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Literary essays on memory
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Memories are ways that people stir emotions in others. Raymond Carver exploits his characters memories in "Everything Stuck to Him" to create a frame story. A frame story, or story within a story, allows for an author to have a third person account of characters lives. This careful development from Carver allows for his diction, minimalistic style, and characterization to impact the meaning of the piece.
In Carver's frame story, he uses diction to establish that the couple in the man's story is generic, and their names are not as important as their actions. By omitting the characters' names and simply saying things such as, "They were kids themselves but they were crazy in love, this eighteen-year-old boy, and this seventeen-year-old girl when they married".
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This impacts the story because it causes the reader to view the frame story as a ------------- that could happen to any young family. This establishes an understanding that the young family is unsure of all their choices and mistakes.
Carver continues to change how the story develops with his minimalist writing style. This impacts the story because many things are left unsaid. Because of this the reader then has to draw conclusions from what Carver writes in the text. Carver uses this strategy to create the family dynamic when the boy is bathing his baby. Such an example from Carver is, "He powdered the tiny body. He powdered between fingers and toes. He emptied the bath into the sink and went upstairs to check the air". From first glance, it appears as if the boy is simply cleaning the baby when the boy is, in fact, doing more than that. These simple sentences force the reader to draw the conclusion that he cares for the baby. Carver shows this by being sure to mention how the boy cleans the smallest parts of the baby. Therefore, this minimalistic style develops the loving family aspect of the story. Carver further
Baby narrates her story through her naïve, innocent child voice. She serves as a filter for all the events happening in her life, what the narrator does not know or does not comprehend cannot be explained to the readers. However, readers have reason not to trust what she is telling them because of her unreliability. Throughout the beginning of the novel we see Baby’s harsh exposure to drugs and hurt. Jules raised her in an unstable environment because of his constant drug abuse. However, the narrator uses flowery language to downplay the cruel reality of her Montreal street life. “… for a kid, I knew a lot of things about what it felt like to use heroin” (10). We immediately see as we continue reading that Baby thinks the way she has been living her life is completely normal, however, we as readers understand that her life is in fact worse then she narrates. Baby knows about the impermanent nature of her domestic security, however, she repeatedly attempts to create a sense of home each time her and Jules move to another apartm...
Stanza two shows us how the baby is well looked after, yet is lacking the affection that small children need. The child experiences a ‘vague passing spasm of loss.’ The mother blocks out her child’s cries. There is a lack of contact and warmth between the pair.
Carver writes about three different characters with a focus on the development of the narrator himself. Although the reader never know her name, the narrator’s wife plays a small role in the story. She introduces the reader to the blind man. When the wife is in the room with both of the men, things seem to go wrong between the two men. The narrator seems to be almost nervous and upset with the wife for paying so much attention to the blind
Carver tells the story in first person of a narrator married to his wife. Problems occur when she wants a friend of hers, an old blind man, to visit for a while because his wife has died. The narrator's wife used to work for the blind man in Seattle when the couple was financial insecure and needed extra money. The setting here is important, because Seattle is associated with rain, and rain symbolically represents a cleansing or change. This alludes to the drastic change in the narrator in the end of the story. The wife and blind man kept in touch over the years by sending each other tape recordings of their voices which the narrator refers it to being his wife's "chief means or recreation" (pg 581).
A transformation took place during the story and it is evident through the narrator?s character. In the beginning he was lacking in compassion, he was narrow minded, he was detached, he was jealous, and he was bitter. Carver used carefully chosen words to illustrate the narrator?s character and the change. Throughout the story his character undergoes a transformation into a more emotionally aware human being.
Parental influences can negatively impact a child’s life. An example of this is in the novel
Then, as you move through the passage you get a more serious mood and tone in the writing until the final paragraph where the perspective of the author’s backyard and washing line has changed altogether. The structure has no jumping back and forth in it; no going from the child’s perspective to the adult’s, the story is able to flow easily. The structure is almost in the form of stepping stones, where the change in perspective can go from one point of view to the other, child to adult.
