Hubris the Deadly Disease In the tragedy of Antigone there are two characters that severely suffer from minor different flaws but come together in one very similar aspect; they suffer from hubris. One would be the unfortunate soul named Creon, the other Antigone. In my opinion, The King, Creon, suffers more than Antigone. I believe this is so because of Creon’s extreme ignorance towards his own people, The Gods, and even his own blood. He defies not only human made laws but even Divine laws by refusing to bury a fallen blood, very unethical. On the other hand there is Antigone. Now Antigone doesn’t suffer as much as Creon but shares the same trait as him, having too much pride. In her case, having that trait propelled her to do the right …show more content…
Having that in mind, as most dictators are, he is as thirsty for power as the rest of them. He dominates his land by his own will rather than the good of his people. Creon has no respect for anyone and keeps a narrow mind and does not care what anyone has to say about his actions, especially when it comes to not burying Polyneices. He is too stubborn for his own good and with the addition of his hubris; he is too blind to acknowledge he could ever wrong. Not only that but he is very cocky as well as very self-righteous. The king not only defies The Gods by not allowing his own nephew’s spirit to pass, but even takes it further and says, “The State is King!” in which he has said that he is practically better than all of the gods combined. He, along with his remaining family members, will fall at the hands of his unyielding rule. Terisias had predicted this and mentioned to Creon that this will lead to his own doom. Terisias even tries to warn Creon that he has another opportunity to redeem himself, “Think: all men make mistakes, but a good man yields when he knows his course is wrong, and repairs the evil.”. Creon shoulders a lot of the blame but, he is not the only one to blame. More or less every character is this whole play is to blame because they were all too afraid to do anything about this situation, until the day Antigone showed
Creon believes that his laws are absolute and must be followed above all else, even Divine Law. Therefore when Antigone, in accordance with divine law, goes against Creons edict by burying her brother she is forcefully imprisoned and sentenced to death by Creon. In Creons opening speech he says, “Of course you cannot know a man completely, his character, his principles, sense of judgment … Experience, there’s the test” (Sophocles, p. 67). How Creon handles Antigones unlawful actions serves as his first test as the new king of Thebes and ends up showing the Thebans a glimpse of his true nature, that of a tyrannical ruler. This can be seen again when Haemon comes to Creon with the hope of dissuading him from his current course of action. He does this by trying to make Creon understand that the citizens of Thebes don’t agree with his use of power and planned execution of Antigone. Again Creons authoritarian nature comes to light in his response to Haemon, “And is Thebes about to tell me how to rule… Am I to rule this land for others – or myself?” (Sophocles, p. 97). To which Haemon counters by saying that “its no city at all, owned by one man alone” (Sophocles, p. 97). Creon, being the tyrant he is, fails to heed the wisdom of his sons’ words, which ultimately leads to his downfall. Creon, like Machiavelli, believed that it was
In the beginning of the play Creon is portrayed as King and a leader unwilling to bend the rules in order to protect the city. The way Creon responds to Antigone, “While I’m alive, no woman is going to lord over me”, shows he is stubborn and also his pride. (593-594) While the play continues Creon’s pride grows, and he thinks he can never be wrong and punishes Antigone by locking her up in a cave. However, things turn a different way when the Prophet tells Creon that he must free Antigone or face the wrath of Gods. After hearing this Creon changes his mind, “I shackled her, I’ll set her free myself. I am afraid it’s best to keep the established laws…” (1236-1238) But, as Creon tries to set Antigone free, he is faced with suicides of Antigone and Haemon, and followed by the suicide of his wife, Eurydice. This moment in the play serves as the downfall of Creon. But unlike Antigone, Creon reaches anagnorisis, which is the moment in the play when the tragic character realizes his hubris has led to his downfall. “And the guilt is all mine- can never be fixed…god help me, I admit all!”(1441-1445) Ultimately, Creon is more of a proper tragic character than Antigone because of he has an epiphany, a moment when he realizes his hubris has caused conflicts and deaths in the
