Juxtapositions: The Icarus myth IMAGES AND SYMBOLIC MEANING INTRODUCTION This is a literature paper that focuses on Juxtapositions: The Icarus Myth (pages 944 - 949). This section of the text contains four poems in which four different poets use the myth of Icarus as a prompt or archetype for a variety of reasons. This paper explores the Icarus myth found in these poems and using the process of explication constructs a thematic paper. Writers have the niche to create attitude and deep layers of meaning within literary works and create tone and attitude through the use of words and depictions. Moreover, the skilled and artistic authors, poets, and playwrights craft deep layers of meaning for their audience through the purposeful use of symbolism and allegory. The Icarus Myth’s Background King Minos captured Daedalus, Athenian inventor who employed by King Minos to build the maze, or labyrinth, designed to pen in the Minotaur who was half man, half bull. After his work was done, the King refused to let the inventor go back to Athens. It was to free himself from this captivity that Daedalus and his son designed wings to fly out through the air. Flight has long been a symbol for our human capacity to struggle up from the mud and clay, even at the risk of failure. UNIVERSAL APPEAL OF THE ICARUS MYTH The poems show that there is a great universal appeal of the Icarus Myth. The very fact that so many poets, authors and playwrights have used this myth to capture the readers and the audience proves that there is a great appeal this myth has. The universal characters of power such as the sun, gods, human beings able to fly, the message of determination and human thinking abilities are all enough to create interest in the readers. The ...
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... in Landscape with the Fail of Icarus 1960 describes a different detail and states that Icarus fell when in spring when a farmer was plowing his field the whole pageantry of the year was awake tingling near the edge of the sea. The main difference is the traditional emphasis on the false features of flying in the air and looking into the eyes of hot son. There are less of the artistic visions of the actual journey and more of the conceptual details. The lessons in the story are more important in the traditional poets. References Anne Sexton (1962) To a Friend Whose Work Has Come to Triumph (1962) Translated by Rolfe Humphries the Roman poet Ovid (43 B.C—AD. 18) Vassar Miller (born 1924) The New Icarus (1956) Flemish painter Pieter Breughel (about 1525—1569) in The Fall of Icarus William Carlos Williams (1885-1963) in Landscape with the Fail of Icarus 1960
As one of the most well known ancient Roman love poets, Ovid has demonstrated bountiful talents within his writing. When reading myths from his book titled Metamorphoses, you gain an enlightening insight of how he viewed mythology. To Ovid, love was the origin of everything. Therefore, it should not come as a surprise that most of his poems relate to the theme of love. However, not all poets are the same and every re-telling of a myth has its own unique perspective. In this paper I will compare and contrast the myth of Medea in Euripides Medea and Ovid’s Metamorphoses Book 7. I will then explain how Ovid’s approach to love and loss correlate to his general approach to myth as a whole. I will support my belief with evidence from Ovid’s Metamorphoses Book 14.
The fall of Icarus often comes as a cautionary tale about pride and ambition. However, W. H. Auden and William Carlos Williams took inspiration from Brueghel’s The Fall of Icarus in their respective poems Musee des Beaux Arts and Landscape with the Fall of Icarus to tell a new tale. The poems use imagery, form, repetition, and alliteration to convey the apathy of the world in the face of personal tragedy.
The myth of Daedalus and Icarus is widely used in both Bruegel’s painting and Bechdel’s Fun Home. The story of Daedulus and Icarus is about them being trapped in a tower and Daedulus creating wings from wax. These wings help them to escape, but Icarus does not listen to his father and flies too close to the sun. The wings melt and Icarus plummets to the sea and dies. In Bruegel’s painting he uses the myth to show the downfall of humanism. Bechdel utilizes the myth to reveal more about her relationship with her father.
The meaning behind the myth of Icarus is universal, but due to the wild and ancient nature of the myth, it can be hard to relate to. The way the Fields places the myth in a contemporary setting through the use of point of view, truly modern diction, and ubiquitous imagery makes the meaning of the poem more relatable to a modern audience. This poem shows how universal the aspiration for greatness is while portraying the crushing effect of the fall from its
It is interesting that Bruegel contradicts the idea of exploration through the Greek mythology of Icarus alongside daily life. Icarus was attempting to defy human abilities as the story reveals his attempts to fly beyond his capabilities, result in his plunge into the dark green sea. Depi...
