2.2 Elements in consideration of a courtyard
A comprehensive study on courtyards around the world indicates that the distinctive features are affected by the elements it uses. Hence, elements of a courtyard are heavily dependable by the region and geographical factor as well as the culture and tradition. In arid regions depending on the space, a courtyard may incorporate a fountain or plants as these elements may give water vapor to make the air cooler and less dry. In contrary, this tropical region may not find the elements suitable, as it will only increase the temperature and humidity by trapping the heat and moisture. Plant selection and materials used for courtyards in Malaysia will differ to the ones used in Morocco. In the latter, the use of marbles and mosaics for deco would integrate with its surroundings. In Malaysia however, woods and stones would be a more suitable material choice that may harmonize with the surrounding environment (Drake 2009:9).
Water element is essential in Islamic landscape. Al-Bayati (1983:123) expressed that “In design, water is like a magnet which polarizes space.” This quote brings the meaning that in open spaces of the Muslim community; water structures can be a focal point. This feature remarkably balances the soft vegetation and hard building material. Islamic courtyards of different regions uses materials according to the resources made available in that particular area. Though the materials may vary, but it all had a distinct similarity in patterns, placement, texture and function (Lehrman, 1980:69). The smoothness of a pavement could give comfort, but then its slipperiness can be troublesome. In contrary a rough pavement could seem captivating, but if too strong, the whole courtyard ma...
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...r Lord - for them are chambers, above them chambers built high, beneath which rivers flow. [This is] the promise of Allah. Allah does not fail in [His] promise.”
And further mentioned in Quran (18:31);
“Those will have gardens of perpetual residence; beneath them rivers will flow. They will be adorned therein with bracelets of gold and will wear green garments of fine silk and brocade, reclining therein on adorned couches. Excellent is the reward, and good is the resting place.”
This verse described the pavilions built for cool enjoyment and as a place for pleasure. The pavilions are elevated and built above the running water from which one can see good views of the gardens (Brookes, 1987). Courtyard, an enclosed garden, becomes a defined space, encircling within itself a total reflection of the cosmos where the same concept applied to paradise (Brookes, 1987).
possibilities of what unlocking the secrets of this lost era might entail, and what benefits could be reaped in today’s society from such an undertaking. In this poem, Ransom fails; however, the poem remains an important step in his journey to seek out the old traditions and integrate them into a modern framework. To begin this journey, Ransom introduces the “old mansion” as a concrete concept to represent the traditional values and lifestyles sought. Every bit of the structure, from its ivied columns, crumbling graveyard, and ultimately, its inhabitants themselves, serve as parables for Ransom’s search.
Bihzad has placed strong emphasis on the complexity of the palace’s architecture which he has adorned with colorful ornaments and emblazoned with gold. Each room is decorated with rugs and tiles featuring complex floral and asymmetrical patterns that cover each chamber from floor to ceiling. The palace appears to be three stories tall and features a balcony on the left and a zigzagging staircase on the right. The asymmetrical style of these two architectural features gives the impression of the work being 3-dimensional ...
...the surface area, the size of the arches and the columns of the Great Hall are exponentially bigger than those of the Courtyards. The two areas are also different in color. The Moroccan Courtyard is richer in color than the Great Hall. The Great Hall is mostly comprised of four to five colors. On the contrary, the Moroccan Courtyard is decorated with much more different colors. The function of the Moroccan Courtyard differs from the function of the Great Hall. The Courtyard focuses mainly on Moroccan Art. The main purpose of it is to show what Moroccan Art looks like. The Great Hall is supposed to function as a lobby. There is no exhibits located in the Great Hall. The whole idea behind it is to present that more art lies ahead.
Throughout the poem there are many chances for the noble lie to take root and allow peace to reign once again. Time after time it fails to take hold, and immortals attempt to influence mortals knowing full well they will abide by their whims because of their awesome power.
...nd happily when he says "Thou go not, like the quarry slave at night,"(77), so we would not be as a tired slave at night, who did not enjoy moment of the day thus we should live our lives in such a way that we would not have any regrets when it is time for us to go. Bryant also illustrates the enormity of the place where we would be laid after death by the following words in this poem " nor coulst thou wish couch more magnificent. "(32-33). This suggests us that we should not live our life lazily since there is the most relaxing and comfortable place waiting for us which none of us can ever experience in life.
