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Literary analysis essay
Literary analysis of two kinds
Literary analysis of two kinds
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In the poem Borderlands by Gloria Anzaldua, the speaker connects living by the physical border between the United States and Mexico to invisible borders that exists when people struggle to express their identity. While the physical border separates the countries, she suggests the presence of a hidden border that separates cultures. Experiencing the rigid mindset of cultural segregation, the boundaries people set cause them to lose their identity in the midst of conforming to a new one. She also discusses the issue of xenophobia, creating barriers between cultures. Using two languages in her poem, Anzaldua attempts to link American and Hispanic culture, establishing an example of a crossroad. Many authors also often grapple with ideas regarding borders and crossroads to search for the origin of …show more content…
They dive into basic human experiences like epiphanies, gender, and marriage in attempt to define a human being. In stories and poems, authors often explore the concept of epiphanies. In Sightseeing, Lapcharoensap uses the analogy of Luk’s mother disappearing on an island across a sandbar to illustrate Luk’s epiphany. Lapcharoensap uses his realization that precious time passing with his mother will slip away soon to show how epiphany’s act as a warning. The warning causes Luk to reorder his priorities and make his life wait instead of his mother. Lapcharoensap believes that Luk’s epiphany will occur in the lives of most people as they mature. Demonstrating the power of epiphanies, he shows Luk breaking the border between him and his mother to create a crossroad. Ping also describes the power of epiphanies in American
In the book ”Queer Aztlan: The Re-formation of Chicano Tribe” written by Cherrie Moraga, she mentioned the Mexican border. The American army captures the Mexican capital in 1847, and the Mexican border was created in 1848 in order to let the Mexicans away their homeland which is lost at Mexican-American War. Moraga thinks there is a border between male and female, the male using the female but don’t give them help. Moraga also mentioned, “In a queer Aztlan, there would be no freaks, no others to point one’s finger at” (Moraga 235). This was talk about the fictional border.
In Jason de León's eye opening and heartbreaking book The Land of Open Graves, we get an indepth ethnological account of the many people who's lives have been shaped in one way or another by the Mexican-American border, and the weaponization of the inhospitable Sonoran desert. In this section of border crossing, 4 million undocumented migrants have been arrested (more than one third of all immigration arrests), and countless others have tried, failed, succeeded or died (1). De León also frames Border Patrol as a tool of state-sponsored structural violence and highlights the horrendous after effects of free trade policies for tens of millions of immigrants seeking to regain what they had lost. The author also details the ethical and moral
In Borderlands, the realities of what happens by the border instill the true terror that people face every day. They are unable to escape and trapped in a tragic situation. After reading my three classmates’ papers, I was able to learn a lot more about this piece than I originally encountered just on my own. I was able to read this piece in a completely new light and expand on ideas that I did not even think of.
In a story of identity and empowerment, Juan Felipe Herrera’s poem “Borderbus” revolves around two Honduran women grappling with their fate regarding a detention center in the United States after crawling up the spine of Mexico from Honduras. While one grapples with their survival, fixated on the notion that their identities are the ultimate determinant for their future, the other remains fixated on maintaining their humanity by insisting instead of coming from nothingness they are everything. Herrera’s poem consists entirely of the dialogue between the two women, utilizing diction and imagery to emphasize one’s sense of isolation and empowerment in the face of adversity and what it takes to survive in America.
The Life of Two Different Worlds In “Into the Beautiful North,” Luis Alberto Urrea tells a well-known story of life for thousands of Mexican people who seek a better future. He presents his novel through the experiences of the lives of his main characters that have different personalities but share a common goal. Through the main characters we are presented with different situations and problems that the characters encounter during their journey from Mexico to the United States. Urrea’s main theme in this novel is the border that separates both the U.S. and Mexico, and the difficulties that people face in the journey to cross.
Martinez, Oscar. Border People: Life and Society in the U.S.-Mexico Borderlands. (Tucson: The University of Arizona Press, 1994), 232.
