remaining an outsider. He feared this fate, yet he harped on it continuously, tearing himself between his identity as a foreigner and his desire to live as a normal citizen. Even so far back as his first public speech, perturbations caused by this internal unrest surfaced, and it was unrest that would ultimately lead to his horrible and complete undoing.
Othello is the main character, heÕs the head of the Vinician army and he has just made Cassio his Lieutenant. Iago is very upset by this because he wanted to become Lieutenant but what he doesnÕt realize is that in some ways heÕs more important to Othello just without the title. Iago is OthelloÕs right hand man but Iago canÕt take that he wants more. The main problem that IÕve noticed in this play is a lack of communication and trust between the characters.
Othello, a Moor, comes to Venice after several years of serving in the military. Being a Moor makes it difficult to be taken seriously. I tis like segregation in the 1960’s, white’s had luxury while colored had almost nothing. In order for Othello to gain some respect, he had to gain authoritative power, which he did by becoming a military general. In the military Othello meets Cassio and Iago, he chooses Cassio as his lieutenant which upsets Iago. The promotion of Cassio begins to show jealousy in the play. Even though Othello is not a ruler in Venice, his tragic flaws are jealousy and gullibility, therefore Othello is easily manipulated by Iago because Othello feels the need to be accepted.
The themes of identity and intimacy were difficult to define when analyzing the social dynamic between African Americans and White Americans. When evaluating their interactions with one another, it was interesting to observe the many complexities of human beings. Slavery created the need for identification. As the slave trade increased, ethnic sub groups’ exposure to one another and to Europeans resulted in the reinterpretation and acculturation of cultures. Identity persisted as an entity of importance from the African-based communities to their descendants as identification could emancipate black slaves from the shackles of slavery. Even though slavery was a shared success for global markets, the relationship between slaves and slaveholders
In Fahrenheit 451 the main characters are Montag, Faber, Clarisse, and Beatty. Montag is someone who knows what he wants and what he wants is change. He is a fireman who suddenly realizes the emptiness of his life and starts to search for meaning in the books he is supposed to be burning. Though he is sometimes rash and has a hard time thinking for himself, he is determined to break free from the oppression of ignorance. He quickly forms unusually strong attachments with anyone who seems receptive to true friendship. At first, Montag believes that he is happy. He thinks this because of the question that Clarisse asks him. When he views himself in the firehouse mirror after a night of burning, he grins "the fierce grin of all men singed and driven back by flame." His biggest regret in life is not having a better relationship with his wife. Faber is a very wise and intellectual man. He readily admits that the current state of society is due to the cowardice of people like himself, who would not speak out against book burning when they still could have stopped it. He berates himself for being a coward, but he shows himself capable of acts that require great courage and place him in considerable danger. Clarisse seems to always be of in her own world. She was a beautiful seventeen-year-old who introduces Montag to the world's potential for beauty and meaning with her gentle innocence and curiosity. She is an outcast from society because of her odd habits, which include hiking, playing with flowers, and asking questions. She asks questions such as, "Are you happy?
When first introduced, Othello, the Moor, seems to be committed to his beautiful wife, Desdemona, and to the army of which he is general. Yet, as time progresses and after being put in difficult circumstances, his loyalty takes a different form. A struggle between opposing loyalties begins to emerge. Convinced his wife is cheating on him with Lieutenant Cassio, Othello seeks to preserve his honor of having a chaste wife, to the point of
According to Alvesson (2004), the concept of identity relates to the creation of self-perception and often emerges dynamically in a wider context of an organisation. Thus, individuals are more inclined to distinctive behavioural patterns, if they are identifying themselves with an organisation and its socially constructed attributes. The equivocal nature of knowledge-intensive-work, therefore, leaves a gap of meaning that implies the necessity of increased efforts of knowledge-intensive-firms (KIFs) in actively shaping the identity of employees. On these grounds, I will elaborate accordingly on the importance of identity for knowledge work by illustrating essential elements as well as challenges and critical aspects around this topic.
Othello’s character throughout the play demonstrates a skill and confidence in the art of language. From the beginning we see long, eloquent speeches that dazzle his audience – eloquently mixing complex words that help portray him as not only a strong warrior but also a fighter with a sound mind. However when Iago pressures him about the possible relationship between his wife Desdemona and Cassio, Othello’s passion for his beloved wife breaks down his self-control. In the next few pages I will demonstrate how Othello’s speech during the beginning of the play helps to strengthen his character, and by his death, he’s but a stuttering empty shell of a man. In addition, we’ll compare the language of the moor with that of Iago and see how anti-heroic words shape the way we see this self-interested character.
Othello’s own insecurities lead to his self-destruction. Porter writes, Othello is uncomfortable and insecure within the world of Venetians society (30), which ultimately makes him feel as an outsider. If not for his military heroism, Othello would be nothing more than a moor . His insecurities enable Othello to fall victim so effortlessly to Iago’s deception. Iago feeds on his insecurities, reinforcing Othello’s self-image by pointing out the qualities that he values in himself (31). His need to feel accepted is demonstrated through the importance of ones self-image. “My parts, my title, and my perfect soul/ Shall manifest me...
In William Shakespeare’s Othello, identity seems to be the biggest concept Othello faces. Being the outsider in his world gives him a disadvantage amongst his peers. Othello being a moor is thought very low of in the eyes of Iago who despises him and ultimately sets out to destroy him, by tricking him into thinking his new wife is being unfaithful. However, for Othello the way he views himself is not as clear, being a more married to a white Venetian beauty, with a father in law who despises the notion of them being together. Being a general in the Venetian army gives him some sort of identity, but as much as he can try and fit in with the Venetians, he cannot.
The basic theme of Othello is man's struggle with his own psychological conflicts. Our antagonist, Iago lets us into his own demented mind using soliloquy. Shakespeare uses this method to let us know what he is thinking, feeling, and plotting. Most of us know an Iago. One of our own mortal enemies, our friend who all the while is stabbing us in the back. He is the portrayal of pure evil. Othello, our protagonist, stuggles with the common man's own fears. He suffers greatly his own hubris, he is so afraid of having his pride hurt. But his jealousy is the main conflict. Jealousy something each of us deal with daily. We have all fallen victim to the 'green-eyed monster' e.g., (1085). After all, what is one of the highest causes of divorce in the United States? Adultry. It doesn't seem to matter how good a person we are doubt always seems to creep through and take over. An example of this parody is when Othello is confronted by Iago concerning Desdemona's possible unfaithfulness. Othello states 'Villian be sure thou prove my love a whore, Be sure of it; give me the ocular proof.' e.g., (1090). His fear wont let him trust her completely. Yet, he won't believe it without proof. These are things we deal with today. Private detectives are thriving today with spouse's wanting proof of their husbands or wives unloyalty. The realism of this script is uncanny.
The Tragedy of Othello the Moor of Venice was written by William Shakespeare, and it is only one of countless notable plays he wrote. A reoccurring theme in Othello is jealousy brought on usually by deception; throughout the play people often hide their true intentions and are not always what they appear to be like W.H Auden said “There 's always another story. There 's more than meets the eye.” The relationships Iago built on manipulation, lies, and false promises were a crucial part of the play; Iago was able to deceive other characters by twisting the situation so that characters like Roderigo, Cassio, and Othello misinterpreted what they saw. However, he was not the only one to put up a front in Othello; Emilia also put up a façade when