Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Pan's labyrinth analysis and symbolism
Pan's labyrinth analysis and symbolism
Pan's labyrinth analysis and symbolism
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Pan's labyrinth analysis and symbolism
Pan’s Labyrinth is a foreign film that deals with a little girl named Ofelia. Ofelia must travel with her pregnant mother to see the Captain (Ofelia’s step-father) and while she is in Spain at her father’s house, she encounters a mysterious faun who gives her three tasks that she must complete. The Faun says that she is Moanna, the daughter of the king of the underground and in order to open up portals to reach her real father she must complete the tasks he had given. Throughout the movie, the mysterious monsters that arrive symbolize Ofelia’s step-father, Vidal who is also known as the Captain. The film constantly reinforces the horror fairytale theme and even how brutal and evil the Captain can be by symbolizing, camera positioning and even …show more content…
Most of the lighting for the forest was soft light from the overcast that the trees gave and it made the forest look even more enchanted. When we first see the Faun, under-lighting was used to make the Faun’s surroundings behind him dark and to make all the focus go on him to make him look scarier. Another major lighting effect that was used was frontal lighting. Frontal lighting was used a lot on the Captain and we received good view of this when the Captain was sewing up his face after Mercedes had cut him. Hard lighting was also incorporated when the Captain was looking for the soldiers in the woods because we could see the defined shadows of the forest trees. I think the filmmaker chose to give soft lighting for part of the forest scenes to make it look more like a fairytale and I think the under-lighting was used to portray the monsters as being mysterious and creepy. The frontal lighting was used on the Captain a lot so that the audience could really focus on his character and to show that he is the main part of that particular scene that is …show more content…
The short focal length which is a wide-angle view was used a lot during the film. One major example was when after the Captain killed two men by smashing one of their faces in with a bottle and shooting the other. After both of the men are dead laying on the ground, the camera is zoomed out and we get this wide view of the men laying on the ground, the Captain standing away from them and then the rest of the Captain’s soldiers just looking with disbelief in their eyes. The film maker did this shot to express just how much control that the Captain is in. The Captain is over all his soldiers and even strangers and no matter who you are, the Captain will brutally hurt you if
In the movie Edward Scissorhands, a lot of different cinematic techniques are used. This movie mostly focuses on lighting, usually using darker low-key lighting throughout most of the film to create a darker, creepy tone. Low-key lighting is used mostly in scenes with Edward scissorhands in them, not as much with the girl. A good example of these low-key lighting scenes are the beginning ones, when the girl first enters Edward’s castle. The atmosphere inside is dark and creepy, adding to the already mysterious and dark tone of the movie. Another example of a scene with low-key lighting is the very beginning of the credits screen. The words are displayed in white with the rest of the background as a dark and evil setting. This already gives
In the movie Edward Scissorhands, the dark and shadowy castle looks like something out of a horror movie. This is one of Tim Burton’s lighting techniques to make everything look grotesque and ominous. When Charlie’s house was being shown in Charlie and the Chocolate Factory, the house looked dark and hopeless. Charlie’s family doesn’t look sad at all though, in fact they are happy because even though they live in the worst house in the town, they have a home and a meal every night and they are one big happy
The movie the Labyrinth tells a story about a group of unlikely heroes trying to make their way though a maze in order to defeat the Goblin King. The story starts out with the main character Sarah whom, without even realizing it, wishes her baby brother to be taken way by Jareth the Goblin King. He tells her that if she wants her brother back she will have to make her way through the labyrinth and to the castle beyond the Goblin City. She only has 13 hours to complete the seemingly impossible task or her little brother Toby will be turned into a goblin. While making her way through the twisted and endless maze Sarah runs into many weird characters. The first person she encounters is Hoggle a very untrustworthy dwarf whom is under the influence of Jareth. He is selfish and does things only if there is something for him to gain. He betrays Sarah many times throughout the movie, but in the end he proves himself to be more than a traitorous coward. Ludo is a yeti and despite looking vicious is a gentle and caring monster. Ludo also has the power to control rocks. Sir Didymis is a loudmouthed, but noble knight who displays his valor throughout the movie. The four heroes manage to fight their way through the perilous labyrinth. The Goblin King Jareth is defeated and Sarah’s brother Toby is saved. Though the characters in this movie seemed to be nothing more than ordinary, and if not odd, they fought their way through labyrinth and conquered an entire army of evil goblins and their king. (Labyrinth 1986)
