How do the authors create atmosphere and tension in The Monkeys Paw and The Red Room? A ghost story is a story with intent to scare; it usually builds up tension and suspense by using a lot of intense, exaggerated words. Usually in a ghost story there is a typical dark and gloomy setting and an inhuman object almost always there is a non human force or a supernatural being in the story to give it a scare factor. Supernatural means a power above the forces of nature which implies that it is not human. In the time that the two stories were written, the belief in the supernatural was a lot different to those of today. They believed in such things as ghosts and witchcraft where as nowadays there are only some believers. This could be because they had less technology than today’s world so we have more evidence to whether they are or aren’t real The Monkey’s Paw is a story about a distant friend who has possession of a cursed shrivelled monkey’s paw that grants three wishes to each man that obtains it. Every wish comes true but little do they know that the wish that they asked for would backfire horrifically killing there only child. The Red Room is another story that was written in the 19th century. However different to The Monkey’s paw this story does not have a supernatural or inhuman power. The story is about a man that’s name is not told and his quest to stay in a supposedly haunted room but unluckily for him, the room possessed a far greater force than spirits or monsters but the very thing that eats away at a mans emotions-FEAR! The authors that wrote these stories use a lot of special techniques to make the audience scared and fearful; afterall the intent of the story is to scare people. Some o... ... middle of paper ... ... they both play with your feelings and emotions. Both stories are written with the intent to scare and they do that. Also, they make you feel sad, disgusted and interested. I think that they do this by there powerful descriptions. And in which they use long and short sentences to build up the tension and atmosphere before the ending. Whilst studying the two books I have realise that to write a successful horror story you have to use all of the techniques and in my opinion the most important technique is descriptive language. When describing, you have to use powerful and meaningful words to give a clear visual picture and so the reader is reacting to the descriptions. I feel that if you have good descriptions then everything else will follow and if you draw the reader’s emotions in to the book then they will be more scared after the ending scare factor.
Every story, every book, every legend, every belief and every poem have a reason and a background that creates them. Some might be based on historical events, some might be based on every culture´s beliefs, and some others might be based on personal experiences of the authors. When a person writes a literary piece, that person is looking for a way to express her opinion or her feelings about a certain situation. A good example is the poem “Southern Mansion” by Arna Bonptems. The main intention of “Southern Mansion” could have been to complain, or to stand against the discrimination and exploitation of black people throughout history. However, as one starts to read, to avoid thinking about unnatural beings wandering around the scene that is depicted is impossible. The poem “Southern Mansion” represents a vivid image of a typical ghost story which includes the traditional element of the haunted house. This image is recreated by the two prominent and contradictory elements constantly presented through the poem: sound and silence. The elements are used in two leading ways, each one separate to represent sound or silence, and together to represent sound and silence at the same time. The poem mixes the two elements in order to create the spooky environment.
Picture yourself walking into your home from a good night spending, you put your stuff down and lay on the couch. Suddenly you hear footsteps upstairs and a big thump. Curiosity gets to you, so you go upstairs to check on what it was; no one could be in the house, you live alone. You walk into your room and start examining every corner, nothing. Once you’re about to leave the door slams shut, the light turns off, and the window shatters; trying to reach for the switch the light turns back on and in front of you a black figure stands and whispers your name slowly. This type of story is designed to make your heart beat as fast as a buzzer, they are known as horror stories. A writer tries to scare the reader by trying to relate to relate to everyone’s fear, or by using suspense. Suspense is needed for a good horror story; writers would use reversal or foreshadowing.
talks to his son. ‘Hark at the wind’, tells us that Mr White is very
Just like a genie, right? Wrong. Thesewishes come with an outstanding price. The story proves that interfering with fate can have a disastrous outcome. “The Monkey’s Paw” uses literary devices to create a story filled with both suspense and horror..
In his poem, “One of the Monkeys,” Nicholas Johnson describes monkeys typing Shakespeare while being observed by a crowd of strangers. They are writing “Hamlet” by Shakespeare, which they have never read. Johnson’s poem explains the process of writing and the feelings associated with it. He does not celebrate or criticize the process; rather, he lists the feelings without the use of human examples. Johnson gives insight into the emotions of writing. He proves that writing is not bland, and that it can involve amusement, confusion, anguish, and motivation.
