In Act 2 scene 5 the mood is very lighthearted and is full of theatrical comedy, we find Sir Toby, Sir Andrew and their friend Fabian hidden away as they await Malvolio to stumble upon the letter supposedly written by Olivia. Even though they are hidden the audience can still see their reactions and hear their comments, which adds to the melodramatic aspect of the scene. The audience is anxious to see what unravels next as they know Maria purposely wrote the letter in order to fool Malvolio.
Malvolio's entrance to the scene immediately creates comedy as even before he finds the letter we find him fantasizing about being "Count Malvolio", this notion creates humor as it seems that Malvolio has forgot he is merely Olivia's steward not her social equal despite his is conceited self-righteousness. The farce is enhanced by comments made by the onlookers who insult Malvolio, "Pistol him, pistol him!" Sir Andrew makes this comment, as he himself desires Olivia's hand in marriage. Malvolio lets his imagination go wild creating further humor when he imagines that his "kinsman Toby" will approach and curtsy in front of him.
Malvolio finds the letter and notices that it is Olivia's handwriting. Shakespeare creates comedy with his play on words, Malvolio comments on how it is almost certainly Olivia's writing "these be her very C's, her U's, and her T's and thus makes she her great Ps" The use of the sexual innuendo referring to the female genitalia and urination is very clear when spoken aloud which is very amusing. Further comedy is created by Sir Andrews reaction, "C's, her U's, and her T's: why that?" Sir Andrew does not understand the joke, the audience finds this funny but at the same time we also feel sorry for him because he is very dim witted.
After Malvolio establishes that "Olivia" writes the letter he then begins to interpret the letter to suit his situation. "`M'--Malvolio! `M'! Why, that begins my name" It is humorous because he believes the letters "M.O.A.I" is an acronym for his name. However the audience knows that it is a device cleverly thought up by Maria that has obviously succeeded in its purpose to trick Malvolio.
The reading of the letter creates comedy the requests are outrageous. Malvolio is told to wear yellow cross-gartered stockings "to be opposite with kinsman, surly with servants" and to constantly smile. The thought of this is hilarious considering that Malvolio is a strict puritan and is very malice towards others.
In act two, the central characters of each narrative are forced into combat by the demands of the wife, who with her husband, have hijacked the stage to demand a play of their own desire. The battle between Rafe and Jasper is can be seen as a comical attempt for control over the stage but also an ideological dispute born out of the character differing identities. For example, this scene can be taken quite literally as an attempt by the players to regain power over their performance:
In the play, Olivia has a steward, Malvolio, unpopular with servants, mean, authoritarian, control freak. Malvolio is tricked into believing he is loved by Olivia. Malvolio behaves as if she is in love with him and he is eventually locked up for madness. After reading and reviewing the play, Malvolio’s epiphany moments stood out the most for me. Malvolio, the puritanical, was the head servant in Lady Olivia’s household. Although Malvolio is very efficient, he also very self-righteous, and frowns upon most of the things such as drinking, singing, and fun. He fantasies about marrying his mistress and living higher than his social class.
Olivia’s public status shows her as a caring and high-class lady, a persona with a stark contrast to her inner self as a bold and tenacious woman. When Olivia pines for Cesario, she takes action and confesses, “But, would you undertake another suit, / I had rather hear you to solicit that/ Than music from the spheres” (3.1.108-110). This confession shows Olivia’s yearning for Cesario to woo her, revealing a bold inner character and desire that doesn’t align with how others perceive her. Another example is after Cesario denies having married her and redirects the topic back to Duke Orsino, Olivia replies, “If it be aught to the old tune, my lord/ It is as fat and fulsome to mine ear/ As howling after music” (5.1.104-106). Olivia dismisses the Duke’s affections and rebukes him as a man would, saying his courting is gross and disgusting. This shows she is not the fragile and polite woman one may perceive her to be, but an abrasive woman who can speak her mind. Olivia breaks out of her social identity as a frail, polite, and proper Elizabethan lady and reveals her true inner character as a strong and empowered woman.
In addition, Maria plays the role of the lady in waiting who essentially doesn’t do anything for herself except take orders. Later on the reader soon realizes that, Maria is a strong witty character that takes matters in to her own hands. Maria developes a strategy, first she goes for the messed up drunken Sir Toby and her goal is to straighten him out. Maria confronts Sir Toby about his drunkenness, “That quaffing and drinking will undo you: I heard my lady talk of it yesterday” (1.3.128). Sir Toby begins to take notice in Maria. Maria begins to plot with Toby to bring down Malvolio (the condescending butler) as a practical joke. Through the process of plotting against Malvolio with Toby, Maria develops a back bone something she was not known for with Olivia. Maria took the lead in the plotting and Toby starts taking her orders, “Observe him, for the love of mockery, for I know this letter will make a contemplative idiot of him” (2.5.18-19) As a result of the jokes success, Mari...
His inflated ego has lead him to misinterpret Lady Olivia’s feelings for him-or rather, her lack of feelings. Although he already has the notion that he should end up with the Lady, he is fooled by Sir Toby, Maria, and Sir Andrew, believing Olivia feels the same for him. The tricksters deliberately write a letter indirectly addressed to Malvolio, divulging “Olivia’s” hidden love for the steward. Without giving much thought to the credibility of this discovered letter, Malvolio follows its enclosed instructions, unwittingly earning the real Lady Olivia’s disfavor (2.5.91-195). “This and his continuous disapproval of Sir Toby and Sir Andrew's drinking, earn him their hatred and he quickly becomes their pawn in a complex romantic ruse” (Review at Absolute
Few words can be more humorous, or more upsetting, than a well thought out and witty phrase. The only skill that matches Cyrano’s skill with a sword, is his skill with his tongue. With a wit unmatched by any poet, Cyrano made enemies wherever he went, simply by out-smarting all who came against him. In the first act of the play, Cyrano crashes a performance of the well-known actor Montfluery. After many insults, Cyrano heaps upon them by saying, “I would never venture out in public with a soiled conscience, a tarnished honor, or scruples grimy and dull. I do not adorn myself with gems and ribbons, like you. Instead, I decorate myself with truth, independence, and a clean soul.”
