Horror Movie Essays: Learning From Horror Movies

Learning from horror movies Some people will tell you that horror movies are mindless entertainments that exist to freak you out with fake blood and guts and that’s basically the entire point. They think movies with goats and monsters are completely irrational. They believe horror movies are simply silly. Well, those ideas aren’t true. Not all horror movies are without connotation — some of them give you nightmares while making a meaningful point about deeper social topics. In other words, you can learn from horror movies. For starters, horror tests the limits of physical and social sensibilities. Moreover, horror movies will cause stress which can be good because it can help you develop skills needed to manage potentially threatening

In Carrie, Carrie uses her telekinetic powers to punish the resident school clique who bully her. As a bystander, it’s clear that bullying hurts the person being bullied and also bullies might be retaliated. In A Nightmare on Elm Street, a group of teenagers are terrorized by a ghost who plays upon their needs for sleep. When other teenagers can’t go to sleep and become vulnerable, the only remaining teenager Nancy escapes from Freddie and reclaims the ability to sleep and dream. It reminds us that we need to balance imagination and reality. In Christine, Dennis becomes obsessed with his car and alienates his friends, which is s sign of a break with society. It’s great to be passionate about something, but it is different with obsession. If someone begins to act possessive about a particular object, get help for the person

As an adolescent at the end of the Second World War, the director of Battle Royale, Fukasaku, said he made this film because he wanted to dramatize the importance of rediscovering this fight-to-the-death cause. Due to his wartime experience, his generation knew the precious meaning of the bonds of friendship in defeat. For Fukasaku, the extremes of life and death experienced in a battle to the end suggest a way to recover the physical and moral bonds of society that seems to have come so unglued, but were available for his generation. He is not the only one that worried about the void of temporary life, and the lack of attachment of the young to everything. In the first volume of Discourses on War, Kobayashi bemoans the fact that Japan’s peace has created a youth with no sense of belonging to the nation. In the final scenes of Battle Royale, the two survivors’ displacement from the rest of the society, on the other hand, projects their survival as resistance and a hope for recovery in the