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dante alighieri's time and culture
dante alighieri's time and culture
dante's whole literary work
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Making change in a time of dark beliefs and harsh criticism is a difficult task to achieve. The poet, Dante Alighieri’s world was one filled with spirituality and stigmas. Unlike many other artists of his time, he completed his most famous and influential work in Europe’s 1300’s. Dante’s piece, The Divine Comedy, demonstrates the journey one takes throughout life, to find one’s self and connect with the world and religion, all through three volumes of poetry. Of his talent, came a business of the arts. In addition, he changed the way the Italian language was perceived. He used his writing to help women be viewed as equals to men, and took a more tolerant position with regard to religion. Due to its effects on language, religion, and societal protocol, The Divine Comedy unquestionably affected Italian culture in the time of its author, and beyond.
Language amongst a nation may seem definite, but in the 14th century, Italy was simply a geographical region in need of leadership and unity. Bardertscher discussed the way Dante helped to unite the country in a single language. “Written in the Tuscan dialect rather than in Latin, "The Divine Comedy" helped strengthen the use of the vernacular as a literary language. It also led to the dominance of Tuscan, which became the basis of modern Italian” (Bardertscher, 2005, p. 1). By writing his work in Tuscan Italian, Dante made two great strides for Italy. First, he established Italian as a language which was versatile and as useful as Latin. In addition, Dante’s use of a particular dialect led to the Italian government adopting this dialect as the standard language. Even today, Dante’s Tuscan dialect is the version of Italian which American students learn and the majority of Italians spea...
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Burge, J. (2011). Dante: Reason and religion. Retrieved December 14, 2011, from http://web.ebscohost.com/src/detail?sid=5cd2709b-b242-4ee4-b1ba-8dc080c53953%40sessionmgr13&vid=1&hid=13&bdata=JnNpdGU9c3JjLWxpdmU%3d#db=ulh&AN=59526105
Chou, P. (1999). Romance: Dante & Beatrice. Retrieved December 9, 2011, from http://www.wisdomportal.com/Romance/Dante-Beatrice.html
Hutchinson’s Biography Database. (2011). Dante Alighieri. Retrieved December 9, 2011, from http://web.ebscohost.com/src/detail?sid=c33e3860-8c08-48cc-b3e1-edf9a2b50b6e%40sessionmgr15&vid=1&hid=13&bdata=JnNpdGU9c3JjLWxpdmU%3d#db=mih&AN=32216798
Knight, K. (2009). Thomism. Retrieved December 9, 2011, from http://www.newadvent.org/cathen/14698b.htm
Rubin, H. (2004). Dante in love. New York: Simon & Schuster.
Through their superstitious beliefs, devout religious convictions, and established customs the severity of the collective conventionality of the inhabitants of Valle del Sole in Nino Ricci’s Lives of the Saints is evident and crucial to the ruination of Cristina Innocente. The people of the town have proven themselves to be incredibly superstitious, irrationally believing in things such as the “evil eye” to prove ________________. In addition to their superstitions, their exceedingly pious beliefs further their condemnation of Cristina, casting her out in the eyes of God. The citizens of Valle del Sole also denounce Cristina for her lack of regard to the very specific roles and responsibilities within their
On this day, I tried to observe the conversations that buzzed around me even though I decided not to use “naturally occurring conversations” as part as my methodology. Since it was a weekend the Italian strip was busier than ever. In this part of my research, I positioned myself on College street, between Euclid Ave and Manning Ave. Since it was a weekend the Italian strip was busier than ever. There were children running up and down sidewalks, Italian music blasting from each restaurant and people outside enjoying a glass of wine on the patios. I first started my research by walking up and down the small section of Little Italy that I chose. I walked up and down this small section to be sure I would not miss any written texts, pictures, or historical artefacts that would be beneficial to my research. By walking around each small area I paid close attention to the conversations that surrounded me. I simply wanted to see how many people spoke fluent Italian in the area. This gave me an idea how Italian this area still was. I was stunned to find that the area was more Portuguese and Japanese than I thought. Around me I heard all types of language in conversations, including Japanese as the more dominant language. I found that fluent Italian was not commonly spoken. I could easily tell who seemed Italian due to their heavy accent, although I only briefly caught one couple speaking Italian throughout this
Dante Alighieri created The Divine Comedy around the time he was exiled from Florence Italy. The Divine Comedy is made up to three books that’s called inferno, purgatory and paradise. The inferno tells the story about him entering the nine circles with a fellow poet Vigil. During the journey are many Historical, Social and Cultural Context.
