Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
English and American romanticism
Essay on American romanticism
Essay on American romanticism
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: English and American romanticism
Romanticism was widely accepted by the poets and novelists in the United States during the American Renaissance which ran from about 1830 to the end of the Civil War. It was believed that the beginnings of American Romanticism went back to the New England Transcendental Movement where the society and individual focus was gradually shifted from a hopeful spiritualism into a more modern and pessimistic underside of humanity. The darker aesthetic was appealing due to the political unrest in the mid-nineteenth century America. Frankenstein is a prime example of how it is expressed and written within the Romantic tradition. It illustrates the eighteenth century’s idea of creativity as the invention of something entirely new advances knowledge rather
Mary Shelley’s Frankenstein was published in 1818 during the Romanticism era. Romanticism describes the period of time from the late 18th century to the mid 19th century. This period was seen as a response to the Enlightenment; overall there was an increase in the desire to understand the world in an objective matter (lecture). Though Romanticism is commonly viewed as a literary and artistic movement, Mary Shelley gives evidence on the development of Europe in a historical sense through her novel, Frankenstein. Through the motifs and personal experiences of her characters, Mary Shelley’s Frankenstein gives insight on scientific development, emerging roles of women, and how the individual is viewed the
As a response to the Enlightenment movement in 18th century Europe, Romanticism gradually began to undermine the way people thought about human consciousness and nature itself. Appreciation of the natural beauty of the world and pure, human emotion bloomed in Europe as Romanticism’s influence grew ("Topic Page: Romanticism”). Romantics valued Individualism and thought that being close to nature would make them closer to God (Morner and Rausch). People also searched for solace in nature to overcome the adversities and cynicisms that followed the French Revolution ("French Revolution."). Romanticism and Romantic ideals influenced Mary Shelley, and that influence can be seen throughout her novel Frankenstein. The two main characters, Victor Frankenstein
self-centered. His life is the mirror of a Greed Tragedy. In his case, the flaw
Her parents were two of its pioneers, and her husband was one of its well-respected contributors. Frankenstein remains her best known contribution to the body of Romantic literature, and it, too, was well-rooted in the movement. Embedded in it are classic elements of the Romantics - an all-to-human monster that quests for love, journeys to exotic places, and a plot that twists and turns on the events of human interactions. It uses these elements to suggest an answer to the Romantic question, how devastating can the effects of science and reason be on the human condition if they are allow to progress
Shelley’s writing was heavily influenced by the artistic movement that emerged in the 19th century in England. One of her most popular novels, Frankenstein, features one of the key aspects of romanticism: the romantic hero. In the excerpt from this novel in Fiero’s The Humanistic Tradition, Dr. Frankenstein is shown to possess the qualities of said hero. The plot of Shelly’s Frankenstein highlights the unmanageable quest of Dr. Frankenstein’s attempt to overcome the decaying effects of death.
Romanticism was a literary movement that occurred in the late eighteenth century to the mid nineteenth century which shifted the focus of literature from puritan works, to works which revolved around imagination, the beauty of nature, the individual, and the value of emotion over intellect. The ideas of the movement were quite revolutionary as earlier literature was inhibited by the need to focus on society and the rational world it effected. Romanticism allowed writers to be more creative with there stories and to explore an irrational world which before, would have been at the very least frowned upon if not outright rejected. The short story, “Young Goodman Brown” by Nathaniel Hawthorne is an example of a romantic work because it showcases the individual over society, exalts emotion and intuition over reason, and keeps a strong focus on nature throughout the story.
The Enlightenment age encouraged everyone to use reason and science in order to rid the world of barbarism and superstition. In fact, Kant argued that the "public use of one's reason must always be free, and it alone can bring about enlightenment among men" (Kant 3). Enlightenment thinking not only influenced philosophy and the sciences, but also literature (especially in Pope's Essay on Man). In reaction to Enlightenment's strict empiricism, Romanticism was born. In Frankenstein, Shelley argues (1) that Victor Frankenstein's role as an Enlightenment hero, not only pulled him out of nature, but made him a slave to his creation; (2) that Frankenstein's role as a revolting romantic failed, because he didn't take responsibility for his creation; and (3) mankind must find a balance between the Enlightenment and Romantic ideologies.
Romanticism itself actually originated from Europe in Germany by the publication of Goethe’s Sorrows of Young Werther. It then moved to England; not until 1830, Romanticism appeared in America. “American Romanticism was a movement that marked the reaction in literature, philosophy, art, religion, and politics” (Scheidenhelm). It was an age of westward expansion, and a rebellion against the Age of Reason. It was the return to classics. Historically, this period of tensions resulted in the Civil War. Romantic Literature was personal, intense, and showe...
The literary elements of remote and desolate settings, a metonymy of gloom and horror, and women in distress, clearly show “Frankenstein” to be a Gothic Romantic work. Mary Shelley used this writing style to effectively allow the reader to feel Victor Frankenstein’s regret and wretchedness. In writing “Frankenstein” Mary Shelley wrote one the most popular Gothic Romantic novels of all time.
