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Influence of Fauvism art movement
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One could surmise, both Matisse and Picasso could have easily been inspired by Cezanne’s the Large Bathers. How could in some aspect not have been, the race to be the best was on when it came to artist of the day.
In the case of Matisse, with the painting Bonheur de Vivre, he built on his tradition of Fauvism style art. Similar to his past works the landscape was a significant part of the painting, the use of imprecise brush strokes and vivid colors are what may well set this apart from Cezanne’s style of painting.
Matisse, influenced as well by the Japanese’s style of artwork, brought this to light with the figures included in this painting. I believe this is where he breaks from Cezanne, the figures are not as clearly defined or detailed as in some of his past works. The perspective or depth seems to be a little off as well, there seems to be more frivolity in this painting versus the more tranquil appearance in Cezanne’s painting.
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Though I am sure this was inspired in part by Cezanne’s success on a painting, it was most likely created more to either stimulate or squelch the rivalry between him and Matisse.
Les Demoiselles d’Avignon is all Picasso, while it obvious these are female figures there is nothing feminine about this painting. The use of what looks to be tribal masks, add to what I perceive as disorganization in the painting, it is truly
During Vincent Van Gogh’s childhood years, and even before he was born, impressionism was the most common form of art. Impressionism was a very limiting type of art, with certain colors and scenes one must paint with. A few artists had grown tired of impressionism, however, and wanted to create their own genre of art. These artists, including Paul Gaugin, Vincent Van Gogh, Henri de Toulouse-Lautrec, and Paul Cezanne, hoped to better express themselves by painting ...
The Two Bathers was influenced by the Mediterranean whiahc can be seen in this small piece of art with its meauserements of 12” x 9.5” crated in Paris in 1921. His work was inspired by antique statuary, from the Cycldic Islands. Pablo Picasso showed his art to his idol Andre Malraux:’ Only the sculptors of the islands found a way to transform “ fertility goddesses” into signs… its goddess, if you will, imean the magic object is no longer Fertilitty. In this painting it shows a sigh of fertility in my opinion while the women standing, is half hiding her nudity behing a white cloth which is a color of pureity, and the male lies on the ground while their vertical and horizaltal postions sturture the compostions.
It seems to be his style of painting, thick brush strokes. It is not simple, there is much to the painting, there is emotion in the painting. It is a stunning piece made by him.
Giorgione "loved to paint landscapes." Especially in "The Adoration of the shepherds" you can see how much effort he invested in painting a detailed background in form of a piece of coast and part of a village. When isolated this part takes on a life of its own (If concentrating you can see tiny details such as two persons standing at the edge of the coast.
Overall, although de Kooning and Komegne’s careers have been strongly influenced by Picasso, although both artists tackle the same subject matter through Seated Woman and Toilette, each of them draws from his culture, his environment and his personal style the elements to create an original work.
Impressionism is very pretty and complicated. It was from 1860 to 1910. Monet is the perfect Impressionist. Impressionism had its basic tenants. Their subject matter was the middle upper class, the city, and leisurely activities. They painted on en plein air which means they painted outdoors. They painted in snow, rain, storm, just in order to record directly the effects of light and atmosphere. They painted with strokes and touches of pure color by using a great deal of white and rarely black. They recorded the shifting play of light on the surface of objects and the effect light has on the eye without concern for the physicality of the object being painted. They were influenced by Japanese art and photography. One of Monet’s works is titled Water Lilies. The medium of this work is oil on canvas. Monet is an impressionist. He puts up pure color just describe the water. He said, when you go out paint, the impression of the scene not the exact scene.
The composition of the painting takes place with the square of the canvas. The square is approximately 5' x 5'. A black frame surrounding the painting protrudes approximately 4" off the canvas. There is a 1" inlay between the canvas and frame. From this square, Reinhardt breaks the composition into six equal squares in three even rows. Texture is no where to be found in the painting. No visual indication of the artist's brush stroke is present. No varnished glare is given off by the piece. The entire work, including the frame, is completely matte. The squares take up the entire canvas in a checkerboard type arrangement. Each square is a slightly different shade of blue-black. It almost becomes impossible to see the difference between each square. The middle squares in the top and bottom rows shift more towards blue than the rest of the squares. The division of these middle squares become more obvious than the others. When the painting is looked at from a distance, it is almost impossible to see any of the squares at all. When looking from a far, all a viewer can see is a blackish blue canvas. As you stare longer into the painting, a halo begins to form around the corners of the canvas, creating a circle inside the square. Once you look away from the canvas, the circle is gone. With this observation in mind, we could say that the painting most definitely relies on the viewer. A viewer is required to look at the piece for its full affect. We could say that the squares in the painting are self-contained.
