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Frankenstein thematic essay
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How Does the Language in Mary Shelley’s Frankenstein Reflect its Gothic Genre
The gothic genre was popular around the nineteenth century. It is
often associated with dark, evil things and death. This seemed
appropriate at the time as there were no electric lights or
televisions so it was generally darker than it is in the present day.
It brings to mind stories like Frankenstein, Dracula and Dr Jekyll and
Mr Hyde. It may have been popular at this time because it is typically
based about ominous things in dark places making it seem more
realistic because of the use of candles at the time.
I am focussing on the beginning of ‘Frankenstein’ and observing how
his dreams drove him to his own destruction, and how he is left to
destroy the monster which he created.
Robert Walton, an explorer travelling through the icy wasteland of the
North Pole, sees the monster and is suddenly overwhelmed by his evil
presence, he then finds Frankenstein, almost dead and consumed by the
coldness of the bitter environment. Victor comes with his warning, and
his story, as he explains just what a dream can lead to.
The first part of the book is Robert Walton’s letters from St.
Petersburgh and his ship to his sister in London. The letters are
written in the first person and the present tense, making the story
much more real and believable as it is being told directly and as
though it were really happening as the reader is reading it. The
letters also emphasise Walton’s distance from home and how isolated he
was. In the first letter he is writing about just how eager he is to
continue with his journey, and how the undiscovered land could be so
beautiful. He writes of all the great things that will come of his
journey. In the l...
... middle of paper ...
...k by lightning and suddenly destroyed, “...on a sudden I
beheld a stream of fire issue from an old and beautiful oak which
stood about twenty yards from our house; and no soon as the dazzling
light vanished, the oak had disappeared”. This is like an
instantaneous representation of Frankenstein’s life, a beautiful
beginning and then a sudden turning point leading to a horrible end.
It also represents the gothic genre with the idea of a wonderful life
being taking by an evil force, using the thunderstorm as a metaphor
for the destructive force that takes such light and innocence from the
world.
Many elements of the gothic genre are apparent in the letters and
first two chapters and even though the reader knows what happens to
Frankenstein in the end, they are compelled to read about his life and
what drove him to become what he is when Walton finds him.
Frankenstein in a Historical Sense Mary Shelley’s Frankenstein was published in 1818 during the Romantic era. Romanticism describes the period of time from the late 18th century to the mid 19th century. This period was seen as a response to the Enlightenment; overall there was an increase in the desire to understand the world in an objective matter (lecture). Though Romanticism is commonly viewed as a literary and artistic movement, Mary Shelley gives evidence on the development of Europe in a historical sense through her novel, Frankenstein. Through the motifs and personal experiences of her characters, Mary Shelley’s Frankenstein gives insight on scientific development, emerging roles of women, and how the individual is viewed as the lower class during the early 19th century.
This novel is told from the first person point of view. George Walton begins narrating the story through his letter to his sister. After he rescues Victor from the ice and nurses him back to health, Victor begins to tell Walton his tale. As the story begins the perspective shifts from Walton's to Victor's point of view while still being told in first person. The first person narration really helps give the reader insight into the true state of the main character's mind, and it is indeed a dark place.
As in many other stories, Robert Walton performs a primary role, the narrator. As a polar exploring narrator, first of all, Robert Walton holds a third person view when recounting Frankenstein’s tale, which gives a more objective and reliable feeling to the readers. Secondly, Walton’s narration not only gives a just account for the narrative of Frankenstein, but also sets the scene for Victor’s own story and life to begin, to break, and to end. The novel starts right with the letter from Robert to his sister, so readers are brought right into the plot. At the same time, because it introduces the background of meeting Frankenstein, the story has a sense of reality. Then within the time Victor explains his adventure, Robert functions as a joint for different events and breaks of Victor. When approaching the experience of learning about the death of Henry, Victor once said, “I must pause here, for it requires all my fortitude to recall the memory of the frightful events which I am about to relate, in proper detail, to my recollection” (158). Even though Walton is not directly introduced into the conversation, audience can feel that the reference to Walton pulls th...
Using gothic conventions Frankenstein explores Mary Shelley’s personal views on the scientific developments, moral and economical issues that occurred during the 19th century and Shelley’s personal emotions and questions regarding her life. As an educated person, Mary Shelley had an interest in the development of the world such as political and moral issues and she challenged these issues in the novel.
Mary Shelley’s Frankenstein describes a mad scientist by the name of Victor Frankenstein and the initially amiable creature assembled by him. Through questionable means of experimentation, this monster is constructed through the reattachment of several cadavers and a bolt of lightning. Upon achieving the magnificent feat of reanimation, Victor, rather than revelling in his creation, is appalled, abandoning the creature. The physical appearance of the monster terrorizes everyone he meets and is unfortunately shunned from the world. The newborn monster develops a nomadic lifestyle after being ostracized by nearly every community he travels to, but eventually finds refuge near a secluded cottage. While returning from a nearby forest, the creature
The obsessed search for knowledge, fame and fortune can often undervalue one’s life and become the main focus of their existence. In Mary Shelley’s novel Frankenstein, she proves that obsession is a dangerous aspect of the human behavior, which always results in a negative outcome, this is mainly portrayed through the protagonist of the story Dr. Victor Frankenstein, because of Dr. Frankenstein’s obsessive personality he fails to recognize the affects of his scientific experiments which eventually lead to his and his family’s death.
