Disney’s The Hunchback of Notre Damn is an animated film based upon Victor Hugo’s novel of the same name. The main characters Quasimodo, the hunchback who lives in the bell tower of Notre Damn, Esmeralda, the gypsie girl, Claude Frollo, the cruel Archdeacon of Notre Damn, and Captain Phoebus, the antagonist who defies Frollos’ orders, are all representative of the social classes and turmoil that occurred throughout the early 19th century in France. The original novel was written during the July 1830 Revolution, with strong influences from Hugo’s personal beliefs in social and political equality for all people as well as his opposition to the monarchy that begun after Napoleon Bonaparte’s defeat at Waterloo. This film is accurate in the sense that it shows the class struggle of the time in a way that both honors the novel and its historical context but is also appropriate for its younger …show more content…
For instance, the gypsie Esmeralda gets her happy ending in the movie, marrying the knight and gaining acceptance for her and all other gypsies. In reality, gypsies continued to be greatly discriminated against. In 18th century France, the “Bohemians” as they were referred to, were considered lesser members of society and were often arrested and put into the army, or at the very least lived under stricter control of the government. Additionally, during the time of the French Revolution, people were becoming increasingly suspicious of the Catholic Church, with people becoming split between those who supported the Constitutional Church and those who remained loyal to the refractory priests. The film touches upon the suspicion of the church and other problems associated with it, such as the government (Frollo) challenging the church’s authority by leading his soldiers into it, as well as Frollo using the church to justify his immoral
Hugo, Victor. Les Miserables. Comp. Lee Fahnestock and Norman MacAfee. Trans. Wilbour, C.E. Only Complete and Unabridged Paperback Editon ed. New York, New York: Signet Classics, 1987. Print.
The ‘Gypsy problem’ was addressed for the first time in 18th century in the Empire under the regulations of the absolutist monarchs Maria Theresia and Joseph II., whose aim was to abolish Gypsies as a group, and to transform them completely. The idea of transformation came with the atmosphere of the Enlightenment: there was a strong belief that people could be changed through education. Gypsies were to become tax paying citizens of the Empire with fixed jobs – in the same way as serfs. Their children were taken away from them and given to Hungarian peasants (not yet called institutional care then, but this most brutal form of state interference is still a threat to Gypsy families); horsekeeping, traditional clothing, and the use of the Roma language (i.e. the major pillars of their culture and livelihood) were prohibited.
The French Revolution is a war between the peasants and the aristocrats. A Tale of Two Cities is by Charles Dickens and is set in England and France from 1775-1793. The French Revolution is starting to come about because the French peasants are trying to model their revolution after the American Revolution. King Louis XVI of France supported the colonists in the American Revolution; therefore, it is ironic that he does not help the poor, distressed, and oppressed peasants in France. The peasants are trying to rise against the oppressive aristocrats because the rich are unfeeling and mean towards the poor serfs. In A Tale of Two Cities, the symbols help represent the theme of man’s inhumanity toward his fellow man because the symbol of the scarecrows and birds of fine song and feather is helpful in understanding the differences between the poor and the rich, the Gorgon’s head is meaningful because it shows that change needs to occur, and the knitting is insightful because one learns that evil can come out of good intentions.
Huck Finn learns from the actions of people around him, what kind of a person he is going to be. He is both part of the society and an outlier of society, and as such he is given the opportunity to make his own decisions about what is right and what is wrong. There are two main groups of characters that help Huck on his journey to moral maturation. The first group consists of Widow Douglas, Miss Watson, and the judge. They portray society and strict adherence to rules laid out by authority. The second group consists of Pap, the King, and the Duke. They represent outliers of society who have chosen to alienate themselves from civilized life and follow no rules. While these characters all extremely important in Huck’s moral development, perhaps the most significant character is Jim, who is both a fatherly figure to Huck as well as his parallel as far as limited power and desire to escape. Even though by the end of the novel, Huck still does not want to be a part of society, he has made a many choices for himself concerning morality. Because Huck is allowed to live a civilized life with the Widow Douglas, he is not alienated like his father, who effectively hates civilization because he cannot be a part of it. He is not treated like a total outsider and does not feel ignorant or left behind. On the other hand, because he does not start out being a true member of the society, he is able to think for himself and dismiss the rules authority figures say are correct. By the end of the novel, Huck is no longer a slave to the rules of authority, nor is he an ignorant outsider who looks out only for himself. This shows Huck’s moral and psychological development, rendering the description of “The Adventures of Huckleberry Finn” as a picaresq...
“The Hound of the Baskervilles” demonstrated the differences between the upper class and the lower class and even between those people who were in the same class as each others at the end of the 19th century in England. Beside those differences, there were also some similarities between the two classes. In this essay, I will analyse how they are alike and different in some main aspects such as the belief in the curse, the relationship to the law, their mysterious actions, and especially the subjugation between people in the same class.