Romanticism was a direct response to industrialization during the nineteenth century, because many people were wary about or felt threatened by the Industrialization of their society. Romanticism was the opposite of the Industrial Revolution, Romanticism valued emotion over logic, imagination over reason and intuition over science. During the film the “Bride of Frankenstein”, Frankenstein’s monster displays vast and deep emotions, even though he wasn’t a real human and was brought to live by artificial means. Frankenstein’s monster demonstrated feelings of abandonment, loneliness and a longing for a partner. The creature was also conscious and aware of his instincts when he felt threatened. By the way, Frankenstein’s monster was created it was to be expected that the monster who act like a robot without feels, but instead it is presented as a monster with strong
Mary Shelley, with her brilliant tale of mankind's obsession with two opposing forces: creation and science, continues to draw readers with Frankenstein's many meanings and effect on society. Frankenstein has had a major influence across literature and pop culture and was one of the major contributors to a completely new genre of horror. Frankenstein is most famous for being arguably considered the first fully-realized science fiction novel. In Frankenstein, some of the main concepts behind the literary movement of Romanticism can be found. Mary Shelley was a colleague of many Romantic poets such as her husband Percy Shelley, and their friends William Wordsworth and Samuel Coleridge, even though the themes within Frankenstein are darker than their brighter subjects and poems. Still, she was very influenced by Romantics and the Romantic Period, and readers can find many examples of Romanticism in this book. Some people actually argue that Frankenstein “initiates a rethinking of romantic rhetoric”1, or is a more cultured novel than the writings of other Romantics. Shelley questions and interacts with the classic Romantic tropes, causing this rethink of a novel that goes deeper into societal history than it appears. For example, the introduction of Gothic ideas to Frankenstein challenges the typical stereotyped assumptions of Romanticism, giving new meaning and context to the novel. Mary Shelley challenges Romanticism by highlighting certain aspects of the movement while questioning and interacting with the Romantic movement through her writing.
Romanticism played a large role in the creation of gothic literature, and it was considered to be “a lunatic fringe version of romanticism” (Tiffin). Gothic novels often had a powerful unleashing of emotions to very extreme levels “beyond social constraining” (Tiffin). The genre’s character often had an excess of a specific type (Tiffin), and in an analysis of Frankenstein and Northanger Abbey, this excess can be seen in Frankenstein’s ambition and Catherine’s curiosity.
The role of the imagination in Mary Shelley’s 1818 novel, Frankenstein is a vital when defining the work as Romantic. Though Shelley incorporates aspects that resemble the Enlightenment period, she relies on the imagination. The power of the imagination is exemplified in the novel through both Victor and the Creature as each embarks to accomplish their separate goals of scientific fame and accomplishing human relationships. The origin of the tale also emphasizes the role of the imagination as Shelley describes it in her “Introduction to Frankenstein, Third Edition (1831)”. Imagination in the text is also relatable to other iconic works of the Romantic Period such as S. T. Coleridge’s Biographia Literaria in which he defines Primary and Secondary imagination. The story as a whole is completely Romantic in that it is filled with impossibilities that seem to have come from a fairy tale. The imaginative quality of the plot itself is a far cry from the stiff subject matter of the Enlightenment period. Frankenstein is wholly a work of Romanticism both from the outside of the tale and within the plot. Shelley created the story in a moment of Primary imagination filling it with impossibilities that can only be called fantastical. Imagining notoriety leads Victor to forge the creature; the creature imagines the joy of having human relationships. The driving factor of the tale is the imagination: imagining fame, imagining relationships and imagining the satisfaction of revenge. Shelley’s use of the imagination is a direct contradiction to the themes of logic and reason that ruled the Enlightenment Period.
Despite its name, the Romantic literary period has little to nothing to do with love and romance that often comes with love; instead it focuses on the expression of feelings and imagination. Romanticism originally started in Europe, first seen in Germany in the eighteenth century, and began influencing American writers in the 1800s. The movement lasts for sixty years and is a rejection of a rationalist period of logic and reason. Gary Arpin, author of multiple selections in Elements of Literature: Fifth Course, Literature of The United States, presents the idea that, “To the Romantic sensibility, the imagination, spontaneity, individual feelings and wild nature were of greater value than reason, logic, planning and cultivation” (143). The Romantic author rejects logic and writes wild, spontaneous stories and poems inspired by myths, folk tales, and even the supernatural. Not only do the Romantics reject logic and reasoning, they praise innocence, youthfulness and creativity as well as the beauty and refuge that they so often find in nature.
Frankenstein by Mary Shelley is a gothic science fiction novel written in the romantic era that focuses on the elements of life. The romantic era was sparked by the changing social environment, including the industrial revolution. It was a form of revolt against the scientific revolutions of the era by developing a form of literature that romanticize nature and giving nature godliness. This element of romanticized nature is a recurrent element in Frankenstein and is used to reflect emotions, as a place for relaxation and as foreshadowing. Frankenstein also includes various other elements of romanticism including strong emotions and interest in the common people.