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Humor in Shakespeare plays
Mercutio significance in romeo and juliet
Mercutio significance in romeo and juliet
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In William Shakespeare’s play “Romeo and Juliet,” Mercutio is introduced as Romeo (the main character) and Benvolio’s (Romeo’s cousin and friend) good friend and relative of the Prince. Mercutio is a very beloved friend to Romeo, but that doesn’t mean he isn’t unkind or disrespectful. He is also very dramatic and perverted, yet somehow laid back and relaxed at the same time. He is very interesting in the way that he can seem kind, but be an awful person and friend at the same time. If Mercutio weren’t as dramatic or such an attention-seeker, he wouldn’t have died and eventually caused Tybalt, Paris, Romeo, and Juliet’s deaths and the sadness that followed each death. In Act 2, scene 4, Mercutio shows that he a very disrespectful young man. He says to Peter, “Good Peter, to hide her face; for her fan’s the fairer of the two.” (94-95) He is telling Peter that Juliet’s nurse is ugly and that she needs to cover it up, because her fan looks better than her face. Mercutio is so disrespectful that he tells Peter how ugly the nurse is right in front of her. For one, she’s older and deserves respect from others, even if she doesn’t demand it. For another, she never said anything to anger any of the Montague’s or any of Mercutio’s friends or family therefore, she does not deserve to be treated like a piece of trash or compared to an ugly fan. But, …show more content…
In act 3, scene 1, Mercutio is dying, “No, ‘tis not so deep as a well; nor so wide as a church door.” Mercutio is on his deathbed and he is describing his wound, trying to make himself sound like a hero. Mercutio put himself in a tense situation by preparing to fight. He knew that the consequences were severe, yet he eggs Tybalt on and gives others a reason to fight. If not for Mercutio’s dramatic and attention-seeking personality, Romeo, Juliet, Tybalt, Paris, and he would all still be
Throughout the speech, he frequently adds a sort of flare to the way he speaks; for example, he uses over ten lines(in the text)to simply describe the size of Queen Mab. The manner in which he speaks is loud, confident, and stylish; therefore, he attracts attention. He also manages to subtly mock Romeo when speaking about how those who are in love dream of love; this is to add a comedic flare, even though that is what he is. Mercutio’s entertainer like personality is due to the fact that he is amusing. In this tragic and serious play, he is the obnoxious character that breaks the seriousness for a while with a witty remark.It also explains why he is the dramatic foil to Romeo. This goes along with his flamboyant attitude. Nevertheless, he is also vulgar at times, which adds to his loud personality. Now, brown represents Earth and reliability, and Mercutio, in his own way, represents
He is often up and happy, which immediately turns to serious brooding. The best example of this comes at his death. He has been stabbed through by Tybalt’s cruel blade and the killer has flown. All his fellows gather around laughing when Mercutio yells that he is injured. After sending for a surgeon he stumbles about saying, “No, ‘tis not so deep as a well, nor so wide as a church door; but ‘tis enough, twill serve: ask for me tomorrow and you shall find me a grave man. I am peppered I warrant for this world. A plague o’ both your houses! Zounds, a dog, a rat, a mouse, a cat to scratch a man to death” (III.i.94-99). In this quote Mercutio seems to go from cracking jokes and making puns to all seriousness, screaming plague upon the quarrel between the two houses. This was very serious considering the plague was running rampant at that time, killing thousands of people. To wish plague on someone is to wish the most feared thing of their age on them and their family. This is not the only example of such emotional instability as he often ranges from very high to very low, creating quite the dramatic and loud character. Mercutio’s characteristics are wide and varied, making him into an extremely complex, extremely prominent character. Shakespeare places this persona of varying emotions who may not be thinking exactly what he seems to be into the story of Romeo and Juliet, a stage full of such
In a story of unorthodox love, family feuding, and violence, many are at blame for the deaths. One of the people I think is responsible for Romeo and Juliet’s death is Mercutio. Mercutio had evoked a fight with his enemy Tybalt. In Act 1 Scene 1 lines 228-229 Benvolio tells Romeo “By giving liberty unto thine eyes.
Romeo was very loyal to his friends and family, and it is possible that Mercutio thought that Romeo would help him fight off Tybalt (since he was unaware of Romeo and Juliet’s secret marriage that somewhat united Romeo and Tybalt). However, this argument is easily deemed invalid. Romeo was not in the town square when the fight had first began, so Mercutio expecting his help in the fight would be a far-fetched idea. A person who is not present cannot help or hinder the situation at hand. In addition, Romeo tried to break up the fight when he said, “Gentlemen, for shame forbear this outrage! Tybalt! Mercutio! The Prince expressly hath forbid this bandying in Verona streets. Hold, Tybalt! Good Mercutio!” (Shakespeare 121). Romeo tried to stop the fight and therefore gave Mercutio more time before death, albeit minimal. The blame cannot be placed on Romeo since he did all that he could to stop the fight from
...ic face, / To fleer and scorn at our solemnity? / Now by the stock and honour of my kin, / To strike him dead I hold it not a sin." ( , , 53-58). Tybalt's attitude toward the boy he calls to get his sword is very unkind. He shows no respect to his peers and he is often found ordering people or provoking them to fights. His loyalty towards Also, Tybalt wants to go to the lengths of frightening the guests to go fight with a Montague. This shows how unsympathetic Tybalt is to people even though, his actions are not necessary. In Tybalt's place, Mercutio would have let it go or at least called him aside and then fight with him. Mercutio is a very loyal friend especially to Romeo where Tybalt treats the boy like trash. In the end, Mercutio and Tybalt have diverse families and personalities where Mercutio is the typical nice guy and Tybalt is the typical bad guy.
