Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Shakespearean element of tragedy in Julius Caesar
Shakespearean element of tragedy in Julius Caesar
How is suspense created in Julius Caesar by shakespeare
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Shakespearean element of tragedy in Julius Caesar
Shakespeare has different ways to show dramatic tension and how to develop characters in his plays. For example, in Julius Caesar he used the weather, dreams, augerers, and the portents to create dramatic tension and to develop character. Using common things such as weather or dreams is a good way of creating dramatic tension and developing character. First, in Julius Caesar, Shakespeare is using the weather in act I scene II, to create dramatic tension because the storm was said to be there because the gods were angry at what the people were doing. Cassius tells Brutus, “The fault, dear, Brutus is not in the starts but in ourselves that we are underlings”. Cassius believe that the “heaven” is upset with them because of what they are planning to do. Cassius is a man of action and Casca is more cautious, he is expressing his fear that the …show more content…
Calpurnia has had a dream in which she saw Caesar’s statue run with blood like a fountain, while many smiling Romans bathed their hands in the blood. In the dream it says that Caesar must be killed before he becomes too powerful. Calpurnia begs Caesar to stay home but refuses saying the senators will be upset if he doesn't show. Calpurnia’s dream is foreshadowing that Caesar will be killed by some Romans at which he is. The way Shakespeare used a dream to create dramatic tension was a common way. Third, Shakespeare uses the Augerers to create dramatic tension by saying, “Fierce fiery warriors fought upon the clouds in ranks and squadrons and right form of war, Which drizzled blood upon the Capitol. The noise of battle hurtled in the air. Horses did neigh, and dying men did groan, And ghost did shriek and squeal about the streets. O Caesar? These things are beyond all use and i do fear them”. Calphurnia tried to warn Caesar that when beggars die there are no comets seen, the heavens themselves blaze forth the death of
Cassius believes that he should not be ruler of Rome for a few very specific reasons, so to combat this he convinces Marcus Brutus to join his conspiracy by forging fake letters. Brutus is very honorable and is loved by many people in Rome, so he would bring the people to their side. On the 15th of March Caesar went to the capital despite the multiple warnings he was given. Calpurnia ,Caesar’s wife, dreamt of his statue running with blood and begged him to stay home. Although Caesar ignored it when Decius convinced him that it represented the good and richness that he would bring to Rome.
In this scene, Caesar shows no eagerness to gain power or fame as the citizens have assumed therefore showing no ambition whatsoever. The imagery and logical reasoning persuade the audience into rethinking if Caesar was ambitious and believe that Caesar was
CAESAR: He is a dreamer. Let us leave him. Pass.” (1.2.28-29) Othsayer appears to be the fortuneteller who tries to warn Caesar of an unknown danger in this situation but Caesar quickly dismisses the idea. Caesar demonstrates his control of his own life, that the predictions are merely dreams that can never turn into reality. Under such conditions, it cannot be the fate but rather the free will of Caesar himself to blame for his death for taking risks and facing life in his own way. Another instance of fate is Casca's observations of a dreadful night. He describes the setting as if there are burning slaves, crawling lion, and ghostly women on the street of the Capitol. (1.3.25-32) These omens are usually associated with fate, as that supernatural sights hints the happening of a tragedy soon, but they don't necessarily define the tragedy itself. They can refer to a series of other events and not the assassination of Caesar. Lastly, the night before the assassination, Calphurnia convinces her husband to stay home due to a nightmare, but Caesar responds with as if it is no big matter in "CAESAR: Nor heaven nor earth have been at peace tonight. Thrice hath Calphurnia in her sleep cried out "Help, ho, they murder Caesar!" (2.2.1-3) In her dream, Calpurnia claims to see the death of her husband whose blood flows all over Rome. Her fear toward
Much of Rome perceives Caesar as a superior being and immortal, but Cassius holds a contrasting perspective of Caesar. There is a point in his story where Caesar is crying for help, “Help me, Cassius, or I sink!” (111). Cassius also reveals a time when Caesar fell ill in Spain and how Caesar was completely taken over by this sudden sickness, “And when the fit was on him, I did mark/ How he did shake-’tis true, this god did shake,” (120-121). Cassius tells of Caesar’s weakest points, exposing moments in which Caesar does not seem godly at all. By illustrating the time in which Caesar fell ill Cassius proves that Caesar is not a celestial because become gods do not become ill, only normal citizens do. Cassius diminishes Caesar’s godly nature by illustrating how this great immortal being, cannot swim or can become terribly ill, just as any other commoner. Cassius, by exposing these moments in Caesar’s life, demonstrates to Brutus that Caesar is not fit to be a leader and is not the god Romans perceive him to be; his actions create a different person than his words. This supports Cassius’ point that Caesar is not fit to be a leader because Caesar is deceiving the people of Rome. Cassius continues to elaborate on his episode when he informs Brutus that he was crying for others to bring him water, “Ay, and that tongue of his that bade the Romans/Mark him, and write his speeches in their books,/Alas it cried, ‘Give me some drink, Titinius” (125-127). The great Caesar, whom others admire and document his words, is now begging for a drink to help him recover from the sudden illness. Cassius emphasizes how Caesar is not divine since he cannot manage sudden, challenging events. He reveals how Caesar whose words can persuade the citizens of Rome is now begging for someone to help him. This diminishes his godly nature because it demonstrates how weak Caesar can become in an instant.