The narrator tries to apprise us in this line “He was in the bedroom pushing clothes into a suitcase when she came to the door.” That the husband was at home packing his belongings and he determined to leave the house and his wife, which gives an emphasis to the finality of the relationship between them. Carver also uses short sentences throughout the story, as mentioned in this line,
Presenting the story from a third person perception and having the narration by the mother or “Mama” gives the story great relevance to real life situations that ha...
Though “A Small Good Thing” ends in an epiphany, both stories have a resolution that falls back to the implementation of dark humor. In addition, both stories are alike simply in that they have a clear resolution. Many times, Carver will simply end the story with something for the reader to interpret, and no true, fully explained, resolution. However, in “A Small Good Thing” the couple, Ann and Howard, meet the baker that was unknowingly causing them strife through his calls, and speak to him. They discuss his life and his food. In “Whoever was using this bed”, the couple, after Jack comes home from work, finally resolve their discussion, and promise never to talk of it again. When the woman calls, looking for Bud, the wife unplugs the phone, signifying the end of their uneasy and morbid topic of discussion. In “A Small Good Thing” their talk with the baker symbolizes something similar, a resolution to strife, a final security. Either way, each story provides a clear break from the dark humor plot into
The next style element that Carver portrays many times in his writing is dialogue, which he uses to develop the characters in the story. There are two ways Carver instills the use of dialogue in his story “The Student’s Wife.” Nan says, “Please, God, let me sleep” (“The Student’s Wife” 201). Nan is not actually talking here, but the dialogue is in her thoughts. This type of dialogue says that Nan is a holy person because she is having some problems, but instead of talking with others she is talking to God. Nan questions, “God, will you help us, god?” (“The Student’s Wife” 202). Right here Nan is not talking in her thoughts, but aloud to herself. Again, the reader can tell that Nan is a holy person by the way she is talking, but she is also
...verything around us is made by our actions. Positive or negative they cause an effect that will ultimately lead to a different story base on how we interpret life. Narrative elements are used as a bridge by the directors in their film to create any master plot that is currently known. Any modification at any narrative element used by the director at important moments inside the story can help you portray a different master plot. This used of narrative elements can be best described as an ever changing process that takes place inside an individual’s head. Depending on the individual that may be exposed to those narrative elements can create different meanings. This new interpretation can be different for everyone. We have to be aware that one change in the surface scenery can lead to many ideal outcomes in our minds and that is the main power the audience has.
Raymond Carver’s The Bath is a revised version of his early work of A Small, Good Thing. In his two pieces of the short story, the length of the story significantly varied as The Bath is a lot shorter. Moreover, his former work has more detailed emotional expressions while The Bath lacks communications and leaves to the reader a suspenseful ending. The story begins in a third person view with a mother has her son’s birthday cake made to order at a bakery. Then his son is hit by a car when crossing the road. The mother and father come to hospital and exchange words from the doctor. Finally, the story ends with an unfinished ending which doesn’t show any sign of boy’s fate but a strange phone call that says the son’s name. There are several things
...ellectual challenge. Carver doesn’t tell us what happens exactly because it leaves some doubt and that gets the brain working and intellect going. When Arnold arrived to the mysterious house of Clara, the reader expected the meeting to be important because Clara said she had to say something to Arnold. As the encounter between Clara and Arnold progresses, it because more evident that the only reason Clara wanted Arnold to come over is because she is lonely and wants a man and that it is a very pointless meeting. If Craver would have just told the reader what was going on, the short story would be less interesting. It is the uncertainty that makes the reader figure out what is going on, and when they piece the puzzles together,
Carver tells the story mainly through what happens in the story, rather than through the narrator’s perspective or the characters’ emotion and personalities. He connects all the events in the story in a logical way by using the elements rising action and climax. Therefore, he drew the reader 's’ attention and raise their curiosity toward what would happen next in the story. At the end, Carver finishes the story with an open ending which is a great way to end the story when the characters are not fully described in both emotion and personality. Therefore, the readers couldn’t predict what the characters would do to solve the conflict. By ending the story with an open ending, Carver allows the readers to create their own ending and satisfy with their own