The House of the Spirits is a dramatic film made in 1993. The film tells the story of the Trueba family. Esteban Trueba is a violent patriarch but full of love for his wife Clara. It's a story that intertwine love , family conflict , misunderstanding , tenderness and social injustice , where each member has their own identity amidst the random events that dot the history of the twentieth century , Chile . The protagonists live the changing events in their country. Parallel, they are trapped in dramatic family relationships and embody social and spiritual tensions of a period that covers much of the last century.
Gradually we encounter situations in the most bitter despotism in figure Esteban Trueba (played superbly by Jeremy Irons) contrasted with the friendliness and kindness of his mysterious wife Clara (Meryl Streep) . In this story characters begin to appear to interact and generate many feelings. It is impossible not catch hardness and violence of Esteban, or the sensitivity of Clara, Ferula´s traumas of abuse, or Pedro´s revolutionary ideals, who cannot stand the situation of oppression, Blanca´s impotence, who are not allowed to love Pedro because the discrimination classes issue.
The intensity of the situations continues to grow as the film continues to evolve and comes to play an important role in the prevailing social- political context: the conservative class versus revolutionary left wing, coming back the totalitarian state with the military, the ingratitude and human rights trampled. The film does not lose pace at any time and it is very hard not to be identified with its own family situations and the social situation in which it is framed in Chile in that times.
The main characters live the changing events of t...
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...tion of this element, we see that their bodies slightly touch each other. Vocalics, we find whispers, commands, silence, and different tones of voice. Chronemics, both characters use time to reinforce their dialogue. Ferula refers to their childhood past, and Esteban cites the future. Appearance, The sounds of the bells in the background and organ music, their clothes indicate mourning, a coffin and candles.
The scene takes place in an elegant cafe where Ferula has cited his future sister in law Clara for tea time, a very popular custom in Chile. Ferula only wears a dress black and a chain with a crucifix as only adornment and her hairstyle stands out a bun. She is seating at a table waiting for Clara. She looks timid and anxious. Clara arrives late and apologizes for her delay. She exudes kindness and happiness and she greets Ferula a hug a kisses.
Alfredo Corchado — is the author of the book named " Midnight in Mexico:A Reporter's Journey through a Country's Descent into Darkness”. We are, probably, all interested in finding out the facts, news, and gossips about Mexico. This country was always associated with something mysterious. For me personally, the title of the book seemed to be very gripping, I was interested in revealing the secrets of life in Mexico, thus I decided to read this book. I was really curious, what can Alfredo Corchado tell me about the life in this country, the country, where the constant massacre is the picture, people used to see. In his book, the author tells the reader about the real situations, which took place in Mexico, reveals the secrets of the people’s lives and tells the story from the “inside”. He describes the way he lives his life, and does his work. The " Midnight in Mexico: A Reporter's Journey through a Country's Descent into Darkness” is a memoir. Author tries to transform his own experience into the story line. Corchado shows the reader the darkest episodes of Mexican society, while relying on his own experience.
In Peter Winn's Weavers of Revolution, a factory in Santiago, Chile fights for their independence against the Chilean government of the 1970's. While this rebellion is going on, presidential elections are taking place and Salvador Allende is the presidential candidate which represents the common people. The relation between Allende and the people he represents is a unique one because at first this class, the working class, helps and supports Allende to become president, but then both parties realize their different plans for the future and the working class actually contributes to the downfall of Allende's presidency.
The first turning point in hope for the Chilean road to socialism was that of the election of Salvador Allende as president, which gave many Yarur workers the belief that a ‘workers government’ was on their side. “For the first time, a self-proclaimed ‘workers government’ ruled Chile, dominated by the Left and Pledged to socialist revolution” (Winn, 53). Allende’s role as president gave identity to the Yarur workers that they were being represented and because of so, their struggles of working in the factory conditions set by Amador Yarur would come to an end. This identification with Allende as being represented by there own voice became the first stepping-stone to the demand for socialization of the factory. “The election of a ‘Popular Government’ was a signal...
The film uses instances of flashback to reveal what happened in Argentina during 1970-1980s, as such most of what “El Secreto De Sus Ojos” (The Secret in Their Eyes). Depicts about that period in Argentina’s history is borrowed from memory. In this film, the influence of memory is captured through certain crucial events, characters as well as their imagination. Since these historical events are narrated from memory, they reflect the passage of time and as such underline the social political transition that this country has undergone.
him. He tries to go back to raping peasants, but he can’t lift them up
With assertive shouts and short tempers, the prominent character, Ricardo, is characterized as a feisty townsman, doing nothing except trying to protect his town and its members from the judgments of the western world. For example, the characterization of the “‘…quaint’” man is exemplified through the simplicity of his life and the fact that he is “‘…employed’” and is full of knowledge, not a “‘cow in the forest’” (55, 29, 32). Ricardo desperately wants to establish the notion that he is not a heartless, feebleminded man, only an indigent, simple man striving to protect his friends and family from the criticisms of callous cultures. Incessantly Ricardo attempts to make it clear to the photographer the irritation elicited by his prese...
it is unmistakable that life situations inspired Juan Rulfo to write this story. He like no other person had a greater understanding of how to portray the theme of family especially missing a father as a role model, death, survival and revenge. Moreover, through the use of local Mexican language it furthermore developed the society in which peasants had to live during the post-revolution. Additionally Juan Rulfo tries to add all five senses in the story forming magical realism and a vivid picture that the readers can understand. Overall, the readers learn a lot about peasant’s approach to life after revolution that the main drive was
Because “Camila” was released shortly after the end of the Argentine Proceso, it was clearly a timely criticism of dictatorship in Argentina. The real story of Camila occurred in a time following a brief bout with democracy. This film could be seen as a cautionary tale in terms of warning against ever returning to that form of government. If this, indeed, was Bemberg’s intentions, she was a brave, courageous woman that would have made a great character in one of her own films.