How Tension and Suspense Is Built Up In The Red Room There are many different ways in which HG Wells builds up tension and. suspense in The Red Room. One way in which he does this is through the use of language in the process. One of the main effective uses of language in The Red Room is the use of personification; "made the shadows cower" and quiver. The shadow embeds fear into the reader, as they wonder if the shadow is alive, which creates tension as the reader wonders what.
Fear brings forth a certain atmosphere which compels us to act upon it. The era in which the book was published allows us to see how common these fears were. Shirley Jackson's The Haunting of Hill House is an excellent portrayal of how fear controls the human mind by using the characters as examples. In the book Eleanor, Theodora, Luke, and Dr. Montague have all been influenced by fear in the story, whether it be the fear of love, the unknown, family, rejection, expression, or loneliness. These different types of fear plagued their minds causing their actions to reflect upon them. Jackson explores the theme of fear in The Haunting of Hill House by creating a cast of characters that in turn are manipulated by the inner workings of their minds and the
How W.W. Jacobs, H.G. Wells and Charles Dickens Create Suspense in their Gothic Horror Stories
How does the writer create tension and suspense in The Red Room? The writer is able to create tension and suspense through various ways in the short story ‘The Red Room’. The opening sentence in the story immediately mentions the supernatural, which immediately tells us that this is a gothic story. The first sentence is dialogue, but we do not know who is speaking.
Edgar Allen Poe used very detailed descirbling words to create a world of suspense in the readers head. “He was still sitting up in the bed listening; --just as I have done, night after night, hearkening to the death watches in the wall.” (2) He gives us a hint in the death watches in the wall and hearkening means listening, so they are making noises. With the details it’s also a better way to get an image in your head. For me I imaged an old busted up big house with cracks in the walls for death watches to come in and hang out in there. Read this quotation from the book, “I had my head in, and was about to open the lantern, when my thumb slipped upon the tin fastening, and the old man sprang up in bed, crying out --"Who's there?"” (2) I can picture that scene perfectly and you dont know if the old man can see him so that brings more suspense. You can even image his face when his thumb slipped on the tin fastening. (Well, at least I can.) With great detail comes great suspense and Edgar Allen Poe hit the target right in the middle.
The Simpsons episode “The Simpsons Treehouse of Horror II” is about a magical monkey’s paw bought by the Simpsons, a modern day family that lives in a town called Springfield. The family uses the paw to grant themselves four wishes. The wishes, they soon find out, all include repercussions that harm the family in some way. The book “The Monkey’s Paw” is about a family that is given a monkey’s paw by a friend that says it can grant three wishes. The family’s home in this story is Laburnum Villa, sometime in the past. At first the family is skeptical of the friends claim that the paw is magic saying, “If the tale about the monkey’s paw is not more truthful than those he has been telling us, we shan't make much out of it.”(Page 4, W.W. Jacobs). They then proceed to use the paw and are surprised to find that what they wish for is in fact granted but comes with terrible consequences. While “The Monkey’s Paw” and “The Simpsons, Treehouse of Horror II” both share similar plots, the settings of the stories and the
This story, although somewhat unique in its exact plot, contains many elements that make it a typical and traditional ghost story. These elements suggest common fears in today’s society of people in general, and children specifically.
The atmosphere of each novel plays a significant role in setting the scene for the ensuing horror to evolve. The atmosphere in each novel is different; the horror in each novel is different
The first part of the story tells folk tales about the wolf and werewolf. Here, wolves are used as a symbol of fear. It overwhelms the reader with terrifying descriptions of the wolf and shows the reader that the wolf is clearly something that strikes fear into the people in the story. They are described as “forest assassins grey members of a congregation of nightmare” and are known to be worse than “all the teeming perils of the night and the forest, ghosts, hobgoblins, ogres that grill babies upon gridirons, witches”. These monsters are not real and fear for these nonexistent monsters is ridiculous as they are fictional. The fear fo...
Authors can provoke fear using the element of the fear of the unknown. The unknown is the most fundamental fear as it includes all other fears. You are anticipating what is going to occur which creates the suspense. People are