How Does Freneau Present The Concept Of Unrivaled?

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Recommended: Nature in literature

Philip Freneau, a journalist and Revolutionary poet was enamored by the forest. He could clearly see the elements of Indian culture and was capable of seeing an emotional upheaval and mistreatment to the land and many of the native plants and animals Which lead to many famous poems including “The Indian Burying Ground,” “The Indian Student”, and of course, “The Wild Honeysuckle” (Whitcomb 171). One of Freneau’s most conscious poems, he uses Romanticism, and themes such as consciousness, time and nature to convey the concept that destiny is unrivaled. Freneau’s use of “Unpitying frost” rivals with “guardian shade” and “soft waters” to remind us that in nature there is a paradox (Freneau 399). “Fair flower, that dost so comely grow, (Freneau …show more content…

Next, introduced in lines 5 and 6, Freneau uses human activity to point out the extreme rival of beauty. “No roving foot shall crush thee here, No busy hand provoke a tear (Freneau 399).” The Honey Suckle, “hid in this silent dull retreat”, is in an isolated garden, “Untouched thy honey blossoms blow” and “Unseen thy little branches greet:” is still haunted by Nature’s inevitable expiration—“Thus quietly thy summer goes, Thy days declining to repose (Freneau 399).” The measure of expiration is constant throughout the poem, moving from season to season (Arner 58). “Untouched thy honey blossoms blow,” blow meaning to bud, could signify spring (Freneau 399). “Thus quietly thy summer goes,” The Honey Suckle is moving into summer and the brutal heat until finally moving into autumn and winter, “Unpitying frosts, and autumn’s power shall leave no vestige of this flower (Freneau 399).” As the time passes, the flower decays and the beauty fades he is “Smit with those charms, that must decay,” and grieves to “see your future doom (Freneau 399)”. More, he uses verbs to move the stories theme …show more content…

Bryant associated the wild, tumultuous aspects of nature to be a sign of God. In his works, you can see the brittle tension striking between nature and civilization (Sanford 440). “Perhaps the single greatest theme of Bryant . . . was the passage of time, charged with premonitions of the evil (Sanford 443).” In his epic, “Thanatopsis”, Bryant tackles themes such as expiration, destiny and nature. “Thanatopsis” is separated into three parts. The first section is ‘the doctrine’. Bryant uses “the narrow house” to symbolize the coffin, as he talks about mortality and the inevitability. He uses several phrases to symbolize the way Nature can speak with “various language” to calm those who were not prepared to die (Price 1). Phrases like, “She has a voice of gladness”, “gentle sympathy”, “breathless darkness”, “a still voice” (Bryant 493). Then, in line 30, he introduces the first male voice. By giving nature feminine qualities, he symbolizes the beauty of life. The second section introduces the reasons why humanity should not fear death, or believe that it is eternal isolation. “The powerful of the earth—the wise, the good, fair forms, and hoary seers of ages past, all in one mighty sepulchre. (Bryant 494)” Bryant describes the beauties of nature, including “the hills rock-ribb’d”, “the vales stretching in pensive quietness”, “the venerable woods”, “rivers that move in majesty”, “the complaining

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