Caesar’s lack of somewhat savage Machiavellian traits foreshadows his downfall a multitude of times. From the beginning, the soothsayer warns him to watch out for the Ides of March. There are also bad signs; men in fire walks up and down the streets, and a lioness gives birth on the streets. Likewise, before he heads to the Senate House to receive the crown, Calphurnia tells him that she has had a nightmare, and pleads him to stay home. However, he ignores all the premonitions and moves toward where the Senators are, with no one to protect him when he is in danger. This action of Caesar contradicts the teachings of Machiavelli, “Before all else, be armed” (The Prince). As a result of his carelessness, the conspirators see that he has no chance of circumventing, and assassinates him. Similarly, he is unsuccessful in recognizing the outrage of Cassius and a few others; he isn’t doubtful enough of their secretive deeds and eventually loses the reigns to eliminate the defiance. "The same thing occurs in affairs o...
Calpurnia’s dream predicted Caesar’s death well, after being stabbed by all of his friends and bleeding to death, the men that killed him bathed in his blood happily thinking Rome will be safe. The omen of Caesar’s ghost visiting Brutus represented Brutus’s death. Caesar said “I will see you in Philippi,” meaning he will see Brutus at the place of the battle and watch him die, which he did. The Tragedy of Julius Caesar had the ongoing theme of Fate versus Free Will, but it seemed that fate was mostly shown.
Shakespeare’s portrayal of Cassius is based on Plutarch’s historical description as a “choleric man” who “even from his cradle could not abide any manner of tyrant (“Sources” 115).” It is not through divine power that men begin to conspire against Caesar, but it is through Cassius’ decision to use the power of rhetoric in order to persuade men, especially Brutus, to conspire against Caesar. According to Cassius in the play, “Men at some time are masters of their fates. / The fault, dear Brutus, is not in our stars / But in ourselves, that we are underlings (1.2.139-141).” Through careful and strategic planning is Cassius able to persuade Brutus, a man who “for his virtue and valiantness, was wellbeloved of the people (“Sources” 120),” into conspiring and acting upon the death of Caesar. Caesar also believes that men control their own fate by stating, in response to the omens and portents, “Danger knows full well / That Caesar is more dangerous than he (2.2.44-45).” Through this quote, Caesar presents his belief that he has the ability to overcome a superstitious fate. Therefore, he ignores all the signs and omens and thus determines his fate through an action that would seal his death. Unlike Calphurnia 's beliefs, Shakespeare makes it clear that it is the free will of these men alone that shaped history into the tragedy which it became. It was not
In conclusion, Decius’s argument prevails, for he argues in what appeals to Caesar, while Calpurnia tries to scare Caesar with things that scare her. Caesar is not frightened by bad omens, but he worries over lack of power. Caesar decides to go the Capitol, and his impending death.
Cassius was the one who approached Brutus with the idea of conspiring to kill Caesar, who would soon become the king of Rome. Cassius proposed this matter to Brutus because he knows that Brutus is one of the most noblest men in Rome and would do anything for his country even if it meant sacrificing his own life. They both knew that Caesar’s upcoming coronation posed a threat to the ideals of Roman society because he intended to bring monarchy back to the Roman government. Later on the system of monarchy will soon turn into a tyranny. That is what Brutus and Cassius are afraid will happen if Caesar becomes king.
However, when Decius arrives at Caesar’s home, he tries to convince Caesar that he has misinterpre...
The play Hamlet introduces a common motif such as natural versus unnatural. Throughout the story of Hamlet, he is a man that brings lots of revenge, ghosts, tragedy and deceives many of the people closest to him. Shakespeare displays unnatural acts to help readers understand the untimely acts of the protagonists in the story. These unnatural acts ultimately lead to tragedies involving the characters within the play. This type of motif was used in the place to display to readers the extreme thoughts and feelings projected from characters such as Hamlet and the King.
Throughout this play, readers see what the motives of Cassius, Brutus, and Antony drive each of them to do, and how this affects their outcomes. Though these motives did not lead to a tragic downfall for each of these characters, motives are often taken too far. They prove to be so strong that they blind characters from making educated decisions and having a sense of rationality. The many deaths in this play all started out with one person being motivated to do something, and one things leads to another. Motivation fueled by loyalty can be just as dangerous as motivation fueled by hatred. The strength of that motivation is what can really make it dangerous, and cause lives to be lost.
William Shakespeare found that imagery was a useful tool to give his works greater impact and hidden meaning. In Hamlet, Shakespeare used imagery to present ideas about the atmosphere, Hamlet's character, and the major theme of the play. He used imagery of decay to give the reader a feel of the changing atmosphere. He used imagery of disease to hint how some of the different characters perceived Hamlet as he put on his "antic disposition". And finally, he used imagery of poison to emphasize the main theme of the play; everybody receives rightful retribution in the end.
Caesar's death was a most tragic event indeed, for he would have made a great Roman monarch. However, there were many unheeded warnings. caveats which might have averted his death. In the first act itself we see that Caesar comes across a soothsayer. who fore tells that the future holds terrible things for Caesar.
...ed a vital role in the novel was when the fearfully voiced her opinion on whether Caesar should go to the Senate and when she was reported to have had a dream in which she, “…in her sleep cried out, ‘Help, ho! They murder Caesar!’ Who’s within?” (Act 2, ii, 3-4). Foreshadowing the murder of her husband, and begging him to not go out, Calpurnia essentially controlled the fate of Caesar. It is remarkable to think that if Caesar had only listened to his wife, the entire course of the story would have been dramatically different.