After Antigone was found to be guilty of burying her brother Polyneices, Creon said “I suppose she’ll plead family ties, well, let her. If I permit my own family to rebel then how shall I earn the world’s obedience?” (III, 29-31) Creon was so egotistic and sententious that he would even look down on his own family. He really did not care at all that he was sentencing his own niece to death. by the end of the play Creon began to realize just how terribly he had treated his family so he said “Lead me away, I have been rash and foolish. I have killed my son and wife.” (Exodos, 134-135) Creon killed his son and wife because he chose to ignore the fact that he was single handedly tearing his family apart. He was conceited and too self-absorbed to notice just how much damage he had been causing. This proves that he was a bad father and husband and that he felt no obligation to his family as long as he was in charge of
It is clear that Creon's tragic flaw was his pride, arrogance and beliefs of a leader that cause his downfall. His downfall began when he denied the burial of Polyneices and was firm when he condemned Antigone for her objection to his law. Creon represents the laws of the land and the divine ruler of society. He remains loyal in upholding his laws and trying to overpower the laws of the gods, until the end when he realizes that the divine laws are stronger than his own. His regards for the laws of the city cause him to abandon all other beliefs. He feels that all should obey the rules set forth by him, even if other beliefs, moral or religious, state otherwise. This is proven when he says, "As long as I am King, no traitor is going to be honored with the loyal man. But whoever shows by word and deed that he is on the side of the State-he shall have my respect while he is living and my reverence when he is dead" (40).
He fells that people are already starting to do that at the beginning of his rule and says, “there have been those who have whispered together, stiff-necked anarchists, putting their heads together, scheming against me in the alleys” (i 113-115). His paranoia causes him to feel that people are plotting against him, which causes him to not accept input from other people. Because he is so clear that he does not want rebellion, Creon is very unhappy when Antigone buries Polyneices and feels that this is some form of rebellion. Instead of just accusing Antigone of the illegal burial, Creon blames her for “a double insolence, breaking the given laws and boasting of it” (ii 80-81). Though Antigone never boasted about defying the law, Creon is so self-conscious that he sees the act as much more than it really is. Finally, Creon does realize that he must break away from his ignorant ways. By the time he realizes that he should “not fight with destiny” (v 101) and that “the laws of the Gods are mighty” (v 108), it is too late. He was too oblivious and caught up in his own self-consciousness that he was not able to make the right decision quickly enough. Though Creon did eventually understand his mistakes, it was not enough to save him from the wrath of the
Neither Creon nor Antigone, were either all bad or all good. Creon while tyrant like only wanted Thebes to flourish, Antigone while showing honor to her brother never stopped to really consider the effect that her actions would have on others.
In the story “Antigone” you are introduced to two characters, Antigone and Creon, they both share traits of a tragic hero, but Creon better fits a tragic hero then Antigone does.
The failures of Creon leadership represent the limitations of autocratic government and thereby serve to promote democracy. At the play’s opening, Creon is portrayed sympathetically. He presents his decree preventing the burial of Polynices as just retribution for his crimes against Thebes and as an effective way to prevent pollution (Sophocles 62). He feels further vindicated because the chorus, consisting of elder representatives of the populace, supports the decree. Even Antigone’s impassioned defence, which invokes the “unwritten and unfailing” (73) laws of the gods, appears to have no impact on the chorus, who states that “she does not know how to bend amidst her troubles” (74). This perception of Creon begins to shift upon Antigone’s death sentence. Although the punishment seems as cruel and excessive, Creon firmly believes it to be a necessary deed. He is “eager to display his full control of a crisis barely averted...
In the play Antigone, I choose Creon to be the tragic hero because he is the King of Thebes and he looses everything he has. Creon being King makes the audience believe that something like that can happen to the King then what can happen to us. Antigone the niece of Creon, The sister of Polyneices was punished by Creon for burying Polyneces after his death, Creon has forbidden anybody to do so. Once Creon punished Antigone the blind prophet Teiresias told him that the Gods will take revenge for his actions, then Creon tried to change everything but he is too late. Creon's tragic flaws were his stubbornness, the abuse of power and the actions he took to cause the downfall of the Thebes.
