The Divine Comedy is a poetic Italian masterpiece by Dante Alighieri composed of three parts which he called respectively: The Inferno, The Purgatorio, and The Paradiso. As this edition’s translator, John Ciardi puts it, originally Dante simply entitled his works as The Comedy, however, in later years, it was renamed The Divine Comedy for the connections that the public saw it had with human behavior and morality (Ciardi, 2003). For the goals and purposes of this review, we will focus specifically on the portion of the book called The Inferno. At a time when religious and secular concerns were at their peak in fourteenth century Italy, a tone of conflict broke out between the church and the government. Beyond the commonalities of corruption
Born in 1265, Dante Alighieri was one of the most famous Italian poets of his time becoming known as “The Supreme Poet.” His masterpiece, The Divine Comedy, is largely considered one of the greatest pieces of literary work ever composed. The Divine Comedy is an epic poem of more than 10000 lines divided into three parts: Inferno, Purgatorio, and Paradiso. It describes Dante’s trip through Hell(Inferno), Purgatory(Purgatorio), and Heaven(Paradiso). Since being originally written in Italian, it has since been translated several times in English and in numerous other languages. However, The Divine Comedy did not begin to flourish until the fifteenth century when the printing press made the work more widely available. Dante’s depiction of Hell in Inferno sparked a change in religious society during its time. Many people flocked to churches in order to avoid going to Dante’s hell.
Ruud, Jay. Critical Companion to Dante: a Literary Reference to His Life and Work. New York: Facts On
The Middle Ages spawned a revolutionary arc in religious activity. Having welcomed Christianity, and taking roots from Greek and Roman spirituality, the arts had evolved alongside divine beliefs. Dante Alighieri’s Divine Comedy explored the realms of Christianity, which included Hell (Inferno), Purgatory (Purgatorio), and Heaven (Paradiso), with the fictitious account of Dante himself traveling to each individual place. As such, his masterpiece had become a wonder of the literature world. Alongside it, the artistic visions of Donatello and Brunelleschi had held Greek and Roman beliefs in high regards as a majority of their architecture, sculptures, and other artistic aspects had derived directly from those ancient beliefs. Finally, music had
“If you would not be forgotten as soon as you are dead and rotten, either write things worth reading or do things worth writing.” This maxim applies to the poet Dante Alighieri, writer of The Inferno in the 1300s, because it asserts the need to establish oneself as a contributor to society. Indeed, Dante’s work contributes much to Renaissance Italy as his work is the first of its scope and size to be written in the vernacular. Due to its readability and availability, The Inferno is a nationalistic symbol. With this widespread availability also comes a certain social responsibility; even though Dante’s audience would have been familiar with the religious dogma, he assumes the didactic role of illustrating his own version of Christian justice and emphasizes the need for a personal understanding of divine wisdom and contrapasso, the idea of the perfect punishment for the crime. Dante acts as both author and narrator, completing a physical and spiritual journey into the underworld with Virgil as his guide and mentor. The journey from darkness into light is an allegory full of symbolism, much like that of Plato’s Allegory of the Cave, which shows a philosopher’s journey towards truth. Therefore, Dante would also agree with the maxim, “Wise men learn by others’ harms; fools scarcely by their own,” because on the road to gaining knowledge and spiritual enlightenment, characters who learn valuable lessons from the misfortunes of others strengthen their own paradigms. Nonetheless, the only true way to gain knowledge is to experience it first hand. Dante’s character finds truth by way of his own personal quest.
Christianity is one of the most popular religions in the world today. Christianity has the largest amount of followers today. Over time, the religion has developed and change depending on the era. However, most of the traditional values are kept the same since its creation. Throughout many years, there have been numerous ideas originating from Christianity that do not exist today. During the development of the western world, religion played a big role in everyday lives. During the 14th century, an era of change began with the Renaissance as people experienced change and development through the western worlds. In Dante’s Inferno, some of these new beliefs, changes, and different forms of imagery can be noticed throughout the whole poem. Throughout
The 1300’s were a time on the brink of change. People were putting a higher price on education, literature was coming into the hands of the populace, and art was beginning to reflect life. Aquinas, Dante, and Giotto represented the intellectual, literary, and artistic genius of the 1300’s. These men were ahead of their time by bringing a humanistic aspect to their works. They were concerned with the human being as a creature of this world as well as the next. These men truly show the transition from Medieval to Renaissance. They also showed a balance in their concern with the human soul as well as their concern with the human as an earthly individual.
One of the most brilliantly written poems of all time, Dante Alighieri’s The Inferno transcends the time it was written in and applies to all centuries. It accurately speaks to the core of human sinfulness and the result of it. Although it does have some time-bound portions, such as the meaning of impersonation and the definition of suicide as a sin, The Inferno for the most part details sins that remain ubiquitous today. Furthermore, the overall lessons passed on by The Inferno about sin and its consequences still apply to the lives of people today as they did centuries ago. Despite the few aspects of the novel that no longer have the same meaning, Dante Alighieri’s The Inferno has withstood the test of time with the described sins and messages it attempts to convey, both of which stay relevant to this day.
Alighieri, Dante. Inferno A New Verse Translation, Backgrounds and Contexts, Criticism (Norton Critical Editions). Boston: W. W. Norton & Company, 2006. Print
Among the followers of Christianity, questions arise in order to find the righteous path to Heaven’s gate. On the contrary, there are those who seek answers for what is forsaken. Dante Alighieri fully expresses himself on this dilemma in his written work, The Divine Comedy. The first part of the epic poem is Inferno; Dante defines and constructs Hell, based on the morals and judgments set by common beliefs during his time. Dante also uses Aristotle’s philosophical work to shape the structure of Hell. Undergoing a journey through Hell as himself, Dante places famous literary icons to assist in questioning the acts of justice. Dante builds and contrast between the sinners who are innocent, and those who deliberately perform evil deeds. Virgil, a fellow poet and pagan, exemplifies wisdom and clarity that which Dante must learn through his endeavor. Virgil’s guidance will provide contrast and the necessary guidance to reach Paradise. The change of character Dante experience, is dreadful; pity and remorse must be exempted to honor retribution for the sinners’ defiance against God. All the answers regarding Hell, lies upon meeting the primal sinner, Lucifer, the Fallen Angel. Dante’s journey unfolds a critical analysis in which portrays the human struggle in every individual. There are several implications of the four functions of myth that can be derived from Dante’s Inferno. Dante divides Hell into three dispositions: incontinence, malice and brutality. (Alighieri, Dante, and Longfellow 6.79-82)