Humoresque

1926 Words4 Pages

In a world where popular music is more handily classified as ‘noise,’ and where the louder an amplifier is, the ‘better’ the music is, it is hard to believe that there once existed a time where a single violinist could captivate an audience on his own for upwards of two hours. Such is the case for acclaimed violin virtuoso, Paul Foray, in the film Humoresque. The story follows Paul from childhood, when he struggled to get his parents to buy him a violin, to adulthood, where he made his name with the help of some influential friends, to his seeming retirement from the instrument after a tragic incident in his personal life. The movie follows the protagonist, Paul Foray, through his personal and professional life, and every ounce of energy in the movie is devoted to telling his story. Not only is the cinematography taken in such a way that is very “Foray-centric,” but the film score plays into his life very deliberately. The film, Humoresque, uses music in a very direct way, using popular pieces of music from early 20th century popular music and from 19th century opera and orchestra to allude to the characters’ experiences. Every piece played by Foray and every song sung in the background of a parlor has a very intentional place in the movie, as they either foreshadow what a character will do, or play to their inner-monologue.

The film’s music largely consists of famous pieces from the 19th century, from either romantic orchestral composers or from operas. Also, there is always a pianist playing in any scenes involving a restaurant, and this pianist sings popular songs of the early 20th century that happen to fit into the storyline lyrically almost too well. The score, then, has a two-fold purpose. The most obvious reason ...

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...ut also to help clue us in the any ambiguities we may have with the plot.

Musically, Humoresque is a masterpiece. There is so much art to be found in putting individual pieces together to create a new, bigger piece of art. In this film, the scorer picks meaningful music that will certainly resonate for the viewers in order to not only provide music for the film, but also to convey the story in spite of the dialogue. I think the music is so strongly tied to the storyline that it could potentially stand on its own and still tell as compelling of a story as with the dialogue. Foray’s music penetrates the minds of the characters, and the viewer gets to see it all weave together through beautiful transitions and beautiful music. This film is as interesting musically as it is in its story, and that shows a true mastery of film scoring and how music induces emotion.

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