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Guitar
Guitar
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Hot Club de Ville performed at Leonardo’s 706 Monday July 24th from 7 until 10. They play the music of Quintette du Hot Club de France Django Reinhardt known as gypsy jazz. Django Reinhardt was a jazz guitarist and composer and maybe one of the greatest musicians of the twentieth century who started gypsy jazz also called gypsy swing or hot club jazz. Reinhardt named his band Quintette du Hot Club de France, resulting in Marty Liquori to name their Gainesville gypsy jazz group Hot Club de Ville to pay homage to Reinhardt. On Mondays there are typically four musicians: Marty Liquori and Eric Diamond on guitar, Dave Forbes on standing bass, and Geoff Perry on violin.
During this performance I observed that this music is very string-based since they only play string instruments. Through the songs the bass and guitar create the rhythm instead of drums. During most of
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The rhythm made the music more loosened adherence to the beats by slightly delaying the notes played between the beats. The bass was keeping tempo with a low chords, while the violinist was tapping her violin as a drum to keep the tempo going. The guitar one had a solo starting in a higher register then switching to a lower register similar to bebop, but not in a fast manner while the bass and other guitar were reharmonizing. Following with a violin solo in a bebop style of a fast tempo, rapid chord changes and numerous changes of key, and was a combination of harmonic structure from the melody. Next, was the solo of guitar two, which quickly changed chords, but the tempo was slower than the other solos. After the solos, they reunited again to harmonize, then the bass player emphasized the 2nd and 4th which made it sound like a different rhythm with the guitar. The violin the started a new ending rhythm different than the other instruments. They continued the different rhythms till the end and ended on a high
In this piece, two male musicians took turns during the performance to sing their parts. It starts off slow, as opposed to most of the music played that afternoon. During the middle of the piece, the guitarron continued strumming while Stacy Lopez, the vihuela player, made noises that sounded as if the vihuela itself was being struck. “Para Que Me Haces Llorar” soon came to a close; at least, it sounded like it was. As immediately as that song ended, the next piece started just as quickly and it had a song that had a familiar rhythm- and sure enough, it was the song “Stand by Me” but in Spanish. This part starts off with violins being plucked and with a calmer tone with a pace that builds up. Later on, all the musicians snapped their fingers as one of the singers were singing. After the singer finished his part, the violinists took over the microphones and made a deeper sound than what was heard out of the eight pieces
“At Last” starts off with a strong harmony of a combination of strings including violins, violas, and cellos. As vocal comes in, the sound strings back off and drum kit kicks in with a classic three- fourths meter.The strings give people a
There were three techniques I heard at this performance which were back beat, rhythmic contrast, and break. Within “Unsquare Dance”, the bass, played by Carlos Henriquez, provides a steady back beat throughout most of the performance. The accompaniment of the
The song contributed to the transformation of the Beatles from a main rock and roll / pop-oriented act to a more experimental, studio-based band. With a double string quartet arrangement by George Martin. This songs genre falls under Baroque pop, a pop rock music subgenre that fuses classical music, orchestral pop, rock, and Baroque music.
The band is composed of six musicians, and has been in the music industry for over twenty years. The main singer is the director and is the oldest member of the band, he has been there since
Another rare occurrence; real songwriters and musicians playing their own music! The five-piece band is led by vocalist, Karin Barquist, and her husband Linford Detweiler, keyboardist and collaborator. The rest of the band consists of Paul Moak who played the sitar during the opening song and lead guitar during most of the others, Will Seyles on drums, and Rick Plant on bass guitar. But Barquist seems to be the key member in the band. She has all the qualities a good lead singer should have; great voice, good-looking, poised, mature and confident. She really runs the show up there, and makes it look effortless in the process.
The same line is repeated ecstatically by the quartet, which soars upward to it’s peak. The orchestra and chorus re-enter at a rapid tempo to bring the movement to its conclusion.
The third song that the jazz ensemble performed was, “My One and Only Love,” performed by Guy Wood. throughout this piece, there seemed to be a rhythmic feel that was often relaxed and not much that was upbeat. The form of this song seemed to be an AABA form where 16 notes were played on a beat every eighth note. This piece of art seemed to be influenced by the style of blues. There was a lot of solo improvisation throughout this song and tended to be less collective improvisation. Overall, this piece of jazz lasted for about three solid minutes before going to the last piece of art performed for the
... began the piece, and the beat of the drum was frequent. After the introduction, the rest of the musicians joined. The pianist also had a solo part with the companion of the drum. The pace of the song was moderately fast, and the song ended with a climax.
The musicians were able to keep time by taping their feet, listening to the piano and drums play a steady beat, and along with a lot of practice beforehand. When it comes to the meter of the piece I noticed that when each musician was playing their part in the song the rhythmic structure would change. When the trumpet player and saxophone player were playing together the beat was steady and loud, but when they were playing separately the sound was not as loud, but the beat remained the same. Each instrument created a different feeling to the music, even though they were playing the exact same part.
I anticipated this show for months and the day came to see one of my favorite musicians, Homeshake. Homeshake was the main act but before them, a local Houston band,Solace, and a band from Dallas,Luna Luna,played. Each band has a different sound. For example, Homeshake has a lo-fi r&b sound, his songs are filled with different voice effects, synthesizers and more. Solace, on the other hand, does have a jazzy R&B sound as well but it lacks fullness. They have simple melodies that create their euphoric sound. Then there is Luna Luna. A majority of their songs are upbeat and make you want to dance, which is why this band differs from the other too greatly. Although the bands differ they do all fall under the music category indie pop. This explains
The majority of the pieces featured a rather slow steady beat, provided by the drum and the piano, while the other instruments (mainly the brass section) were used to play the main motif along with some minor ornamentations. The third song they played, one of my favorites, was simply a steady 4/4 tempo kept by the drum, with some minor variations. The saxophone and trumpets took turns drifting in and out to carry the melody. The saxophone player delivered an entertained solo which consisted of very light and amusing trills, this created a very soothing and relaxing
Herbie Hancock has played an incredible role in jazz history, particularly jazz fusion and funk jazz. Jazz fusion incorporates musical elements from other musical styles such as, rock and roll. Funk jazz is characterized by the Hammond B-3 and organ. With my love for electronic instruments and funky sounds I decided to watch Herbie Hancock’s performance at the Newport Jazz Festival located at Newport, Rhode Island. Originally, the performance was done in 2008 making it a relatively recent performance. Hancock performed alongside some wonderful musicians and artists: Dave Holland, a bass player; Chris Potter, a saxophone player; Vinnie Colaiuta, a drum player; Lionel Loueke, a guitar player; and lastly the two beautiful vocalist, Sonya Kitchell
...htly syncopated, again with ornamental notes by the flute. There is a crescendo, which contrasts long notes and staccato notes, creating an unusual rhythm. The crescendo builds up to a perfect cadence with the timpani crashing.
The final and twelfth piece was made up of excerpts from a longer work called Five Short Pieces for Clarinet and Bassoon. To me, maybe because the concert was beginning to get long or maybe because I did not have many notes over it, the last piece seems fairly similar throughout its movements, or “Short Pieces.” The first was an up-beat piece with a distinct melody. The clarinet and bassoon alternated, with the clarinet playing the higher notes. The second movement had a have complete feel to it. The two instruments played at the same time, close to it. The third movement was an impressive sounding mix of ups and downs. It seemed that the performers were working very hard and it sounded very complex.