Pan’s Labyrinth (2006) written and directed by Guillermo del Toro is a dark fantasy film that uses fantasy and inspired true events of the after effects of the Spanish Civil War to create a symbolic parable that was influenced by fairy tales and myths. Even though this film is explicitly about the times during Franco it is also a film that can speak for any time period, past, present, and future. Through the use of phantasmagorical elements in the fantasy sequences del Toro uses doubling to reinforce the horrific events that have and can happen again in reality. The film takes place five years after the Spanish Civil War during Francisco Franco’s reign of terror. The story focuses on Ofelia (Ivana Baquero) as well as Ofelia’s evil stepfather, Captain Vidal (Sergi Lopez). Both characters represent something bigger than they actually are; Ofelia is seen to represent Spain and the antifascists whereas Captain Vidal represents Franco and fascism. Ofelia has to complete three daunting tasks given to her by the Faun (Doug Jones) that is said to reunite her with her family, the King and Queen of the Underworld. Del Toro uses doubling of the mythical realm with the ‘real world’ throughout the film that emphasizes the underlying meaning of the film. The film also follows the story of the anti-fascists rebels that are hidden amongst the trees and mountains. The character Mercedes (Maribel Verdu) is able to fool Captain Vidal for most of the film and help the rebels. It is not until the near end of the film where Captain Vidal realizes that Mercedes has been helping the rebels the entire time and it is due partly because of his misogyny that he is unable to see her as a threat to his cause.
One way the filmmakers did this is with the on location shots of rubble in many scenes. The characters in these shots are carefully placed to make the rubble stand out behind them. Lighting is carefully placed to illuminate the rubble and make it stand out. However, the carefully planned cinematography also plays into the overall meaning of the film and not just how it looks. The lighting, for example, influences our feelings for certain characters. Susan Wallner is always filmed in light. This is a drastic difference from how we see Hans Mertens. Hans is usually filmed with low light and is very dim. This helps show that Susan is optimistic, while Hans is pessimistic. Another way lighting is used in this film is to create shadows. Shadows are very prevalent in the last sequence of the film. Hans has confronted Bruckner and as the camera cuts back and forth to each of them we see Hans shadow keeps growing bigger and bigger behind Bruckner. We can interpret that as the shadowing is growing bigger so his Bruckner’s fear, because the dialogue coming from Bruckner is getting faster and we can also hear the fear. There are many times in the film where close ups are used to make the storyline more dramatic. One scene that comes to mind that makes use of quick cuts and close ups is in the end of the film: Susan ran in, stopping Hans from killing Bruckner. At this point we
The scene of the Pale Man in the movie Pan’s Labyrinth is much like the feeling you get during a storm. The Pale Man remains asleep and all is clam in his dungeon until Ofelia eats the grapes, after she was given clear, strict rules to not eat anything on his table. Her leisurely curiosity leaves her blind to the awakened monster behind her, but once she realizes her impending doom, she quickly tries to find an escape. Some may believe it was Ofelia’s disobedience of
During a time where Franco was in power, Rebels had to live in a world where to take risks and disobey was the only way to survive. Rebels were tortured, mistreated and killed due to not believing in the Sadist lifestyle and that they held resistance to the Fascist. In the film, Pan’s Labyrinth, Fascism is an underlying theme that was commonly shown through the characters actions and beliefs. The Autocracy and the resistance fighters clash to fight over who will have the ruling of Spain. Pan’s Labyrinth uses the interpretation of fairy tale and contrasts it with horrific reality to express the main character’s view of living in a Sadist society.While to take in everything that is going on around her, Ofelia tries
