Victor Frankenstein’s life story is at the heart of science. He became fascinated with the “secret of life” discovers it, and then bring a hideous monster into life. Victor creates a creature with a life of eight feet tall and enormously strong, but with the mind of a newborn person. The reasons why he created the creature because he wanted to overcome death since the day his mother died. In Frankenstein by Mary Shelley, monstrosity is a theme that appears in many aspects of life. The novel is not only focus with the two characters Victor and the Creature themselves, but it is also focus on many different part of the story too such as knowledge, society itself with through unfairness of the time and the socially in a particular way. Shelley uses monstrosity in term of how it can takes many forms in the novel.
Knowledge is the key to success; however in the novel Frankenstein, Mary Shelley is used to caution people that knowledge is not always the answer for good or evil purposes. When someone uses their knowledge in a wrong way, they tend to use it wrong. Knowledge is somehow being an invasion of how technology and
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Victor is not a main religious guy, he would do anything that he wishes to do, “Darkness had no effect upon my fancy; and a churchyard was to me merely the receptacle of bodies deprived of life” (Shelley, 30). this is when Victor started to bring his creation together, his attempt to rob some part of the dead body from the graveyard. It is because of Science that lead Victor turn into a selfish person, irresponsible, and has no humanity. He uses science to become God, he wanted to play with God, “Natural philosophy is the genius that has regulated my fate; I desire, therefore, in this narration, to state those facts which led to my predilection for that science” (Shelley, 20). He believed that his fate is to become a
"I felt as if I had committed some great crime, the consciousness of which haunted me. I was guiltless, but I had indeed drawn down a horrible curse upon my head, as mortal as that of crime" (Shelley 127). Victor knew that in his actions he had created wrong. He himself implies it that of a "mortal" sin, one in which completely cuts off the relationship that man has with God. The creation of man to the catholic faith is the essence of a mortal sin. God creates man and all that man does. It is God's job to create life and by Victor creating the monster, he completely disrespects that. This is what made the feat of creating man so appealing to Victor. "A new species would bless me as its creator and source; many happy and excellent natures would owe their being to me" (Shelley 39). Creation by man had yet to be explored and he was the first to cross into that impossible ...
In conclusion, Mary Shelley’s Frankenstein shows readers how irresponsibility and the excessive need for knowledge can cause suffering among others as well as oneself. Victor never intends to cause such harm; however, he is not cautious and observant with his actions, which ultimately leads to his classification as a tragic hero. The desire to learn is most definitely a wonderful trait to have, as long as one’s knowledge doesn’t reach the extent that Victor Frankenstein’s unfortunately does.
Mary Shelley’s Frankenstein is a nineteenth century literary work that delves into the world of science and the plausible outcomes of morally insensitive technological research. Although the novel brings to the forefront several issues about knowledge and sublime nature, the novel mostly explores the psychological and physical journey of two complex characters. While each character exhibits several interesting traits that range from passive and contemplative to rash and impulsive, their most attractive quality is their monstrosity. Their monstrosities, however, differ in the way each of the character’s act and respond to their environment. Throughout Frankenstein, one assumes that Frankenstein’s creation is the true monster. While the creation’s actions are indeed monstrous, one must also realize that his creator, Victor Frankenstein is also a villain. His inconsiderate and selfish acts as well as his passion for science result in the death of his friend and family members and ultimately in his own demise.
Victor was reared in a household where he had the proper environment to learn many things. His father was well-educated and encouraged Victor to further his knowledge. There was, however, one subject that he did not encourage Victor on; it was natural philosophy. Victor’s father told him not to waste his time on such trash. This remark fueled Victor’s curiosity and he studied further into it. At the age of 13, Victor “entered with the greatest diligence into the search of the philosopher’s stone and the elixir of life; but the latter soon obtained [his] undivided attention”. This foreshadowed Victor’s biggest mistake of his life that was to happen later in his life. When he entered the university, Victor started his studies in great detail and intensity. His greatest ambition was this: he wanted to recreate life out of something which life had already parted. He “described [himself] as always having been imbued with a fervent longing to penetrate the secrets of nature”.
In Frankenstein, Shelley creates two very complex characters. They embody the moral dilemmas that arise from the corruption and disturbance of the natural order of the world. When Victor Frankenstein is attending school, he becomes infatuated with creating a living being and starts stealing body parts from morgues around the university. After many months of hard work, he finishes one stormy night bringing his creation to life. However, “now that [Victor] had finished, the beauty of the dream vanished, and breathless horror and disgust filled [his] heart” (Chambers). Right after Victor realizes what he has done, he falls into deep depression and must be nursed back to health by his friend. Victor spends the rest of the story facing consequences and moral problems from creating unnatural life. When he realizes that the ‘monster’ has killed his brother, even though no one believes him, he feels responsible for his brother’s murder because he was responsible for the existence of the ‘monster’. Also feeling responsible, Victor...
The monster of the novel is often misattributed with the name, “Frankenstein.” However, Victor Frankenstein can ultimately be considered the true monster of this tale. His obsession would lead to the corruption of his soul and the creation of two monsters—one himself, and the other, the creature. In attempting to take on the role of God, nature would become a monster to Victor and destroy his life. These elements of monstrosity in Frankenstein drive the meaning of its story.
