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William shakespeare influence to modern literature
William shakespeare influence to modern literature
William shakespeare influence to modern literature
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How Baz Luhrmann's Interpretation of the Prologue Engages the Audience's Attention and Makes them Want to Watch the Rest of the Film
How is it that after watching the opening sequence to Baz Luhrmann’s
Romeo and Juliet film (properly titled William Shakespeare’s Romeo and
Juliet) about twenty times, the exhilarating thrill I experience from
it still has not faded out?
To grab the attention of the viewers and keep their eyes glued to the
screen as the movie starts, the director uses a variety of special
techniques, also to make it clear to the audience that this film is a
far cry from the original dullness associated with Shakespeare play
recreations.
Firstly, the range of music; the booming dramatic opera music, which
is played during the narrative as the film starts; the joyful rock
music introducing Benvolio and the other Montagues; and the wicked
western type music used to show Tybalt’s notoriety. Secondly, the
visual imagery; certain ways the camera manoeuvres to match the
atmosphere Luhrmann is trying to create. For example, there is a lot
of fast editing and zooming in at scenes of crime and violence to
generate a sense of rush in the atmosphere and make it unsettling. In
addition, to indicate that the film is a modernised version of the
play, there are objects and other factors, which did not exist
three-four hundred years ago - one being the television news report.
Baz Luhrmann mindfully uses a TV news report to increase the
seriousness of the Romeo and Juliet film opening sequence and to bring
it into the twentieth century. As the camera zooms into the flickering
TV, the audience realise that this is not just another te...
... middle of paper ...
...refore, it is not only the
montage, but also the roundabout of constant camera jerks, which make
this scene so fast paced and upbeat. The importance of casting was
well recognised during the production of this movie. The main actors
of the cast were Leonardo DiCaprio (Romeo), Clare Danes (Juliet), John
Leguizamo (Tybalt), Harold Perrineau (Mercutio), Dash Mihok (Benvolio)
– all popular young actors and actors. The attributes the characters
possess were shown through the high quality acting. I would definitely
recommend this film to others. The mis-en-scene is one of the best I
have ever seen. As a producer and a director, Baz Luhrmann managed to
pump new life into this well known much adapted tale, in an
exceptionally unique style, which will be regarded as a classic
timeless piece of cinematography for years to come.
to the film early on but makes the viewer want to make sense of what
The first scene is very prompt in the way that it is put across to the
The movie, To Live, is about the life of Xu Fugui and his family. Fugui is a rich man with a gambling problem. The Chinese Civil War is taking place during the beginning of the movie. When Fugui loses his property gambling, he is forced to join Chungsheng in the business of shadow puppets to make money for his family.. Fugui and Chungsheng are forced to join the army. After most of their fellow troops were killed, Fugui and Chungsheng were captured by the Communist Party. Fugui eventually returns home to his wife and kids, to find that his daughter survived a fever, but can no longer speak. The CCP is now in power of China and Fugui sees the man he lost his property to, being put on trial. The movie jumps to the time of The Great Leap Forward. During this time all steel items were collected by the government. Fugui was allowed to keep
	Books, more often than not, are better than the movies that are made from them. This is due to the immense power of our imaginations. Readers use their imaginations to fill the space that exists between him/herself and the book with such things as dreams, past experiences, and hopes. For this reason, there is much more depth and symbolic depictions in the novella, The Awakening, by Kate Chopin, compared with the movie version, Grand Isle. Due to this, the effect on the reader is much more potent than the effect on the viewer.
In the opening scene of the movie we see Frank’s character played by Denzel Washington. Right away we are shocked by his violence and see his power. This is the first motif we are introduced to. We see Frank stand tall over his victim, and the dark shadowing we see on his face and body show his dominance. Another motif we are introduced to is how real this film is setup to be. The car headlights that setup the background and introduce where we the setting is as well as motivate lights. They have a purpose in the film in promoting its authenticity. We also hear the all the sounds in the forefront. When hear the sounds up close it dramatic for us as viewers. We hear every 7drop of gasoline that is poured on the man’s body and we even hear the flick of the lighter as Frank sets the man on fire. This is the director Scott Ridley’s way of saying to the audience I want to fool you, and I want you to feel like you were there and what you are watching in front of you is real.