When we think about society, there is often a stark contrast between the controversy projected in the media that our society faces, and the mellow, safe view we have of our own smaller, more tangible, ‘local’ society. This leads us to believe that our way of life is protected, and our rights secured by that concept of society that has been fabricated and built upon. However, what if society were not what we perceive it to be, and the government chose to exercise its power in an oppressive manner? As a society we would like to think that we are above such cruelty, yet as The Lonely Crossing of Juan Cabrera by J. Joaquin Fraxedas recounts the state of Cuba in the 1990’s, we must also remember that all societies and governments view the individual differently as opposed to the whole. Each group has unique expectations that are enforced upon the individual which extend beyond those expectations that are written. What this book brings to light is the extraordinary repercussions of refusing to meet the demands and expectations of those that lead our governments. When we veer from the path well-trodden and into the ‘wild’ as Juan did, we may not face death quite as often, but the possibility of those we once called our own, persecuting us for our choices is a true and often an incredibly frightening danger.
“The secret of happiness is freedom, and the secret of freedom is courage.” In America, Americans are blessed to have the right to freedom. Unlike other unfortunate countries, their freedom is limited. In many Latin American countries, the government’s leader has all power of the Country. Citizens have no rights to freedom, they are trapped in a cruel country where innocent people are killed each day. Civilians fear to speak out to the regime of leader; However, there were a few courageous citizens enough to speak out against the government. For example, “The Censors” by Luisa Valenzuela and the historical fictionalized account, “In The Time Of The Butterflies” by Julia Alvarez reveal individual 's role in overcoming oppression.
Allende’s character Esteban Trueba has a very intricate life. Through his triumphs and defeats and through the different places of this novel, Allende portrays several elements that clearly exemplify historical, political and economic events in Chile. Esteban’s life is that of the low class in Chile. He usually longs for power and money to make good things happen. After leaving, his mother and sister, and starting a new and independent life, Esteban’s ideology changes dramatically. For the first time he directly experiments success and wealth. He feels as if he has no problems, mainly because he does not have a family to weigh him down. Trueba's move to Three Marias seems to appease his hunger temporarily, before his monstrous, demanding, and ever growing needs overwhelms him. The type of lifestyle achieved by Esteban Trueba in Three Marias far surpassed that of living with his mother and sister, however only brief moments of satisfaction are incurred. These, previously mentioned, moments created a hunger for perfection and greed that would continue perpetuate at any cost. Only when Trueba receives a letter from Ferula does he remember his life with her and his mother, which forces him to endure his memories of poverty and pain. He even remembers the smell of medicine, which had encompassed their home. These memories force Esteban to reflect on the reasons and ideas that made him leave his origins. He reminisces on that portion of his life, occupied by the deterioration of his family.
Junot Diaz’s The Brief Wondrous Life of Oscar Wao, set in the late 1900’s, tells a story of Oscar Wao, an overweight Dominican “ghetto nerd”, his mother and rebellious sister who live together in Paterson, New Jersey. Throughout the novel, Diaz incorporates many different stories about each character that show acts of resistance. One of the most prominent stories of resistance in the novel is through Oscar’s mom; Beli, who is prompted by great tragedy, known as the Trujillo curse, to love atomically and thus follow a dangerous path. Beli’s family history plays a large role in her choices that eventually compel her into a different life than what her adopted mother, La Inca, had wanted
The climax of the story has a few layers of drama that really bring out the problems between the characters. We see Santiago and his half brother Cheche battle about the future of the factory; this affects Santiago's relationship with his wife who doesn't know about all the debt and risks he has taken. Then there's Conchita and her husband Paloma, who are experiencing marital issues which become heightened by the seductive lector Juan Julian. Both couples have personal conflicts with one another as well as external issues that affect their lives. The play had interesting parts to it such as infidelity and abuse of sexual nature. some very sensual parts; like infidelity and sexual abuse but were carried out by the cast with immense care and genuineness. Gomez does a really good job of bringing out emotional performances from the actors. This really took me on an emotional/visual roller coaster. The characters moved from happy to angry and from night to day with great ease. Scenes were so realistic and I found myself really engrossed in the story. Gomez interpreted the script really well and I think he related to the story. The story felt natural and cohesive,like it was his
These works under study present the marriages of Emma-Charles Bovary in Madame Bovary and Rosaura-Pedro in Like Water for Chocolate that are shaken at the end of each plot. It seems that marital discord is an indirect corollary of the roughness that was forced upon both the female protagonists, Emma and Tita. The cruelty imposed on Tita, as quite evident, was by virtue of her relationship with Mama Elena; her being the youngest daughter who was thus traditionally disallowed marriage and obligated to serve her mother for as long as she (mother) lived.
Individuals are generally perceived to be productions of their upbringings and socialization. Latin author, Gabriel García Márquez and Algerian writer Albert Camus, introduce how their characters conflict with socialization as a result of their cultivation in Love in the Time of Cholera and The Stranger respectively. In Márquez’s novel, the key female role is assigned to Fermina Daza, a middle class Latina in the 1800s-1900s, expected to hold prestige and marry wealthy by her father and societal pressures. In The Stranger, Meursault, the protagonist, develops a niche for logic rather than influence which provides the Christian based society with a reason to have a heinous perception of him when he fails to express emotion at his mother’s funeral. The mainstream societies in Love in the Time of Cholera and The Stranger expect affectionate relationships between parents and offspring that the protagonists, Fermina Daza and Meursault, lack which vitally develops their character away from societal norms