Two years ago I went to an exhibition in Milan titled: “Artemisia: storia di una passione” (“Artemisia: history of a passion”). The exhibition was sponsored by the Assessorato alla Cultura of the Comune of Milano and curated by Roberto Contini and Francesco Solinas, with the scenographic and theatrical work of Emma Dante.
...” in a practical world that threatens the spiritual one with its evil? Obviously, Rappaccini’s answer in his self-imposed isolation and experiment with Giovanni and Beatrice fails; rather, his attempt to ameliorate the poisonous effects of the physical world on the spirit only attracts a greater, more deadly poison—the dark aspects of human nature. He gives a dissatisfying alternative in Baglioni’s last, mocking line to Rappaccini, one in which the empirical horrors have, in the end, killed the spiritual essence along with Beatrice. It is a lesson not just about the dangers of science, then, but also about the dangers of human nature and its capacity for evil, from which art cannot lift us. Hawthorne’s bleak view of the scientist and the artist proposes a perfect world no one—not Rappaccini, not Giovanni, not Hawthorne—can achieve, even with the best of intentions.
Ruud, Jay. Critical Companion to Dante: a Literary Reference to His Life and Work. New York: Facts On
When we are first introduced to Dante the Pilgrim, we perceive in him a Renaissance intellectual, who despite his intelligence and religiosity has lost the “path that does not stray” (I.3). Having thus lost touch with the tenets of orthodox Catholicism, a higher power has chosen for him to undertake an epic journey. (The devout are able to identify this power with the one Judeo-Christian God, while pagans and sinners often attribute the impetus behind the Pilgrim’s voyage to fate.)
St. Francis was an Italian Catholic and a talented poet. As an Italian, his heart moved naturally to deep affection, love and enjoyment. As a poet, he could see right through the outcome of those answers. One night during a dream, he saw his house turned into a palace. The walls of this palace were hung with glorious armory, banners, shields, and swords – all instruments of war. Suddenly he heard a voice, it explained that this was to be his palace, the gathering place for all his knights. The arms were theirs, the banners, and tokens of their countless conquests. To complete this wonderful dream, a gorgeous bride awaited him. St. Francis awoke charmed. A few days after that, he left Assisi to go to Southern Italy to enlist. He reached Spoleto, wh...
Dante Alighieri’s Divine Comedy is said to be the single greatest epic poem of all time. The opening story of the character of Dante the Pilgrim is told in the first of the three divisions: The Inferno. The Inferno is a description of Dante’s journey down through Hell and of the several degrees of suffering and many mythical creatures that he encounters on the way. Throughout his travel Dante displays many different feelings and actions but the emotion that summarizes the entire poem is fear. While some of his character traits change as his mind matures and acknowledges the justice being carried out, from the very beginning until the final Canto, his fear does not subside. This does well to reinforce the symbolism of Dante as Everyman and serves to direct the reader to the moral purpose of Divine Comedy, because of the humility and dependence upon God that fear produces. In the first Canto, which serves as an introduction to the entire comedy, Dante encounters the three beasts which impede his progress out of the dark woods. Coming upon the She-Wolf he writes: "This last beast brought my spirit down so low / with fear that seized me at the sight of her, / lost all hope of going up the hill" (I.52-54). Dante is so shaken by the appearances of the three beasts that he rushes headlong into the dark woods he has just come out of. This is only the first obstacle Dante encounters, but it proves an insurmountable one.
Addonizio’s poetry, known for its harsh, street-wise narrators and a wicked sense of wit, has received significant recognition since it first appeared as “The Philosopher’s Club” (1944), a collection of unflinching poems on subjects ranging from mortality to love.