After discussing this movie in class it all makes sense. All the details that I missed throughout the movie I saw when we started discussing it. I saw most of the religious themes, some like the pale horse evaded me. This was a great movie and one that I would recommend to anyone. The way that it is written and the way that is was played out is amazing. I haven’t even begun to scratch the surface with the meanings behind this movie.
The play also inhibits a vast amount of sub-plots as they allow the listener to create a sense that might bring a emotional connection. These plots allow the listener to...
Sitting in the theater, watching this movie for the first time, I heard static break in to interrupt the beginning credits. A newscaster, sounding serious, came on the screen in a special report. I sat up to pay attention. She was reporting a tragedy that had recently happened in some place called Verona. I was pulled in thinking it to be a true special report. Ah-hah!! It was a trick. A trick to get people to do just what I did. Trained are we to listen to newscasts, our life-line in present day society, where we receive a lot of our information. A trick, and I fell for it--so did everyone else--how clever. Then the sound of crying, chorusing angels screaming angry chants echoed around the theater (great surround sound effect). Images (clips from the movie) flashed sporadically on the screen. A dark, sinister voice retold Shakespeare's prologue given in the telecast moments before. The angels were still screaming, and then, silence. A big truck flashed on the screen and gave a hearty engine growl. The truck sped loudly down the road. Stringy electric guitars and booming drums thump a loud vengeful beat. The Montague bo...
Baz Lurhmann’s creation of the film Romeo and Juliet has shown that today’s audience can still understand and appreciate William Shakespeare. Typically, when a modern audience think of Shakespeare, they immediately think it will be boring, yet Lurhmann successfully rejuvenates Romeo and Juliet. In his film production he uses a number of different cinematic techniques, costumes and a formidably enjoyable soundtrack; yet changes not one word from Shakespeare’s original play, thus making it appeal to a modern audience.
The chapter started by an overview of the short story and the film adaptation that I deal with, concerning the main theme,
The first scene is a television which automatically brings the modern feel to the film. As the camera gives the sense of the television moving slowly towards us we suddenly break into a quick speedy montage showing the story and some of the characters. The introduction to the play is repeated, once on the television by the news reader and again during the opening montage. This may be to create effect or perhaps to show the importance and publicity this story had. The scene in the petrol station focuses on the rivalry and hatred of the two families, The Capulets and the Montagues.
There is an intellectual discussion over the accuracy of war films and whether or not these should focus more on telling the truth or decorating it a little. Indeed, the narrative of war films has change throughout the years because the purpose of such films has evolved, especially those representing the World War II years and the aftermath. At the time of war, films were employed with diverse objectives for example to urge the public to support the war, to narrate the latest events, or to rebuild the image of the heroes. Most of the times the perspectives of films could vary depending on the country the film was produced in or which side of the story was being narrated. The plot of most war films might not be real, but they were necessary
This quote essentially sums up the film that contains minimal special effects and an incredible plot that intrigues an audience to stay in their seats and watch a masterpiece.
...movie that I fell in love with. But most of all I love how the story line is a great overlap into the cinematically engaging movie. There is a great use of camera, timing, shots and story line that are portrayed in this movie without being too overwhelming. This allows the audience to relax during the movie and just take in the scenes as a story from reality. To this day, and even still doing this paper I still come to find different aspects of the movie that I missed the previous times I have watched it.
...s you to get lost in a completely different world; it takes you to the future, a place where things are supposed to be better and brighter but instead it is darker and gloomier than ever before. It opens your eyes to something so much bigger and you don’t even realise until you have left the cinema.