"On the banks of the stream of time, not a monument that has been raised to a hero or nation, but tells a tale, and renews the hope of improvement."14
Avray’s porch in Seraph on the Suwanee is associated with a higher standard of living and is the envy of her visitors. At first, Avray is unsure about this new, “outside show of ownership.” (234) Avray is uncertain about her right to belong to this class of folk and as a result feels inner turmoil about whether or not she deserves such privilege. Her initial conflift with the porch mimics her desire to “[brace] herself to glory in her folks” despite her disgust with their old junk, cracked dishes, and shabby house. Over time, Avray found it easier to rejoice in the comforts of her new life. As she reclined further back into the chaise lounges and cushions of her class, her porch became a place of pride and courage. The use of the metaphor that describes the porch as a throne (and hence the porch-sitters as royalty) reinforces the idea of an elevated social status and its implied protection.
But these contrived differences give rise to esthetic difficulties too. Because inherent differences—those that come from genuinely differing uses—are lacking among the buildings and their settings, the contrivances repre...
Although this extremely close connection of the individual with nature, the basic principle of Japanese gardens, has remained the constant throughout its history, the ways in which this principle has come to be expressed has undergone many great changes. Perhaps the most notable occurred in the very distinct periods in Japanese history that popularized unique forms of garden style—Heian (781-1185), and the Kamakura (1186-1393). Resulting from these two golden ages of Japanese history came the stroll garden from the former period and the Zen garden from the latter. As we shall see, the composition of these gardens was remarkably effected by the norms of architecture and the ideals of popular religion in these eras. Therefore, in understanding each garden style in its context, it is essential to also take into account the social, historical, and theological elements as well as the main stylistic differences.
When walking around a city, you may notice that the architecture and art look similar to other works. Many of these designs have changed along the course of history and time whilst others have not. The designs that many people still see in society and day to day living is from two of the many cultures of the old civilizations, Roman and Islamic. The art and architecture forms from the Islamic and Roman cultures have many comparisons and contrasts between them. They, the Islamic and Roman nations, have both adopted from other cultures and have made their own discoveries in the art and architecture worlds. The Roman and Islamic architecture and art vary drastically from each other and yet have varying comparisons between the two.
Lastly, a hermitage is a private religious retreat. The speaker says that the two lovers "Made one another's hermitage" (38).
The Art of Zen Gardens: A Guide to their Creation and Enjoyment, A. K. Davidson, Jeremy P. Tarcher, Inc. 1983
In the following essay, I will be comparing and contrasting to architectural pieces by the Indians. The first is the Taj Mahal, a building constructed from white marble that took seventeen years to build in honor of Shah Jahan’s wife, Mumtaz Mahal (Z. Haq). This piece of architectural beauty belonged to the Mughal’s, the Muslim emperors in India (Z. Haq). The second is the Great Stupa at Sanchi, a holy, dome shaped structure that covers the body of the Buddha in honor of him and his contributions to Buddhism (Fischer, Julia). Furthermore, this structure was made of ruins, rocks, mud, and covered in bricks (Fischer, Julia). Both pieces of architecture are significant to the Indians, however they do contrast in some ways.
For example, Chinatown at Kuala Lumpur is one of the most visited tourist spot due to its local heritage and unique character. However, the economic growth in Malaysia is getting better year by year and problem of commercialisation is overriding the heritage elements in Chinatown. The number of pre-war shophouses reducing, the sign of deterioration by lack of maintenance, replacement by new tall buildings. There is a need to revisiting users’ devaluation of pre-war shophouses in Chinatown. It is not merely a famous tourist spot but also having its historical and heritage values, especially the facades elements. These facades referred as tangible heritage element which has formed the uniqueness to the city of Kuala Lumpur. If there has no protection carry out towards these old shophouse it will diminished
Taj Mahal. ( Mahal is the word in urdu language used for Palace) How can I describe The Taj Mahal? You can’t its impossible. You just have to experience it. To gaze in wonder at that magnificent dome and elegant gardens will be a moment that you remember for the rest of your life. It is one of the greatest sights in the world, some say the greatest, and like Victoria Falls, The Grand Canyon, and Macchu Picchu, it simply is one of those things you have to see in your life. The architectural grace and symmetry of the Taj Mahal just takes your breath away. We had chosen our visit carefully--the sun was setting and the light that washed over the Taj was golden in color. The minarets were now stark against the setting sun . The actual dome was a surprise, it is not yellow-white but blue-white and covered in inscriptions and detail. From below it looked like something out of "Arabian Nights." But inside were the tombs of Mumtaz Mahal and Shah Jahan. The central tomb is a lofty chamber with light streaming through fine latticework, and hanging above was an elaborate lamp. Words cannot describe its beauty when you stand on that marble platform overlooking the Yamuna, with the setting sun turning it into a golden ribbon. You may a...