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Strengths and Weaknesses in Writing Skills
Reflection on writing skills
Strengths and Weaknesses in Writing Skills
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In his poem wrote by William Wenthe, “In the Place des Vosges”, the author uses antithesis to represent his relationship throughout the poem. Sitting at the Place des Vosges, the author describes himself reading the book as he imagines his wife sitting opposite of him. Antithesis is used to show the conflict in his married life, for instance, “began to glow; with rose and gold beyond,” (6) and “there on a bench, in shadow grays,” (8). To illustrate, ‘rose gold ring’ means love and fidelity which indicates a positive state while the meaning of ‘shadow grays’ is contradicted, it brought negative feeling. In this case, it implies indifference in his love life. “Full boughs darkening behind her, the inner limbs a blush of embers.” (11-12) is another
...represent the stages of one’s life. She focuses on the most extreme sense of ends-death, and rejects it as final. What the poem arrived at is that some aspect of life or form of existence continues after death.
A precise problem with the third antinomy arises in the interpretation with its' antithesis and its' relationship to the thesis: a charge of triviality. The antithesis is supposed to start with the thesis, demonstrate a fallacy within the thesis in order indirectly prove the thesis. While the thesis talks about the necessity for a notion of transcendental freedom or non-natural causality, it is possible that the antithesis merely expresses that transcendental freedom is not compatible with natural causality, which is a trivial point. If the antithesis does not necessarily undermine the thesis, we are no longer unavoidably tempted to think of either the thesis or antithesis as necessary. This means that Kant's articulation of freedom as dependent on the skeptical rejection would no longer hold and his conception of freedom would be inarticulable. A valid interpretation of this third antinomy would need to guarantee that the nontrivial antithesis necessarily relates with the thesis.
In spite of the fact that she composes the verse, clearly, the lyric is a great deal more convoluted than it at first appears. It offers many intriguing bits of knowledge into the part of the female artist, her brain science, and the verifiable setting of the work. Bradstreet composed the lyric in measured rhyming. The lyric communicates Bradstreet 's emotions about her brother by marriage distribution of some of her sonnets in 1650, which she didn 't know about until the volume was discharged. Utilizing the allegory of parenthood, she depicts the book as her youngster. Like a defensive mother, she noticed that the volume was "sick formed" and grabbed far from her before it was prepared for freedom. The "companions" who took it were "less astute than genuine," implying that while their activities were imprudent, these individuals absolutely did not have malignant goals. Since the work has been distributed without giving the artist time to redress any blunders, it is out on the planet while it is back in her grasp. At initially, she depicts the recently bound volume as "maddening in my sight," not able to overlook the blemishes she wished she had the chance to address. She wishes she could show her work in its best form yet that is presently inconceivable - she portrays washing its face yet at the same time observing soil and stamps. Be that as it may, the artist can 't resist the
“It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide – plunge off at outrageous angles, destroy themselves in unheard of contradictions. The color is repellant, almost revolting; a smoldering unclean yellow, strangely faded by the slow turning sunlight. It is a dull yet lurid orange in some places, a sickly sulphur tint in others. No wonder the children hated it! I should hate it myself if I had to live in this room long. There comes John, and I must put this away, -- he hates to have me write a word” (480).
The story of this poem tells about a young boy that is lured in by the sensuousness of the moon, and then dies because of his own desire for her. The symbolic meaning is much more hidden and disguised by the literary elements of the poem. The storyline and aspects of the literal story add meaning when searching for the figurative meaning. The warning learned from this poem is that infatuation with anything can lead to a downfall. The moon seemed to offer a comfort that attracted him, but it was only a disguise to lead him to death. The passion the young boy felt for the moon can easily be modified to describe the passion a person can feel for anything. The young boy saw safeness in the moon that brought him closer to her. Any obsession will seem to offer the same comforts that the young boy also saw, but this poem warns that death can always disguise itself.
The poet conveys his attitude toward the character in a detached manner, seeing as the poem is not written in the perspective of the character or someone close to him. The speaker details the actions of the character in a sympathetic, respectful tone, but the choice of actions that the poet chooses to include seem to mock him. Perhaps most representative of this assertion is the choice to make the first word of both the novel and the poem “Cabbage,” immediately indicating that the novel the character has waited years to write will likely not be of good quality (1). Additionally, the poet uses the simile “a trophy pen, / like a trophy wife,” describing the pen that would play such an integral role in writing the novel with a negative connotation (2-3). The repetition of the phrase “not cheap” suggests that the extensive amount of resources the character has invested in the creation of his novel may have simply been a waste. Additionally, the detail that the character “dreamed in free moments at his office” and “excitingly” began writing is undercut by the first word being “cabbage” (17-21). In the event that the first word was more mellow, the tone of the poet would be very similar to that of the speaker. However, the choices in detail as well as the use of specific literary devices keep the tone of the poet and the tone of the speaker on two different
“Litany” is a poem inspired by a quote from Jaques Crickillon, this free verse poem describes the feeling of a man to a girl with the use of nouns. This poem has two different tones during its development, a serious tone and a mockery tone, that change from stanza to stanza, for example the first stanza using a metaphor compare the nature with the beauty of the woman, Crickillon express “you are the dew on the morning grass/ and the burning wheel of the sun.”(7-8). Also, the speaker in this poem change the traditional love poem of portray a woman or lover by focused on what the woman is not in the second stanza, in this lines the author is making fun. Nevertheless, the readers shock when the speaker admits that he is he is not like her, in the sixth stanza, the shooting star and paper blowing represent that how unpredictable the men is .