Creon's insecurity blinds his ability to direct order in his country properly. After Antigone buried Polyneices Creon felt he needed to take a strong stand or people would think he would always be lenient toward criminals. However, to achieve this Creon felt he needed to take drastic action against Antigone. He once even said to his son, Haimon, who was about to marry Antigone, "The woman dies. I suppose she'll plead family ties. Well, let her. If I permit my own family to rebel, how shall I earn the world's obedience?" (19) This quote shows that Creon feels that to prove himself to the country he needs to earn the "world's obedience".
The views of Antigone and Creon are opposed, and they both possess the same stubborn belief in their own righteousness. This ultimately brings them both to their tragic fate. At first we believe that Creon acts from sincere, patriotic and unselfish motives, and that he is acting out of a sincere belief that his decision is best for the state. This is shown in the first episode (lines 163 - 331), where Creon hopes to be a wise and good ruler. Later on we learn that he is too inflexible and narrow to heed criticism or admit fault, and that this causes all the misery in his life. The same is true of Antigone. She appears to be a very compassionate individual in the prologue; however, later on we learn that she is also stubborn and unwilling to bend in her beliefs, which ultimately leads her to her tragic fate.
Creon does not want to be a bad king, using his power for evil things, but instead, he wants to be seen as strong and great king, but his temper and arrogance stops him from becoming a good king, and he stays more like a tyrant, the people only keeping their mouths shut because they are afraid to speak. For example, in lines (8-64) he gives a speech to the people of the town. He states that “As for the man who sets private friendship above the public welfare, I have no use of him either”(lines 23-24).He is being cruel, so the people of Thebes do not take him for an easy king but rather fear him if they do not obey his laws. This puts them in a tough situation, whether they should listen to their friends and the gods, or to Creon’s tyrical rule. Creon states, “As I see it, whoever assumes the task, the awesome task of setting the city’s course, and refuses to adopt the soundest policies but fearing someone, keeps his lips locked tight, and he’s utterly worthless” (lines 198-202). This shows Creon thinks that a good leader should be powerful and set firm, strict laws in order to be respected. He believes that if someone di...
Both of these two male characters are not title roles. They both fall prey to the actions of a woman, one whom they both originally thought they had complete control over. Antigone's martyrdom and conflict with the State brings Creon's destruction and Medea's double murder and infanticide brings his destruction. However, how much is this brought about through their own weakness and how much can we attribute this to a cruel fate? The issue is essentially whether a stronger person than Jason or Antigone could have avoided the destruction, and were they crushed by their own internal weakness ('hamartia'). An important to clarify is that we are not judging their personality. A despot can be a strong character and a man of high morals can be a weak character. The deciding factor is how rigidly they cling to their ideals and their ability to listen to others sensibly.
Creon highlighted as the tragic figure, initially created decisions he thought was for the welfare and well-being of Thebes; however, Antigone, who rebelled against Creon’s decisions, caused Creon’s rage to cloud his rational way of thinking. When Creon decided to forbid the burial of Polynices, as he believed Polynices was a traitor to Thebes, Antigone was outraged. This decision, viewed through the eyes of Creon, was just and fair; on the other hand, Antigone viewed his decision as cruel and selfish, which resulted into a major conflict between these two characters. When Antigone disobeyed his proclamation, Creon became infuriated towards this rebellious act. Those small events within the play expressed Creon as a ruler doing what he believes is right; on the other hand, Antigone’s rebellion expressed otherwise. Antigone was soon shown to cause an evil spark within Creon. This “spark” caused Creon to intensify his punishments towards Antigone, which in turn caused a chain reaction of events and eventually led to his tragic decline. Being portrayed as a menacing villain throughout the play, Creon began as an honorable man; however, overwhelming events and confrontations caused Creon to evolve in to this monstrous figure.
Sophocles, following the Greek standard of tragedy, casts Creon as the tragic hero plagued by his own pride, inflexibility and power. Creon believes his authority to be twofold, both as the king and as the head of his family. He claims that the throne is the source of all power, saying ?whoever is chosen to govern should be obeyed ? must be obeyed, in all things, great and small, just and unjust? (Sophocles 217), and he demands the utmost allegiance from his son, bidding him to ?subordinate everything else?to [his] father?s will? (Sophocles 216). Creon is filled with hubris, and he rejects any solution that might compromise his image. For instance, when the guards escort Antigone to the palace, he demands of the Choragos, ?Who is the man...