In his book Gargantua and Pantagruel, Francois Rabelais uses satire to address the dislocation felt by Renaissance Humanists. By providing an exaggerated fable, comical in nature, Rabelais poses a serious introspection into the extremes of both the Medieval and the Renaissance man. More importantly, however, he brings into question his own ideals of Humanism. Through an analysis of Rabelais’ satirical technique and by examining his social parody of the Medieval and the Renaissance man, we are able to better understand Rabelais’ introspection into the ideals of his own generation and to accept his argument that learning is transitory and often a necessary, yet futile, attempt to understand our world.
The story takes place in 1799, and the movie represents that time very well. For example, when they write, they use a feather and some ink instead of a pen. Also, there are no cars in the movie, only horses are used. Another thing that is representative of the e...
Another major interpretation toward the little horn is that little horn is refereeing to the papal Rome. Historist, believes papal Rome fits most correctly to what Daniel described about little horn, and one of major point would be indicating time frame “time, times, and half a time (7:25).” Historist believes “time, times, and half a time” should be interpreted in symbolic way, and translate them as three and a half years. However, futurist and preterist argues that time should be interpreted in literalistic way, and does not agree with historists’ interpretation. Historist believes time frame need to be interpreted in symbolic way because all of the Daniel were written in symbolic way, and it makes most sense to them when they translated
They become almost as fun and complicated as the social aspects. The French had become pirates. They are the Protestants who had no respect for their true Faith. The Curate and the Captain become symbolic of the conflict between the Church and the secular with role reversal incomes. The Old Ways intrigue Don. The church is appalled by his Paganism. Sancho really does not care much, one way or the other.
-The man vs. man conflict is brought up many times throughout this story. The first that is posed is the conflict between Huckleberry and Pap. Pap is Huckleberry’s abusive biological father, and an alcoholic to boot. He first comes in and tries to steal his son’s fortune, just so he can get drunk. Huckleberry is kidnapped by his father for a short time, and during this is beaten many times. Huckleberry eventually escapes as he saws his way out of a shed with an old saw he finds. He then kills a pig to fake his own death and smears blood all over the shed so the story is more believable.
...e exact opposite, rendering his dedication and involvement in the Milice questionable. In this sense, Lucien, is portraying the typical bourgeois collaborateur as a human being who is capable of love, quite unlike the traditional image of a “monster”. However, Lucien and his motives remain ambiguous to the audience due to his questionable treatment of France at certain points within the film. Whilst Lucien is “courting” France, he demands that she escort him to a dance at the hotel which has become a gathering place for the Milice, against her will and her father’s will. This is a highly selfish act on Lucien’s part, as France is in great danger the entire evening since the generals within the Milice are well aware of her status as a Jew, creating doubt withing the audience over the authenticity of Lucien’s love and his capability to think and feel in a moral manner
The communal values evolve around religious events, having family honor and virginity. Even though the church’s betrayal is versatile, when the bishop arrives, it emphasizes the failure clearer. The people of the town, including the prie...
The story begins with the Marquise de Merteuil corresponding with Vicomte de Valmont regarding a luscious new act of ‘revenge’, as she describes it, against the Comte de Gercourt. The young Cecile de Volanges has just come home from the convent and her marriage to Gercourt has been arranged. However, before he can wed the innocent child, Merteuil proposes Valmont ‘educate’ her, thus spoiling Gercourt’s fancy for untarnished convent girls. Valmont is uninterested in such an easy seduction and is far more aroused by the thought of lulling The Presidente’ de Tourvel, the very epitome of virtue, into submission. And so the tale unfolds.
The Notre Dame cathedral's construction began in 1163 AD. There were many reconstructions of the Notre Dame due to fires, but its final construction was completed in 1345 AD. The Chartres cathedral's construction began in 1100 AD and was completed in twenty-five years. Both of these cathedrals lie in Paris, France. Notre Dame was built on the sight of a much older cathedral. Chartres is in southwest Paris on the Eure River in a forest that is sacred to Christians. The medieval construction and design of the Notre Dame, with its flying buttresses, incredible height, and perfect scale, and the Chartres, with its complex spires, beautiful stained glass, and ornamented portals, was and is important in the evolution of French Gothic style cathedrals.
The Hunchback of Notre Dame has taken on several forms since the publication of Victor Hugo's novel Notre Dame de Paris in 1831. Quasimodo, the name itself meaning "half-formed," is the misshapen, misunderstood hunch-backed bell ringer of the Notre Dame Cathedral in 15th Century France. The character has been brought to life on the movie screen many different times from the 1930's through to the 1990's. Charles Laughten played the disfigured character in a 1939 Pandro S. Berman production of Hugo's novel, Anthony Hopkins gave us his version in the 1980's, and Don Hahn produced Walt Disney's version of Quasimodo in 1996, to name a few. From the 1930's to the 1990's, the character incurred many alterations to satisfy current audiences. Berman's Quasimodo underwent many changes to become a Walt Disney character in the 1990's, all of which followed a general trend. Quasimodo was moulded and transformed into a character with whom young children everywhere could relate.