IN THE THEORIES OF LANGUAGE 3
“Perhaps the world progress not by maturing, but by being in a permanent state of adolescence, of thrilled discovery,” says Julian Barnes. Within the story Frankenstein, the author, Mary Shelley, portrays Victor Frankenstein as adolescence, seeking to find the thrill in creating life with his own hands while in another sense, the creature acts as an adolescence fighting for the attention of its father. The characters’ actions in the book almost correlate to Mary Shelley’s life. Mary Shelley was not an ordinary 19 year old teen. Born into a family of romantic poets, Shelley already had an idea of what her life would consist of. She started off studying her parent’s work, later falling into Gothic
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The creature soon began to understand human language, so he started to read the book he took from Victor Frankenstein’s lair, giving him the information on how he became. Fully understanding of things, the creature is now responsible for his sayings and actions.
Throughout the story, Victor Frankenstein became less and less responsible for the creature’s actions. At the beginning of the creature’s life, Victor can be held accountable for the creature’s actions because he is the one that “birth” it. In the beginning of Chapter 5 of the novel, Frankenstein, Victor expresses how ugly the creature is saying, (1818) “How can I describe this catastrophe, or how delineate the wretch whom with such infinite pains and care I had endeavored to form? His limbs were in proportion, and I had selected his features as beautiful. Beautiful!--Great God!” Victor created a hideous monster, not with the intentions on making him ugly. “Collecting bones from charnel houses; and disturbed, with profane fingers, the tremendous secrets of the human frame” is how Victor brought this monster together; sounds like Victor is a child at play with his new toys, in a rush to put them together, resulting in the creature’s body becoming an ugly and botched together a disgraceful figure of nature as if it was a rag doll. It was just Victor’s fantasy of autonomy that he tried to make become
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However, it does try to redeem himself within Victor. At the beginning of the story when his loneliness was getting the best of him, but then he found the family, that he soon fell in love with. He admired them from afar because he was still too scared to introduce himself. In Chapter 12, it reads, (1818) “I had admired the prefect forms of my cottagers—their grace, beauty, and delicate complexions: but how as I terrified when I viewed myself in a transparent pool! At first I started back, unable to believe that it was indeed I who was reflected in the mirror; and when I became fully convinced that I was reality the monster I am, I was filed with the bitterest sensations of despondence and mortification. Alas! I did not yet entirely know the fatal effects of this miserable deformity.” In these lines, the creature speaks on how seeing the family creates a door for him to escape his state of depression, helping him to forget his problems. He visualizes them as perfect; however, when he gets a reminder of how he really looks it is like a reminder and a minor setback for him. So at this point, the family is like his therapy helping him to get to a normally happy state in his life. Soon thereafter, the creature builds up the courage to speak to the old man, resulting in the family fighting against him, rounding up their things, and running away from the monster. So
In Frankenstein, Mary Shelley highlights on the experiences her characters undergo through the internal war of passion and responsibility. Victor Frankenstein lets his eagerness of knowledge and creating life get so out of hand that he fails to realize what the outcome of such a creature would affect humankind. Mary Shelley’s novel, Frankenstein, highlights on how Frankenstein’s passion of knowledge is what ultimately causes the decline of his health and the death of him and his loved ones.
After the monster is born and he has a fit, we see the lowest point so
The Creature, after learning what it is to love, requests that Victor creates a companion for him. Victor rejects the creature’s proposition, as Victor now understands the consequences of animating what shouldn't be alive, the Creature wants nothing more than for Victor to suffer, to feel the pain that he, as a wretch, faces. The Creature does so by devoting his life to the destruction of Victor’s. In chapter 24, the Creature states “But it is even so; the fallen angel becomes the malignant devil.” The creature is viewed as entirely evil by the characters of the novel, despite the scenes in which his benevolent nature is shown. It is ironic that Victor and his creature are foils of one another, yet they suffer a similar fate: their desire to destroy one another led to their ultimate
The idea for the novel of Mary Shelley’s Frankenstein came to her one night when she was staying in the company of what has been called ‘her male coterie’, including Lord Byron and her husband, Percy Shelley. Mary Shelley’s whole life seems to have been heavily influenced by men. She idolised her father, William Godwyn, and appears to have spent a good part of her life trying very hard to impress both him and her husband. There seems to have been a distinct lack of female influence, her mother, Mary Wollstonecraft, having died weeks after her birth, being replaced by a neglectful step-mother. These aspects of her life are perhaps evident in her novel. The characters and plot of Frankenstein were perhaps influenced by Shelley’s conflicting feelings about the predominately masculine circle which surrounded her, and perhaps the many masculine traits that we see in novel were based upon those of the male figures in Shelley’s own life. In this essay I will attempt to show some of these traits.
As a romantic novel Victor is responsible, because he abandoned his creation. As an archetype novel, Victor is the villain, because he was trying to play god. Finally, Victor as a Gothic novel, Victor is at fault, because, he and the creature are two different parts of the same person. If Frankenstein is looked at as a romantic novel, Victor, not the creature, is truly the villain. When Victor created the creature, he didn't take responsibility for it. He abandoned it, and left it to fend for itself. It is unfair to bring something into the world, and then not teach it how to survive. The creature was miserable, and just wanted a friend or someone to talk to. On page 115, the creature said, "Hateful day when I received life! Accursed the creator. Why did you form a monster so hideous that even you turned from me in disgust." This line shows the agony the monster was in, because of how he looked when he was created which led to even Victor running away from him. If Victor didn't run, he could have taught the monster and made his life happy. After the creature scared the cottagers away he said, "I continued for the remainder of the day in my hovel in a state of utter ...