In the gothic novel Frankenstein, humans have a bottomless, motivating, but often dangerous thirst for knowledge. This idea was clearly illustrated throughout the novel by Mary Shelley. The three main characters in the novel shared the thirst for knowledge that later lead to their downfall. In the novel knowledge is a huge theme that led to atrocious life to anyone that tried to gain it. Knowledge is hazardous; therefore, I support Dr. Frankenstein’s warning about knowledge being dangerous and that knowledge shouldn’t be gained.
Mary Shelley’s Frankenstein, a truly famous novel that has been revisited by many, as well as revised by the author in the many years since its original publication. Within this novel Shelley conveys the tragic fictional story of Victor Frankenstein and his monster that he thoughtlessly brought to life, as well as the lives of those affected by his hideous creation. Throughout the novel it is made quite apparent that the monster was not inherently evil, in fact the monster was quite benign, however through its interactions with society the monster is slowly shaped into a being that can truly be called just that, a monster. All of the aforementioned change to the monster are brought about in part by the societal standards of the time period
Frankenstein by Mary Shelley is a very complex book riddled with underlying messages. From the characteristics of each individual to the main storyline Shelley depicts a world of opposites. Victor Frankenstein, a privileged young man, defies nature when his obsession with life and death has him attempting to bring someone/something to life. He succeeds and quickly goes from obsessed over its creation to disgust with its form. He then rejects his creation, which sets the stage for the terrifying events to come. This is the embodiment of a modern novel as it contains alienation, disillusionment, and a critique of science.
In Frankenstein, Mary Shelley highlights on the experiences her characters undergo through the internal war of passion and responsibility. Victor Frankenstein lets his eagerness of knowledge and creating life get so out of hand that he fails to realize what the outcome of such a creature would affect humankind. Mary Shelley’s novel, Frankenstein, highlights on how Frankenstein’s passion of knowledge is what ultimately causes the decline of his health and the death of him and his loved ones.
In Mary Shelley's Frankenstein, monstrosity is defined as an inexorable sense which demonstrated by intense revenge, prolonged isolation and the dangerous pursuit of knowledge. Firstly, the revenge between Victor Frankenstein and the creature initiates their insanity or monstrosity. When Victor destroys the female creature, the creature is extremely wrathful and says, "You can blast my other passions, but revenge remains-- revenge, hence forth dearer than light or food! I may die, but first you, my tyrant and tormentor, shall curse the sun that gazes on your misery" (Shelley 205-206). Thus, Victor and the creature show their willingness to fight against each other. It is evident that they leave far away from love and companionship which causes them suffer sorely in a dire consequence. Mary Shelley conveys an idea
‘Frankenstein’ or ‘The Modern Prometheus‘ is a 19th century gothic novel written by Mary Shelley. Shelley’s interest in the physical sciences had led her to writing a novel that is based on creating human life in an unnatural way. Victor is one if the narrators who has an unnatural obsession with the sciences led him to discover the secret of life; creating the abomination that is his monster. Walton serves as the neutral narrator that has no personal impact on Victor’s and the monster’s tales. It is through Walton that the monster was able to express his feelings at the death of his creator.
Victor Frankenstein is the protagonist and the narrator of the main story in Frankenstein. Raised by doting parents, Victor confesses: “I was their plaything and their idol, and something better-their child, the innocent and helpless creature bestowed on them by Heaven, whom to bring up to good, and whose future lot it was in their hands to direct to happiness or misery, according as they fulfilled their duties towards me.” (35) This statement condemns his later reckless and arrogant behavior. Victor was obsessed from an early age with natural philosophy and the ultimate knowledge of life. He sought answers to the many questions that puzzled great minds before him. Motivated by ambition and an insatiable quest to be God like and create life, Victor dedicated himself to this one pursuit for nearly two years. The creature, which was made out of old body parts stolen from the cemetery, strange chemicals, and a mysterious spark, convulsed to life. In this moment, Victor becomes a creator of a human life, the “God” to a being that was deserving of the attention and love of its creator.
Mary Shelley’s gothic novel Frankenstein is a novel narrated by Robert Walton about Victor Frankenstein and the Monster that he creates. Frankenstein grew up surrounding himself with what he loved most, science. He attended Ingolstadt University where he studied chemistry and natural philosophy, but being involved in academics was not enough for him. Frankenstein wanted to discover things, but did not think about the potential outcomes that could come with this decision. Frankenstein was astonished by the human frame and all living creatures, so he built the Monster out of various human and animal parts (Shelley, 52). At the time Frankenstein thought this creation was a great discovery, but as time went on the Monster turned out to be terrifying to anyone he came in contact with. So, taking his anger out on Frankenstein, the Monster causes chaos in a lot of people’s lives and the continuing battle goes on between the Monster and Frankenstein. Throughout this novel, it is hard to perceive who is pursuing whom as well as who ends up worse off until the book comes to a close.
In Frankenstein, Mary Shelley uses the motif of monstrosity to convey the theme that a person’s outward appearance is not what makes them a monster but rather their actions or inactions that classify true monstrosity. Despite the fact that the monster Victor Frankenstein creates is a literal example of monstrosity in the novel there are many parts that give meaning to monstrosity within character’s actions. Although Victor appears normal, since he is human his ambitions, secrets, selfishness, and inaction makes him a monster himself. Along with monstrous characters the pursuit of knowledge that is seen in Victor, his monster, and Walton in Frankenstein prove that knowledge can be a monstrosity. Mary Shelley’s Frankenstein is created using the life stories of different characters in the novel. The novel itself could be seen as a monster created similarly to Victor’s monster.