At the very beginning of the Divine Comedy, Dante was lost in the wood and subsequently fell into a dream where he met Beatrice,whom Dante regarded as a marvelous companion on the pilgrimage. That is to say that Beatrice, as Christ for Dante, encouraged him to get out the entanglement of the forest when he was dying. Accordingly, “under the powerful compulsion of this love for Beatrice, Dante entered into a new apprenticeship, an apprenticeship in the art of poetry as the path to reach the truth about their love.” Their journey was to feel love, to serve God. However, in view of the fact that pilgrims are entitled to experience God without an interpreter, only if they had been forgiven of their sins. As a consequence, only through the experience of tribulation and suffering could the soul be enhanced, so that Dante finally saw God with the timeless creed that was received from Beatrice. During the trial and pilgrimage, Dante became aware of the nature of original sin, God-given salvation, and the significance of the pilgrimage. Also, Dante became aware of the care and love of God during the pilgrimage. Similarly, The Journey to the West, as a well-known work of fiction in the East, also depicts a legendary pilgrimage of the Tang Dynasty. This pilgrimage that started with the story that Buddha asked a Buddhist monk, Xuanzang, to obtain sacred texts in India and provided four disciples who could atone for their sins by helping the monk. As a monkey was one of the most famous disciples of the monk in the journey to the west, the novel has another name after The Monkey. With the helps of disciples, the monk reached the “Western Region” and obtained the sacred texts after eighty-one adventurous experiences. It is worth mentionin...
In this brief monograph, we shall be hunting down and examining various creatures from the bestiary of Medieval/Renaissance thought. Among these are the fierce lion of imperious, egotistical power, a pair of fantastic peacocks, one of vanity, one of preening social status, and the docile lamb of humility. The lion and the peacocks are of the species known as pride, while the lamb is of an entirely different, in fact antithetical race, that of humility and forgiveness. The textual regions we shall be exploring include the diverse expanses, from palace to heath, of William Shakespeare, the dark, sinister Italy of John Webster, and the perfumed lady's chambers of Ben Jonson and Robert Herrick.
Ignazio Silone’s Bread and Wine became one of the most controversial as well as influential novels in Italy during the early twentieth century. Bread and Wine is set in rural impoverish Italia countryside under the Catholic and fascist control. It begins with Don Benedetto, an elderly priest and his aged sister are waiting for visitors to come celebrate his birthday. These visitor’s are some of his favorite students who have grown up and moved away. In their reminiscing, Don Benedetto begins to ask how other student lives have turned out after all these years. Including his favorite pupil, Pietro Spina. The former students explain that Pietro Spina had become a communist revolutionary and was exiled from Italy, and is on the run from police who are hunting him. Don Benedetto asks the student to aide Pietro in his return to Italy. At this point the novel begins to focus on Pietro Spina and his return to Italy. Pietro aided by his childhood friend Nunzio dons the disguise of a Catholic priest called Don Paolo Spada. However, Pietro Spina has abandoned the religious beliefs and ideas of becoming a saint that he once had as a child and now in his adult life is considered to be a fervent atheist making; this disguise quite ironic. While in disguise, Spina becomes exasperated with the strong catholic beliefs and superstitious ideas which are the basis of thought of the peasants he is trying to influence. This brings about the continuous theme of socialism and Christianity as well as the question surrounding all the characters within the novel, “How can a decent person act in a terrible time?”1 Silone uses this questions to explore how the political views of fascism within the Catholic church effects uneducated peasants withi...
The Divine Comedy is a poetic Italian masterpiece by Dante Alighieri composed of three parts which he called respectively: The Inferno, The Purgatorio, and The Paradiso. As this edition’s translator, John Ciardi puts it, originally Dante simply entitled his works as The Comedy, however, in later years, it was renamed The Divine Comedy for the connections that the public saw it had with human behavior and morality (Ciardi, 2003). For the goals and purposes of this review, we will focus specifically on the portion of the book called The Inferno. At a time when religious and secular concerns were at their peak in fourteenth century Italy, a tone of conflict broke out between the church and the government. Beyond the commonalities of corruption
Harr, James. Essays on Italian Poetry and Music in the Renassisance: 1350-1600. Berkeley: University of California Press, 1986.