Although the Creature later went on to commit crimes, he was not instinctively bad. Victor’s Creature was brought into this world with a child-like innocence. He was abandoned at birth and left to learn about life on his own. After first seeing his creation, Victor “escaped and rushed downstairs.” (Frankenstein, 59) A Creator has the duty to teach his Creature about life, as well as to love and nurture him. However, Victor did not do any of these; he did not take responsibility for his creature. One of the first things that the creature speaks of is that he was a “poor, helpless, miserable wretch; I knew, and could distinguish, nothing; but feeling pain invade me on all sides, (he) sat ...
The creature seeks revenge for the misdeeds committed against him, but also feels immense remorse for the things he has done. This revenge seems monstrous because it is committed by someone “hideous.” If it was committed by any other human in the book, it would be viewed differently. It is a very human thing to seek revenge for being wronged. Often, humans commit acts against their own kind for lesser reasons and with less provocation than the creature. In some instances, like the case of Victor’s brother, William, the creature did not mean to harm him, he did not know his own
The monster does not resemble Victor physically; instead, they share the same personalities. For example, Victor and the monster are both loving beings. Both of them want to help others and want what is best for others. Victor and the monster try to help the people that surround them. Victor tries to console his family at their losses, and the monster assists the people living in the cottage by performing helpful tasks. However, Victor and the monster do not reflect loving people. The evil that evolves in Victor’s heart is also present in the monster.
Frankenstein by Mary Shelley is a very complex book riddled with underlying messages. From the characteristics of each individual to the main storyline Shelley depicts a world of opposites. Victor Frankenstein, a privileged young man, defies nature when his obsession with life and death has him attempting to bring someone/something to life. He succeeds and quickly goes from obsessed over its creation to disgust with its form. He then rejects his creation, which sets the stage for the terrifying events to come. This is the embodiment of a modern novel as it contains alienation, disillusionment, and a critique of science.
A child's first steps are taken in the home. These experiences shape their existence for the rest of their lives. Jean Hall says that “The family may help the child grow up...loving...or a tyrant”. This fact holds ground in Mary Shelley's Frankenstein, as Victor and Elizabeth's childhood and the Creatures “childhood” are vastly different, which push them down very unlike paths. These differences are made so to connect the book to Mary Shelley's overall messages she wants to articulate about: Society's emphasis on wealth and appearance, and Nature vs Nurture.
Even when Victor rejects him, the monster still seeks love from society and performs unselfish acts. He seeks the love from others. Longing for company, the monster stays in the cottage without revealing him and watches the family that lives there. By watching them he learned how to speak and read. The monster tried to understand the meaning of “beauty”. He somewhat understood why people he had interacted with had treated him ill and he realized that it was because they were frighten by his hideous appearance. “The absolute other cannot be selfed, that the monster has properties which will not be constrained by proper measure”(Spivak). This goes back to the idea of “other”, now the monster himself understand that he 's different from human, that he doesn 't have the properties as human do so he must be interior to them. Furthermore we see that by watching the family in the cottage, the monster soon starts to love the family. He liked the way they had affection and love they had for each other. “The gentle manners and beauty of cottagers greatly endeared them to me; when they were unhappy, I felt depressed; when they rejoiced, I sympathized in their joy”(Shelly100). This shows that the monster was very loving and caring towards the family as would a innocent
“I now hasten to the more moving part of my story. I shall relate events that impressed me with feelings which, from what I was, have made me what I am” (Shelley 92). Frankenstein’s Creature presents these lines as it transitions from a being that merely observes its surroundings to something that gains knowledge from the occurrences around it. The Creature learns about humanity from “the perfect forms of [his] cottagers” (90). Mary Shelley’s Frankenstein offers compelling insights into the everlasting nature versus nurture argument. Her husband, Percy Bysshe Shelley wrote, “Treat a person ill, and he will become wicked.” Shelley believes that the nurture of someone, or something, in the Creature’s case, forms them into who they become and what actions they take. While this is true for Frankenstein’s Creature, the same cannot be said about Victor Frankenstein.
“Allure, Authority, and Psychoanalysis” discusses the unconscious wishes, effects, conflicts, anxieties, and fantasies within “Frankenstein.” The absence of strong female characters in “Frankenstein” suggests the idea of Victor’s desire to create life without the female. This desire possibly stems from Victor’s attempt to compensate for the lack of a penis or, similarly, from the fear of female sexuality. Victor’s strong desire for maternal love is transferred to Elizabeth, the orphan taken into the Frankenstein family. This idea is then reincarnated in the form of a monster which leads to the conclusion that Mary Shelley felt like an abandoned child who is reflected in the rage of the monster.
People are defined by their environment and how they react to their environment. Environments that appear to be perfect on the outside may very well be the cause of misery in man's life because one must be able to cope with their environment. Victor could not cope with his environment and lashed out at the world by trying to attain power. However, things do not always go as planned, and sometime this may be beneficial. One should not judge by external appearance alone. It is what is on the inside that counts. Had Victor Frankenstein been taught ethics such as this, his life, as well as the lives of those he loved, could have been saved. Also, the life of the creature could have been free of pain and hatred. The monster is a symbol for the outcasts and rejected of society. He is also a reflection of Victor, meaning that Victor was also considered an outcast. The reality of an animated object reflecting something that one does not want to see, combined with being alone in the world, is enough to drive man mad. The monster, in some ways, creates a harsh reality for Victor. Either love what you create or be destroyed by it.
She was an avid reader from a young age, therefore quite smart and literate. Young Victor was evidently a bright person, as he went on to University, and developed into an extremely enthused scientist. Many things in Shelley’s life seemed to be prefigurations to events which were to be later written in Frankenstein, as did, also, events in the novel seem to occur later to Shelley in life. In the Frankenstein novel a young girl drowns, due to the appearance of the monster.