His styles and techniques were so particular and well-liked, that he succeeded regardless of the trends going on around him; The Dance (1910) being the perfect example, for it was loved and hated by many. By the 1920's, he was increasingly noticed as an upholder of the classical tradition in French painting. He was appreciated for bringing that traditional style painting into the modern age and not allowing it to die out like many other artistic traditions had.11 Even though he had been firmly criticized for how he painted, he was still respected for his eclectic style of line and brushwork. Matisse dreamt of, "an art of balance, of purity and serenity, devoid of troubling subject matter" (MA, 38).12 He did this by painting things with simple detail, and also with a light, airy, feel. He wanted to convey the message of classical art, as well as very modern styles of art. As he was influenced by many, he, later on, influenced other great modern artists. He carefully prepared his works but chose colors spontaneously and freely, this is what he called instinct. Like his art, Matisse's career is tightly consolidated. In the context of his development as an artist, his illustrations of the nude females in The Dance (1910), have quite a different significance than judgmental commentators give
This painting by Vincent Van Gogh is on display at the Art Institute of Chicago Museum, in the Impressionism exhibit. There are many things going on in this painting that catch the viewer’s eye. The first is the piece’s vibrant colors, light blues and browns, bright greens, and more. The brush strokes that are very visible and can easily be identified as very thick some might even say bold. The furniture, the objects, and the setting are easy to identify and are proportioned to each other. There is so much to see in this piece to attempt to explain in only a few simple sentences.
faces of two right prostitutes (Picasso, P. (1988). The color palette is rather limited. Warm colors, from pale pink to red ocher dominate, especially in women 's bodies. However, cool colors, white, gray, blue, which make up most of the draperies, offer a stark contrast. The forms are frequently highlighted by white or black outlines that accentuate their disintegration. For strength and novelty, Les Demoiselles d 'Avignon are therefore a key work of art of the twentieth
Although from the same artist group, these Impressionists originated from backgrounds that seemed worlds apart. Claude Monet, known as the “Master Impressionist” varied the themes in his artwork more than any other artist did. Monet’s work “Impression Sunrise”, of which the term “Impressionist” originates also gives rise to the title “Master Impressionist”. Edgar Degas started his career as an artist with nothing in common with Monet but the era in which they lived. From themes to brushstrokes and choices of colours, Monet and Degas started their relationship as Impressionist artists on opposite ends of the earth. However, towards the climax of their lives as artists, Monet aided Degas in adopting Impressionist Aesthetic qualities.
The painting has an order and there are different shapes and angles. Rectangular shape is main trend around this piece, including the wooden chest, the leg rest and the canvass. Also things overlap, creating the illusion of the shape look closer to viewer than the shape behind it. The example in this piece would be the chair on which Adelaide Labille Guiard sits be close to viewer than the girls behind it. This adds depth to the space. Also due to linear perspective girls behind the chair are smaller due to being farther away.
...hese repeated vertical lines contrast firmly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, seems unchanging and flat, whereas the foreground and middle ground of the painting have a lot of depth to them.
Claude Monet is often considered one of greatest most dedicated of the Impressionist painters. His aim was to catch the light and atmosphere, something that was scarcely done before. He enjoyed painting outdoors and developed a free and spontaneous painting technique. His brushwork is remarkably flexible and varied. He often changed his technique, sometimes broad and sweeping other times dappled and sparkling.
Comparing the two paintings we can see how different Pierre-Auguste Renoir was from a typical Impressionist artist such as Claude Monet. Even though both artists supported Impressionism, Claude Monet focused more on the nature part and on the effect of light and shadow rather than the...