Using both English and Spanish or Spanglish the author Gloria Anzaldua explores the physical, cultural, spiritual, sexual and psychological meaning of borderlands in her book Borderlands/La Frontera: A New Mestiza. As a Chicana lesbian feminist, Anzaldua grew up in an atmosphere of oppression and confusion. Anzaldua illustrates the meaning of being a “mestiza”. In order to define this, she examines herself, her homeland and language. Anzaldúa discusses the complexity of several themes having to do with borderlands, mestizaje, cultural identity, women in the traditional Mexican family, sexual orientation, la facultad and the Coatlicue state. Through these themes, she is able to give her readers a new way of discovering themselves. Anzaldua alerts us to a new understanding of the self and the world around us by using her personal experiences.
Martinez, Demetria. 2002. “Solidarity”. Border Women: Writing from la Frontera.. Castillo, Debra A & María Socorro Tabuenca Córdoba. Minneapolis: University of Minnesota Press, 168- 188.
Epiphanies can be described as a moment of sudden revelation or insight. In the short stories like Jess Walter’s “Cons,” Andres Dubus’’s “Killings,”and Roald Dahl’s “The Landlady,” all characters have some sort of an epiphany. Epiphanies happen when the character least expects it, and sometimes will hit them like a truck. These epiphanies can be both good and bad, and each story shows that.
The struggle to find a place inside an un-welcoming America has forced the Latino to recreate one. The Latino feels out of place, torn from the womb inside of America's reality because she would rather use it than know it (Paz 226-227). In response, the Mexican women planted the seeds of home inside the corral*. These tended and potted plants became her burrow of solace and place of acceptance. In the comfort of the suns slices and underneath the orange scents, the women were free. Still the questions pounded in the rhythm of street side whispers. The outside stare thundered in pulses, you are different it said. Instead of listening she tried to instill within her children the pride of language, song, and culture. Her roots weave soul into the stubborn soil and strength grew with each blossom of the fig tree (Goldsmith).
side of a border town made Smeltertown residents American, Perales looks at how they also never left their Mexican culture and customs behind. The San Jose’ de Cristo Rey Catholic parish served as a place for Esmeltianos to reimagine what it meant to be racially and culturally Mexican in an American border town. The Catholic chapel on the hill became the locus of what it meant to Mexican in a border town. Through their sense of community and the Catholic parish, Esmeltianos retained many aspects of their Mexican culture: Spanish language, Mexican patriotism, Catholicism. “Blending elements of national and ethnic pride, shared language, and a common experience with Catholicism provided a foundation on which Esmeltianos reconfigured what it meant to be Mexican in a U.S.
The normalization of being a heterosexual presence would classify you as normal and you’d feel accepted by many different groups and communities by default. Certainly no one would deny that being true. What seems to be the issue is why is being heterosexual is the only type of normality society seems to accept. While reading Gloria Anzaldua’s Borderlands/ La Frontera, the author brought up her personal struggles with her sexuality within her culture and with society. As well as other difficulties when being a female and being lesbian (Anzaldúa and Saldívar-Hull, 41). The scope of this essay should cover the many different borders we face as humans when it comes to where we draw the line on sexuality.
O’Connor powerfully made the reader realize that having an epiphany opens up our mind to a clearer insight, and this was seen with the grandmother in “A Good Man is Hard to Find” and Mrs. Turpin in “Revelation.” Nonetheless, O’Connor also created characters that obtained a certain type of violence deep within their personality to show the importance of real life experiences within our society. These two short stories show a great amount of emotion and life lessons towards the reader, and O’Connor successfully conveyed her point while using her powerful Southern gothic writing technique.
The eternal endeavor of obtaining a realistic sense of selfhood is depicted for all struggling women of color in Gloria Anzaldua’s “Borderlands/La Frontera” (1987). Anzaldua illustrates the oppressing realities of her world – one that sets limitations for the minority. Albeit the obvious restraints against the white majority (the physical borderland between the U.S. and Mexico), there is a constant and overwhelming emotional battle against the psychological “borderlands” instilled in Anzaldua as she desperately seeks recognition as an openly queer Mestiza woman. With being a Mestiza comes a lot of cultural stereotypes that more than often try to define ones’ role in the world – especially if you are those whom have privilege above the “others”.
Bass, Randall. "Borders as Barriers: Otherness and Difference." Bordertexts: Cultural Readings for Contemporary Writers. Boston: Houghton Mifflin, 1999. 205-210.