During the gruesome and bloody Spanish Civil War, tens of thousands of innocent civilians and refugees died, but even more shocking, close to 200,000 people were deliberately executed (Hochschild). In the 2006 film Pan’s Labyrinth, Ofelia is a young girl living in Spain after the war who, along with her pregnant mother, joins the family of Captain Vidal. He is the sadistic leader of a Fascist regime and Ofelia’s new abusive step-father. A lover of fairy tales, Ofelia fantasizes that she is secretly a princess who must complete three tasks in order to escape her current reality and return to her true home in the underworld. During the movie, she is faced with the harsh realities of war and death, which are mirrored in the creatures she faces during her mystical endeavors. Director Guillermo del Toro along with cinematographer Guillermo Navaro and editor Bernet Vilaplana perfectly personify the cruelness she experiences almost an hour into the film with Ofelia’s encounter of the horrifying Pale Man, an eyeless creature with an
In Jim Henson’s Labyrinth the plot closely follows the narrative structure that is documented by Propp and described by Berger. Propp establishes a series of functions which all Russian fairy tales followed and which Berger finds easily applies to modern day narratives. When these functions are applied to Labyrinth, they fit easily into the movies story line. The protagonist, Sarah, is an adequate example of Propp’s hero with some gender norms reversed and Jareth fits into the archetype of the villain. Labyrinth presents an excellent example to Berger’s updated interpretation of Propp’s fairy tale theory of structure, while presenting important modernizations to the structure.
The film very clearly captured David Lloyds’, the illustrator’s, work on the graphic novel. The film is kept very dark and the scenes are short. The only bright portions of the film are the explosions and where Evey is tortured. But, the film is darker than the graphic novel. In the novel, David Lloyd uses a soft color overlay for each scene, which was not reproduced in the film. Without that aspect though, the coloring is nearly identical.
There is a lot of repetition of the vertical lines of the forest in the background of the painting, these vertical lines draw the eye up into the clouds and the sky. These repeated vertical lines contrast harshly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, is quite static and flat, whereas the foreground and middle ground of the painting have quite a lot of depth. This static effect is made up for in the immaculate amount of d...
The lighting in this movie is very effective. It helps to establish the characters very well. The audience is helping in distinguishing the bad and the good characters through the lighting. The movie overall is very stylized. There are some other strange lighting patterns brought out by Hype Williams, but by far the most effective lighting patterns are ones that help to characterize the main players in the film.
Many other characters alter his viewpoint of the world. Some of these characters die, one is a murderer, and another introduces him to local myths. The heroine in Pan’s Labyrinth is Ofelia, a girl trapped in the middle of a revolution and escapes into a world of fairytales through books and imagination. Ofelia’s mother, Carmen, is pregnant and very sick. Under the influence of her husband, she encourages her daughter to stop reading childhood fantasies and to obey her new husband....
In the title “In This Strange Labyrinth”, the labyrinth is symbolic of love’s maze-like qualities. The speaker describes her predicament by saying, “In this strange Labyrinth how shall I turn/Ways are on all sides” (1-2). A different path on every side surrounds her, and every way seems to be the wrong way. She is confused about which way she should go. Wroth is conveying the theme of love in a decidedly negative way, for according to myth, the Labyrinth was where the Minotaur lived and before it’s demise, death was evident for all visitors of the maze. The speaker is struggling with every choice she may make and cannot rest or find aid until she finds the best way: “Go forward, or stand still, or back retire;/ I must these doubts endure without allay/ Or help, but travail find for my best hire” (10-11). She has several choices and each one is confusing and leaves her feeling helpless.
Pan’s Labyrinth by Guillermo del Toro takes place following the Spanish Civil War in 1944. The film is told primarily through the point of view of young Ofelia, who is soon to become Princess Moanna. Guillermo relies heavily on magic realism to portray the innocent minds of children during the time of conflict. As a spiritual sequel to The Devil’s Backbone, Pan’s Labyrinth displays a first hand account of how children are both directly and indirectly affected by the war. In the film, Ofelia’s mother, Carmen gives birth you a little boy, after the birth of the child the audience is able to see how the innocence of children is restricted during times of adversity.