His attempts to flirt with Maria by showing how clever he is fail when Sir
In William Shakespeare’s Twelfth Night, Malvolio is considered an outcast by almost everyone in the play. He doesn’t act the same way that any of the other characters act, in that he doesn’t participate in any of their activities, he enforces rules that the others could care less about, and he is just overall a socially awkward guy. Malvolio not only claims to adhere to the rules of the household himself, but uses his relations with Olivia to try and help make the others follow the rules as well. This upsets certain characters more than others. For instance Sir Toby, Sir Andrew and Maria find his behavior particularly detestable. But Malvolio’s strict coherence to the rules allows him to have a rather high position in Olivia’s household. While Malvolio may be considered a social outcast to most of the characters in the play, Olivia considers Malvolio to be a very trusted steward of her household. For these reasons Malvolio is not only a social outcast, but an outcast that Shakespeare uses to keep people interested in his play.
In William Shakespeare’s Twelfth Night, Malvolio is considered an outcast by everyone else in the play except Olivia. He doesn’t act the same way that any of the other characters act, and he seems to be a real stickler for the rules, which upsets certain characters more than others. But it is this strict coherence to the rules that allows Malvolio to have such a high position in Olivia’s household. While Malvolio may be considered an outcast to most of the characters in the play, Olivia shows concern for Malvolio and his well-being.
Malvolio also promises revenge on those who played the trick on him and his last words symbolise parts of the darker side of Illyria: ' I'll be revenged on the whole pack of you' Disguise is the main plot in Twelfth Night and without it the storyline would not have been possible as disguise was needed in order to create the Orsino, Viola, Olivia love triangle. This is the main event in the play which is created by disguise. Disguise is also used to bring in humour and confusion to the plot without which Twelfth Night would not be the notorious and famous play as we know it today.
The majority of the plot lines depend on the disguise. Without it, the world would be a disaster. main theme of the play would be the gulling of Malvolio. In a play where most of The characters fall in love with each other, blind to the gender and true identity of the objects of their desires, a disguise like Viola's becomes the center of the action, and causes almost all the of the important aspects of the play. I will be there.
After Olivia has her very first conversation with Cesario (Viola), where he tries to woo her for Duke Orsino, she immediately falls in love with him. After Cesario leaves her palace, Olivia says to herself ‘Thy tongue, thy face, thy limbs, actions and spirit do give thee fivefold blazon. Not too fast; soft, soft. Unless the master were the man. How now? Even so quickly may one catch the plague?’ Here Olivia states that Cesario’s external features are what attract her to him. Her metaphor contains a s...
Feste is able to prevent any delusions of grandeur by a reminder that foolishness is a condition common to all mankind whether one is king or servant. It is Malvolio's vanity that convinces Feste to take part in the joke played on the steward. As "Sir Topas", and Malvolio's `prosecutor` Feste attempted to help Malvolio realize that there was "no darkness but ignorance".
William Shakespeare's, Twelfth Night has many themes, but appearance vs. reality is the theme that illustrates a different picture from two perspectives, there are many characters behind their masks and disguises. Some are hiding love behind these disguises and some are trying to show their love through a different disguise. They both still being servants are using disguise differently. Malvolio, servant of Olivia, falls in love with the trap (the letter) thinking his lady likes him, and to show his love he uses a different appearance to express it. Viola, servant of Orsino, falls in love with him, but secretly, not wanting to express her love for him, because of her disguise as her barrier for that case. Viola/Ceasario is wearing a disguise and secretly loves Orsino. Malvolio, on the other hand, is also a servant but still changes his appearance to express love for the great lady Olivia. This essay will prove that disguises and appearances are symbolic of the characters named Viola and Malvolio and are differently used for both.
Twelfth Night or What You Will is one of Shakespeare’s most famous comedies. It has been performed hundreds of times and adapted into a number of modern films. The main plot of the play follows Viola, a girl who is rescued from a shipwreck and enters into the service of the Duke Orsino disguised as a man. Rising quickly in his estimation, Viola begins delivering messages of love on his behalf to Olivia, a noble woman who has no interest in Orsino’s advances. Over the course of the play Olivia falls in love with the disguised Viola, Viola falls in love with Orsino, and Viola’s twin brother Sebastian, who supposedly died in the shipwreck, returns. Following Sebastian’s return the twins are mistaken for each other, leading to both misunderstanding and marriage in the final scenes of the play. Alongside the main plot of Twelfth Night is an almost equally prominent subplot involving Malvolio, a servant of Olivia, who falls in love with her and who falls prey to a prank planned by the other members of the household who despise his abhorrence of fun. In the article “The Design of Twelfth Night” by L.G. Salingar, Salingar examines the plot and structure of the play and addresses the significance of the subplot. The purpose of this essay is to examine both evidence from the play and articles from other authors, with a focus on Salingar, who have written on the subject in order to determine the purpose of the subplot. In his article, Salingar comes to the conclusion that the purpose of the subplot is to provide a comic mirror of the main plot while amplifying the main themes of delusion, misrule and festivity. Salingar presents a solid argument, however he has neglected another lesser but significant element of the sub-plot which illustrate...