How Mary Shelley creates a sense of horror in Frankenstein. Frankenstein Introduction In this essay, I will be writing about how Mary Shelley creates sense. of horror in Frankenstein. Horror stories are usually dark and sinister.
Vast arrays of appropriations have sprung from Shelley’s text, which influence as to why the text still remains today. The main source of today’s appropriations has been drawn directly from the figure of the monster itself. As, technology advanced and the idea of the stage was subjugated with the growing trend towards cinema, the figure of the original idea of the monster diminished. The figure slowly morphed into a hideous being, possessing green, stitched skin with bolts in the side of the head (lacking the original parallels to Adam). Unfortunately, the birth of cinema and its immediate success led to the demise of the philosophies and principles, which were initially at the crux of Shelley’s Frankenstein. A modern day appropriation of Frankenstein is The Rocky Horror Show, which draws directly from the creation of a monster, yet puts it in a satirical context, once again abating the traditional philosophies. The birth of the horror theme was partly due to Shelley’s text and though the horror theme is carried through today, it differs greatly as society now expects a different form of horror.
...tree” (Shelley 114-115) pertains to the creature and Victor Frankenstein because they are both examples of the sublime in a way that they are scary or mysterious to us as readers. This metaphor is played through the creature in the way that he sees himself as scary and a monstrosity for people to look at. When metaphorically comparing a tree to the creature, Mary Shelley draws attention to the deep damage caused by the lightning that brings the creature to life. The lightning that blasts a tree destroys the roots, the trunk and the leaves. Like the tree, the creature’s roots, his ties to his creator, Victor, are destroyed by the lightning. The lightning that brings the creature to life also destroys the foundations of life, love and family. Finally, all hope of future happiness is destroyed for the creature just as the future of the tree is ruined by the blasting.
Monsters are often present in gothic novels; especially in those that combine horror and romance. A monster will be the cause of individual characters fears. Frankenstein can be linked to this genre in many ways, the most obvious link being the horror element of the story. The thought of someone created from dead flesh would have been a horrific thought back then and still would be now, also Victor playing god would have been considered terrible back then “A new species would bless me as its creator” the 1800’s were still very religious times and trying to create life artificially would have been condemned by religious people.
As can be seen Frankenstein utilises many of the conventions of the gothic genre and can thus be considered a gothic novel. Its links to the Romantic movement are also evident. The stereotypical settings, characters and plots, interest in the sublime, emphasis on suspense, the production of excessive emotion in the reader ( particularly that of terror and horror), the presence of the supernatural and the notion of the ’double’ are all features of Frankenstein that illustrate this.
The literary elements of remote and desolate settings, a metonymy of gloom and horror, and women in distress, clearly show “Frankenstein” to be a Gothic Romantic work. Mary Shelley used this writing style to effectively allow the reader to feel Victor Frankenstein’s regret and wretchedness. In writing “Frankenstein” Mary Shelley wrote one the most popular Gothic Romantic novels of all time.
Frankenstein’s creature, the concept way ahead of its time but a terrifying thought to its first audiences.
Mary Shelley, with her brilliant tale of mankind's obsession with two opposing forces: creation and science, continues to draw readers with Frankenstein's many meanings and effect on society. Frankenstein has had a major influence across literature and pop culture and was one of the major contributors to a completely new genre of horror. Frankenstein is most famous for being arguably considered the first fully-realized science fiction novel. In Frankenstein, some of the main concepts behind the literary movement of Romanticism can be found. Mary Shelley was a colleague of many Romantic poets such as her husband Percy Shelley, and their friends William Wordsworth and Samuel Coleridge, even though the themes within Frankenstein are darker than their brighter subjects and poems. Still, she was very influenced by Romantics and the Romantic Period, and readers can find many examples of Romanticism in this book. Some people actually argue that Frankenstein “initiates a rethinking of romantic rhetoric”1, or is a more cultured novel than the writings of other Romantics. Shelley questions and interacts with the classic Romantic tropes, causing this rethink of a novel that goes deeper into societal history than it appears. For example, the introduction of Gothic ideas to Frankenstein challenges the typical stereotyped assumptions of Romanticism, giving new meaning and context to the novel. Mary Shelley challenges Romanticism by highlighting certain aspects of the movement while questioning and interacting with the Romantic movement through her writing.
Frankenstein by Mary Shelley is a gothic science fiction novel written in the romantic era that focuses on the elements of life. The romantic era was sparked by the changing social environment, including the industrial revolution. It was a form of revolt against the scientific revolutions of the era by developing a form of literature that romanticize nature and giving nature godliness. This element of romanticized nature is a recurrent element in Frankenstein and is used to reflect emotions, as a place for relaxation and as foreshadowing. Frankenstein also includes various other elements of romanticism including strong emotions and interest in the common people.