Mercutio doesn’t have much respect towards women even when Juliet’s nurse comes to deliver a message to Romeo, Mercutio messes with her. His actions say that he doesn’t care for what the nurse wants to tell Romeo.. As the nurse tries to tell Romeo Juliet’s message Mercutio gets in the way making fun of her by saying she’s ugly, “Good Peter, to hide her face; for her fan’s the fairer of the two.”(Shakespeare, 2.4: 89)
Mercutio is a fictional character, who does not appear in the original version and Shakespeare adds into the play. Mercutio is neither a Montague nor a Capulet. Because he is Romeo’s friend, he stands on the Montague’s side. In fact, Mercutio simply appears in four scenes in Romeo and Juliet, in other words, he is not the main character in the play. Nevertheless, I think he is an attractive and memorable character in the play. Actually, Mercutio’s name is related to the word “mercurial,” meaning “having an unpredictable and fast changing mood,” an accurate description of Mercutio’s personality. Moreover, he also plays a vital
He has mood swings from joyfulness to gloom. Mercutio bursts into the scene with his lively humour, his brilliantly imaginative language, contrasts with that of the maturing Romeo and the levelheaded Benvolio. Mercutio lives life to the full; he is humorous, fluent, loves to hear himself talk and does not suffer fools happily. He seems not to take life or death seriously. He is brutally horrible to Romeo and intervenes on his behalf against Tybalt with fatal resu... ...
After Tybalt killed Mercutio and Romeo challenges him to a duel, Romeo demands, “That late thou gavest me, for Mercutio’s soul/ Is but a little way above our heads/ Staying for thine to keep him company/ Either thou or I, or both, must go with him” (Shakespeare Act III scene i, lines 119-123). This quote shows how Romeo’s downfall is partly his fault because he is defying the prince’s command to no longer fight with the Capulets by challenging Tybalt. Since Romeo is aware that he is defying the prince and fighting anyway it is proven he is contributing to his own demise or downfall. When Mercutio is wounded after fighting Tybalt , he cries, “I am hurt/ A plague o’ both your houses!” (Shakespeare Act III scene i, lines 84-85). The excerpt shows how even Mercutio recognizes the feud between the Montagues and Capulets being destructive, and how it is now gotten so out of hand he has been dragged in it. Mercutio tries to open Romeo’s eyes on how if this feud continues there will be a demise for both families; but by Romeo choosing to ignore this advice and killing Tybalt he is setting himself up for his failure/downfall. Thus, Romeo is shown a tragic hero because his demise is partly his fault and not an
In act three scene one it says this about the fight, "Tybalt insults Romeo, but Romeo, who has just returned from his wedding, remains calm. Mercutio, on the other hand, is furious with Tybalt, and they begin to fight. As Romeo tries to separate them, Tybalt stabs Mercutio, who later dies." Romeo feels this sudden rage. Romeo then, "Romeo
Mercutio can be blamed for Romeo and Juliet’s peril because he initiated the fight with Tybalt and forced Romeo to go to the Capulet’s party. At the beginning of the play, Romeo gets invited to the Capulet’s party by a servant, unless he was a Montague. At first, Romeo did not want to go, but Mercutio eventually convinced him under the pretext that Rosaline, Romeo’s love, was going to be there. The next day, Tybalt, a Capulet, went looking for Romeo because he knew that Romeo was at the Capulet party. Instead, he stumbled upon Mercutio and Benvolio and asked them where he could find Romeo. However, Mercutio did not want to tell him and insisted on having a duel. Tybalt killed Mercutio during the fight, and Romeo kills Tybalt because he has the need to avenge his friend. Unfortunately, Prince Escalus punished Romeo by banishing him from Verona. This made Romeo and Juliet’s love
Mercutio was to blame, though only partially, for the deaths of Romeo and Juliet. The Nurse was also responsible for the tragic ending of the play. When Romeo and Juliet met, the Nurse became their messenger. She helped them be together even though she knew Romeo was a Montague and that Juliet's family would disapprove. The Nurse brought news to Juliet from Romeo telling her to sneak out so they could get married.
The most famous foil character in ''Romeo and Juliet'' is Mercutio. He is known for his sharp wit and quick, often ribald, humor and is considered a foil to Romeo. He lacks Romeo's effusive romance, his adoration and almost courtly approach to the idea of love. He often urges Romeo to just find a woman to sleep with and stop worrying about the ephemeral, yet all consuming, love Romeo is desperate to achieve. Mercutio warns Romeo to be skeptical of love and not to rush ahead, but Romeo is all rush, no
Romeo on the other hand would much rather use his words than resort to violence. In Act 3, scene 1, during the violent encounter between Mercutio and Tybalt, Romeo is seen as trying to settle the feud between the two men rather than them getting into a fight. “Gentle Mercutio, put thy rapier up. / Draw, Benvolio; beat down their weapons. / Gentlemen, for shame! forbear this outrage!” (3.1.83-86). Romeo is once again portrayed as more feminine since he is trying to diffuse the situation using his words and not actions. However, later in the scene when Mercutio is murdered, Romeo’s feminine traits as well as masculine traits are portrayed since he only then resorts to violence in order to defend Mercutio’s honour and avenge his death. This shows that Romeo has the capability to show his more masculine side when he choses. Unfortunately, when faced with difficult circumstances, Romeo is forced to choose between the two sets of
In Shakespeare’s Romeo and Juliet, the views of love held by the character Romeo contrast sharply with the views of Mercutio. Romeo's character seems to suffer from a type of manic depression. He is in love with his sadness, quickly enraptured and easily crushed again on a passionate roller coaster of emotion. Mercutio, by contrast is much more practical and level headed. His perceptions are clear and quick, characterized by precise thought and careful evaluation. Romeo, true to his character begins his appearance in the play by wallowing in his depression over Rosaline who does not return his love: