The short story, “The Horse Dealer’s Daughter,” by D. H. Lawrence is about Mabel Pervin and her three brothers who are left with debts to pay after their father’s death. Once the horses are sold Mabel’s brothers decide where their lives would lead them and advice her to seek the home of her sister. Realizing their rejection and acknowledging an uncertain future, she visits the graves of her mother and father. Feeling depressed and helpless, Mabel walks into a mucky pond not cognizant of Jack Fergusson’s presence. Fighting his fear of water, Jack saves Mabel from an attempted suicide and has become a part of Mabel’s plan to remain where she wants to be. She decides to take advantage of the situation by expressing her love and convincing Jack that he loves her as well. Mabel’s love, in this story by D.H. Lawrence, is her escape from having to leave her town and live with her sister in a less desirable fashion. She uses love as a means of obtaining the comfortable lifestyle that she once lived. She can once again have luxuries in life now that she will be marrying a doctor.
Just as in the previous story, James Joyce’s short story “Araby” also suggests love as an escape. In this short story, the young boy’s existence surrounds a dreary and harsh environment. He lives with an uncle who drinks and an aunt who suffers from the heartache of an unhappy marriage. The boy’s friend Mangan has a sister who he is infatuated with to the extent of following her every move. He is so empowered by his feelings for her, he decides to go to Araby and buy Mangan’s sister a gift. On the day of the bazaar, his uncle forgets to be home on time to give the boy money and therefore causes him to be late.
The protagonist of Araby is a young boy who is infatuated with his friend Mangan 's sister. The setting, and the introduction of the this woman is nearly identical to that in A&P. Joyce 's narrator spends his time “lay[ing] on the floor in the front parlour watching [Magnan 's sister 's] door” (Joyce 182). Immediately from the outset of the story, Joyce has rendered the narrator as someone who frivolously awaits his female interest with no other motivation. The main character then finally encounters Magnan 's sister personally, where she tells him about a bazaar near town called Araby. Joyce 's protagonist is shocked when Magnan 's sister “addresse[s] the first words to [him]” (Joyce 183) as he has spent a plethora of time yearning for an interaction with her. Joyce has implemented the idea into Araby that males are inherently reliant on females. Interestingly, Joyce has incorporated another male character in his story that is presented as inferior to his female counterpart. The purpose of the narrator 's uncle in the story is to slow the main character from going to Araby. The Uncle comes home much later than expected, and is chastised my his wife: “Can 't you give him the money and let him go? You 'v kept him late enough as it
In her story, "Araby," James Joyce concentrates on character rather than on plot to reveal the ironies inherent in self-deception. On one level "Araby" is a story of initiation, of a boy’s quest for the ideal. The quest ends in failure but results in an inner awareness and a first step into manhood. On another level the story consists of a grown man's remembered experience, for the story is told in retrospect by a man who looks back to a particular moment of intense meaning and insight. As such, the boy's experience is not restricted to youth's encounter with first love. Rather, it is a portrayal of a continuing problem all through life: the incompatibility of the ideal, of the dream as one wishes it to be, with the bleakness of reality. This double focus-the boy who first experiences, and the man who has not forgotten-provides for the dramatic rendering of a story of first love told by a narrator who, with his wider, adult vision, can employ the sophisticated use of irony and symbolic imagery necessary to reveal the story's meaning.
“Araby” tells the story of a young boy who romanticizes over his friend’s older sister. He spends a lot of time admiring the girl from a distance. When the girl finally talks to him, she reveals she cannot go to the bazaar taking place that weekend, he sees it as a chance to impress her. He tells her that he is going and will buy her something. The boy becomes overwhelmed by the opportunity to perform this chivalrous act for her, surely allowing him to win the affections of the girl. The night of the bazaar, he is forced to wait for his drunken uncle to return home to give him money to go. Unfortunately, this causes the boy to arrive at the bazaar as it is closing. Of the stalls that remained open, he visited one where the owner, and English woman, “seemed to have spoken to me out of a sense of duty” (Joyce 89) and he knows he will not be able to buy anything for her. He decides to just go home, realizing he is “a creature driven and derided with vanity” (Joyce 90). He is angry with himself and embarrassed as he...
In his short story “Araby”, James Joyce tells a story of a young boy’s infatuation with his friend’s sister, Mangan, and the issues that arise which ultimately extinguish his love for her. In his first struggle, the narrator admires Mangan’s outer beauty, however, “her name was like a summons to all his blood,” which made him embarrassed to talk with her (Joyce 318). Every day he would look under a curtain in the room and wait for her to walk outside so he could follow her to school, but then he would simply walk quickly by and never say anything to her (Joyce 318). In addition to his inability to share his feelings with Mangan, the boy allows difficulties to get in the way of his feelings for her. After struggling to get his uncle’s permission
Cosmological Life Cycles In “The Horse-Dealer’s Daughter” Cosmological myths serve the purpose of explaining existence, particularly to less scientifically advanced cultures. These myths, or stories, were created as a way of dealing with the questions regarding the universe which could not be answered concretely. Cosmic myths include creation myths, flood myths, apocalyptic myths, and afterlife myths. Examples of all of these aspects of the cosmological life cycle are present in D.H. Lawrence’s “The Horse-Dealer’s Daughter”.
The short story “Araby” by James Joyce is told by what seems to be the first person point of view of a boy who lives just north of Dublin. As events unfold the boy struggles with dreams versus reality. From the descriptions of his street and neighbors who live close by, the reader gets an image of what the boy’s life is like. His love interest also plays an important role in his quest from boyhood to manhood. The final trip to the bazaar is what pushes him over the edge into a foreshadowed realization. The reader gets the impression that the narrator is the boy looking back on his epiphany as a matured man. The narrator of “Araby” looses his innocence because of the place he lives, his love interest, and his trip to the bazaar.
Within the story entitled The Rocking Horse Winner by D.H. Lawrence, the audience is divulged into the sordid family life of a adolescent boy named Paul, where there are three obvious morals told through the story’s style and symbolism. Also present within The Rocking Horse Winner are elements of supernaturalism and cold harsh reality.
James Joyce’s “Araby” and the story of “A & P” by John Updike have many characteristic similarities as well as literary traits. These stories focus on a young man trying to learn the difference between the romantic fantasies that play in their mind and the bitterness that reality can bring to a young man. In both stories a young man has built an unrealistic expectation of women only to meet the tragic despair of being rejected by the object of their boyish fantasy. In both of these stories the authors choose to show that life is not always what it may always appear.
Many authors are recognized by a reoccurring theme found throughout their works. The author D.H. Lawrence can be classified into this group. He is well known for his reoccurring theme that romantic love is psychologically redeeming. He wrote “The Horse Dealer’s Daughter” , a short story that exemplifies this theme quite accurately, in 1922 (Sagar 12). Through excellent use of symbolism in “The Horse Dealer’s Daughter”, Lawrence renders his theme of romantic love being psychologically redeeming through the emotional development of the two main characters, Mabel and Dr. Fergusson.
Although “Araby” is a fairly short story, author James Joyce does a remarkable job of discussing some very deep issues within it. On the surface it appears to be a story of a boy's trip to the market to get a gift for the girl he has a crush on. Yet deeper down it is about a lonely boy who makes a pilgrimage to an eastern-styled bazaar in hopes that it will somehow alleviate his miserable life. James Joyce’s uses the boy in “Araby” to expose a story of isolation and lack of control. These themes of alienation and control are ultimately linked because it will be seen that the source of the boy's emotional distance is his lack of control over his life.
In Nathaniel Hawthorne’s The Scarlet Letter, there are many moral and social themes develped throughout the novel. Each theme is very important to the overall effect of the novel. In essence, The Scarlet Letter is a story of sin, punishment and the importance of truth. One theme which plays a big role in The Scarlet Letter is that of sin and its effects. Throughout the novel there were many sins committed by various characters. The effects of these sins are different in each character and every character was punished in a unique way. Two characters were perfect examples of this theme in the novel. Hester Prynne and The Reverend Dimmesdale best demonstrated the theme of the effects of sin.
Throughout “Araby”, the main character experiences a dynamic character shift as he recognizes that his idealized vision of his love, as well as the bazaar Araby, is not as grandiose as he once thought. The main character is infatuated with the sister of his friend Mangan; as “every morning [he] lay on the floor in the front parlour watching her door…when she came on the doorstep [his] heart leaped” (Joyce 108). Although the main character had never spoken to her before, “her name was like a summons to all [his] foolish blood” (Joyce 108). In a sense, the image of Mangan’s sister was the light to his fantasy. She seemed to serve as a person who would lift him up out of the darkness of the life that he lived. This infatuation knew no bounds as “her image accompanied [him] even in places the most hostile to romance…her name sprang to [his] lips at moments in strange prayers and praises which [he] did not understand” (Joyce 109). The first encounter the narrator ex...
The narrator in “Araby” is a young man who lives in an uninteresting area and dreary house in Dublin. The only seemingly exciting thing about the boy’s existence is the sister of his friend Mangum that he is hopelessly in love with; “…her name was like a summons to all my foolish blood.” (Joyce 2279) In an attempt to impress her and bring some color into his own gray life, he impulsively lies to her that he is planning on attending a bazaar called Arab. He also promises the gi...
In many cultures, childhood is considered a carefree time, with none of the worries and constraints of the “real world.” In “Araby,” Joyce presents a story in which the central themes are frustration, the longing for adventure and escape, and the awakening and confusing passion experienced by a boy on the brink of adulthood. The author uses a single narrator, a somber setting, and symbolism, in a minimalist style, to remind the reader of the struggles and disappointments we all face, even during a time that is supposed to be carefree.
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