Bowra, C. M. “Sophocles’ Use of Mythology.” In Readings on Sophocles, edited by Don Nardo. San Diego, CA: Greenhaven Press, 1997.
Thury, Eva and Margaret K. Devinney. “Theory: Man and His Symbols.” Introduction to Mythology: Contemporary Approaches to Classical and World Myths. New York: Oxford University Press, 2013. 519-537. Print.
The ancient Greeks were famous for their tragedies. These dramas functioned to “ask questions about the nature of man, his position in the universe, and the powers that govern his life” (“Greek” 1). Brereton (1968) stated that tragedies typically “involved a final and impressive disaster due to an unforeseen or unrealized failure involving people who command respect and sympathy. It often entails an ironical change of fortune and usually conveys a strong impression of waste. It is always accompanied by misery and emotional distress” (20). The play, Oedipus the King, by Sophocles definitely demonstrated the characteristics of an impressive disaster unforeseen by the protagonist that involved a character of respect, included irony, and was accompanied by misery and emotional distress.
In Icarus, by Edward Fields, the poet twists the myth into a contemporary manner. He utilizes latter-day diction and dull imagery to modernize the myth and exploit the main character’s ordinary life style .
We have read two myths of great heroes this semester, Virgil’s The Aeneid and Homer’s The Odyssey. In both of these tales we get to go along with two great heroes on their journey home and all of the troubles that they face. Although these stories tell us about two great heroes and their journey there are a lot of differences. In this paper I will compare and contrast scenes from both myths and suggest a reason that this borrowing was appropriate for what Vergil was trying to do with his version of the myth.
Further, the context in which the myth was written must be taken into account when reading the story. Bronislaw Malinowski in his essay “The Role of Myth in Life” says that “The text, of course, is extremely important, but without the context it remains lifeless” (Malinowski 201). The context that needs to be addressed when reading the myth are the cultural and sociological components that surround a mythological text. This context, consisting of the understanding of the culture in which the myth exte...
Oedipus is a story about a few basic human emotions. Among them are rage, passion, humility, and guilt. The Ancient Greeks understood these emotions well; their society was based upon the logical emotions, but always threatened by the violent ones. Oedipus was at first told that he was destined to kill his father and marry his mother. Fearful of himself, he fled showing a lack of humility away from his home, thinking that his problems would be solved. Later on, he gets into a tumultuous fight with a passerby on the road to Thebes. Enraged, he kills the man and his servants; this turned out to be a big mistake. After saving the city of Thebes from the Sphinx, he marries and then passionately sleeps with the queen. Towards the end of the play, he realizes that he has indeed killed his father and married his mother, thus echoing the lack of humility that first drove him away from his adopted parents.
The Epic of Gilgamesh and The Odyssey both are held in high respect by literature analysts and historians alike for the characterization of the hero and his companion, the imagery brought to mind when one of them is read, and the impressive length in relation to the time period it was written in. The similarities that these two epics share do not end with only those three; in fact, the comparability of these works extend to even the information on the author and the archetypes used. However, The Odyssey and The Epic of Gilgamesh contrast from one another in their writing styles, character details, and main ideas. Both epics weave together a story of a lost man who must find his way, but the path of their stories contrast from one another.
The world of Art and Architecture has continually provided the tools to communicate many differing concepts or ideas such as political ideologies like socialism to simple folk-tales or intricate narratives. The elements of Greek Art and Architecture and its direct connection to mythology is the main focus of this essay. I will present the comparison of a "new" representation of a Greek Temple used in the set design of, The Clash of the Titans; to the original where its influence is traced to the classic of all Greek Temples, the Parthenon. By illustrating this comparison of new to original, I hope to communicate the idea of how contemporary society has attempted to retell mythology through entertainment outlets.
“The Odyssey” is an epic poem that tells the story of Odysseus and the story of his many travels and adventures. The Odyssey tells the main character’s tale of his journey home to the island of Ithaca after spending ten years fighting in the Trojan War, and his adventures when he returns home and he is reunited with his family and close friends. This literary analysis will examine the story and its characters, relationships, major events, symbols and motifs, and literary devices.