...images, but with extremely unlike moods. Society often depicts many things in a different light. They may describe something as the new and adventurous thing everybody should try, but doesn’t include the effects. Often people are tricked by their means of persuasion without acknowledging the facts. The key thing these poets were trying to explain was that there is no way of knowing how something will be unless you try it. They are not saying to go out and try everything but that you can’t believe everything that people say.
The poet mourns the death of his loved one and wants the world to grieve with him. His wants his subjective to be objective. The first stanza links everything to noise. He wants to 'silence the piano ' for example, showing how he wants no more noise in the world. Throughout the poem, there are many imperatives. This relates back to Remember, where the poems title is included in the imperatives. The third stanza has no imperatives at all, and many antonyms. This is the poets way of saying they meant everything to him. The second stanza uses 'scribbling ' to personify a plane. The use of personification in the poem links back to Do not go gentle into that good night. The first stanza contains references to things that can be easily done like 'stop all the clocks '. The second has things that are theoretically possible but a bit harder to do. The poem seems to get less and less realistic as it goes on. The final line, 'For nothing now can ever come to any good ', is quite bleak, showing how the death of his partner has affected the poet. It gives him no good feelings
This entire poem talk about how beauty fades with time. Thus, like any carpe diem poetry, one is urged to cherish time. In this case, beauty is associated with time and the narrator believes that both should be cherished with the same intensity. There is a tone of urgency to find physical love, as the narrator only addresses physical beauty, which fades. He wants the girl to learn to be "desired" and "admired" while she is still beautiful.
I found that throughout this poem there was much symbolism within it. Identifying that it was written in first person form showed that this poem relates to the author on a personal basis, and that it was probably written to symbolize his life. But when talking about people’s lives, you can conclude that people’s lives are generally and individually very diffe...
The speaker uses metaphors to describe his mistress’ eyes to being like the sun; her lips being red as coral; cheeks like roses; breast white as snow; and her voices sounding like music. In the first few lines of the sonnet, the speaker view and tells of his mistress as being ugly, as if he was not attracted to her. He give...
Much of the second stanza parallels the first in concepts, but contrasting in development. While in the first stanza the mirror describes itself as absolute truth, it degrades both the candles and the moon that the woman turns to as liars in the second. This comparison of the mirror to the moon and candles helps contrast how the mirror sees itself versus how the mirror is seen by the world, particularly the woman. The concept of how the mirror is perceived by the woman is carried throughout the second stanza, particularly in the line: “she rewards me with tears and an agitation of hands,” helps convey her negative attitude to how the mirror reflects herself. The poem closes with another metaphorical parallel, connecting back to the first line of second stanza. If the mirror is a lake, than the woman, constantly viewing herself in it, is a fish. This all supports the mirror’s interpretation of itself, absolute, tacit and unaffected by its
The poem says that "since feeling is first" (line 1) the one who pays attention to the meaning of things will never truly embrace. The poem states that it is better to be a fool, or to live by emotions while one is young. The narrator declares that his "blood approves" (line 7) showing that his heart approves of living by feeling, and that the fate of feeling enjoyment is better than one of "wisdom" (line 9) or learning. He tells his "lady" (line 10) not to cry, showing that he is speaking to her. He believes that she can make him feel better than anything he could think of, because her "eyelids" (line 12) say that they are "for each other" (line 13). Then, after all she's said and thought, his "lady" forgets the seriousness of thought and leans into the narrator's arms because life is not a "paragraph" (line 15), meaning that life is brief. The last line in the poem is a statement which means that death is no small thi...
The tone in the first 11 stanzas of the poem seems very resigned; the speaker has accepted that the world is moving on without them. They says things like “I don’t reproach the spring for starting up again” and “I don’t resent the view for its vista of a sun-dazzled bay”. By using words like “resent” and “reproach”, the author indirectly implies that the speaker has a reason to dislike beautiful things. The grief that has affected the speaker so much hasn’t affected life itself and they has come to accept that. The author chooses to use phrases like ‘it doesn’t pain me to see” and “I respect their right” which show how the speaker has completely detached themself from the word around them. While everything outside is starting to come back to life, the speaker is anything but lively. “I expect nothing from the depths near the woods.” They don’t expect anything from the world and want the world to do the same thing in return. This detachment proves that the speaker feels resigned about themself and the world around