"Coming out of the closet" is an essential for homosexuals to develop their personal identity. Coming out of the closet is a figure of speech for lesbian, gay, bisexual, and transgender people's to tell others about their homosexuality or bisexuality where previously this had been kept secret. Framed and debated as a privacy issue, coming out of the closet is described and experienced variously as a psychological process or journey; decision-making or risk-taking (Wikipedia).
Author Steven Seidman writes that “it is the power of the closet to shape the core of an individual's life that has made homosexuality into a significant personal, social, and political drama in twentieth-century America “(38). Those that are homosexual tends to tell lies and play deceitful silly games just to appease family, coworkers and a few dear old friends. They feed into the prejudices and fears about homosexuality. In Angels in America, many of the characters are homosexual, and the truth about their sexual preferences comes out. Kushner shows us the difficult struggle that often precedes a gay person’s acceptance of her or his identity, and the ways in which one’s ability to enact this identity is dependent on the acceptance of others.
First is Roy, who is dying of AIDS because of his sexual dealings. He keeps his love life separate from his professional life because it could damage his reputation. He lies to people, telling them he has cancer to cover up his homosexuality and prevent them from knowing about
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his disease. Roy could face disbarment if it was made known th...
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offers a number of accounts of people in great pain, but what counts as suffering? Kushner seems to suggest that the pain closet cases undergo is often self-inflicted, the result of homophobic shame, and therefore not worth our notice or pity.
Works Cited
McGowan, John. Postmodernism and Its Critics. Ithaca: Cornell UP, 1991.
Kruger, Steven F. “Identity and Conversion in Angels in America.” Approaching the
Millennium: Essays on Angels in America. Ed. Deborah R. Geis and Steven
F. Kruger. Ann Arbor: UP of Michigan, 1997. 151-169.
Kushner, Tony. Angels in America. Dir. Mike Nichols. HBO, 2004.
Seidman, Steven. Beyond the Closet: The Transformation of Gay and Lesbian Life. New York: Routledge, 2004. Print
Wikipedia
Life for most homosexuals during the first half of the Twentieth century was one of hiding, being ever so careful to not give away their true feelings and predilections. Although the 1920s saw a brief moment of openness in American society, that was quickly destroyed with the progress of the Cold War, and by default, that of McCarthyism. The homosexuals of the 50s “felt the heavy weight of medical prejudice, police harassment and church condemnation … [and] were not able to challenge these authorities.” They were constantly battered, both physically and emotionally, by the society that surrounded them. The very mention or rumor of one’s homosexuality could lead to the loss of their family, their livelihood and, in some cases, their lives. Geanne Harwood, interviewed on an National Public Radio Broadcast commemorating the twentieth anniversary of the Stonewall Riots, said that “being gay before Stonewall was a very difficult proposition … we felt that in order to survive we had to try to look and act as rugged and as manly as possibly to get by in a society that was really very much against us.” The age of communist threats, and of Joseph McCarthy’s insistence that homosexuals were treacherous, gave credence to the feeling of most society members that homosexuality was a perversion, and that one inflicted was one to not be trusted.
In Vicki L. Eaklor’s Queer America, the experiences of lesbians, gay men, bisexuals, and transgender people in the years since the 1970s gay liberation movement are described as a time of transformation and growth. The antigay movement, threatened, now more than ever, created numerous challenges and obstacles that are still prevalent today. Many of the important changes made associated with the movement were introduced through queer and queer allied individuals and groups involved in politics. Small victories such as the revision of the anti discrimination statement to include “sexual orientation”, new propositions regarding the Equal Rights Amendment and legalized abortion, were met in turn with growing animosity and resistance from individuals and groups opposed to liberal and
Tony Kushner, in his play Angels in America, explores a multitude of issues pertaining to modern American society including, but not limited to, race, religion, and sexual orientation. Through his diverse character selection, he is able to compare and contrast the many varied experiences that Americans might face today. Through it all, the characters’ lives are all linked together through a common thread: progress, both personal and public. Kushner offers insight on this topic by allowing his characters to discuss what it means to make progress and allowing them to change in their own ways. Careful observation of certain patterns reveals that, in the scope of the play, progress is cyclical in that it follows a sequential process of rootlessness, desire, and sacrifice, which repeats itself.
In the past decades, the struggle for gay rights in the Unites States has taken many forms. Previously, homosexuality was viewed as immoral. Many people also viewed it as pathologic because the American Psychiatric Association classified it as a psychiatric disorder. As a result, many people remained in ‘the closet’ because they were afraid of losing their jobs or being discriminated against in the society. According to David Allyn, though most gays could pass in the heterosexual world, they tended to live in fear and lies because they could not look towards their families for support. At the same time, openly gay establishments were often shut down to keep openly gay people under close scrutiny (Allyn 146). But since the 1960s, people have dedicated themselves in fighting for
Andrew Sullivan, author of, What is a Homosexual, portrays his experience growing up; trapped in his own identity. He paints a detailed portrait of the hardships caused by being homosexual. He explains the struggle of self-concealment, and how doing so is vital for social acceptation. The ability to hide one’s true feelings make it easier to be “invisible” as Sullivan puts it. “The experience of growing up profoundly different in emotional and psychological makeup inevitably alters a person’s self-perception.”(Sullivan)This statement marks one of the many reasons for this concealment. The main idea of this passage is to reflect on those hardships, and too understand true self-conscious difference. Being different can cause identity problems, especially in adolescents.
In his play, Tony Kushner writes about flawed homosexual characters. While doing so, he develops an interesting relationship: the farther in the closet one is, the more flawed or evil one is. By making this startling correlation, Kushner places a negative stigma on those who are not open about their homosexuality. Through this evident relationship, Kushner strongly conveys his negative attitude toward closeted gays; thereby adding startling depth to his play, Angels in America.
Halperin, David. "Is There a History of Sexuality?." The Lesbian and Gay Studies Reader. Ed. Henry
In Tony Kushner’s Angels in America, the interconnection of people and events, that might ordinarily be viewed as disconnected or unrelated, is implicitly presented in the characters section. Dual roles are implemented by a playwright that has one actor portraying the roles of two or more characters, with or without thematic intentions. The use of “dual roles” in several scenes of this play can be viewed as a demonstration of Kushner’s effort in maintaining the interconnectedness between characters, communities (i.e. queer, heterosexual, AIDS and political communities) and events to which they are relative. This essay will argue that Kushner’s use of dual role’s effectively interconnects characters, events and their communities that may be seen as usually unrelated. Analysis of four specific characters, Antarctica, Oceania, Australia and Europa, in Act Five, Scene Five of “Perestroika”, will demonstrate the connection of each Act Five, Scene Five character, to the actors main character based on the implicit evidence presented in the actors “primary” and “secondary” roles, the scenes dialogue and the character interactions. As one will see, by implementing dual roles, Kushner is able to expand or preserve the concept of a major character while the actor portrays another character, keeping the audience from having to completely renegotiate their knowledge between what they physically see of new characters and actually use the new context to view triumphs and struggles for a major character.
Sexuality is a sensitive topic for many to talk about yet an important one in the world we live in. Many are familiar with the term “Coming Out” and how it relates to sexuality as a whole but few also understand the lesbian continuum and what both have to do with the Sexual Revolution. The concept of “Coming Out” for Lesbian-Gay-Bisexual-Transgender individuals and the lesbian continuum are deeply intertwined and both both relate directly to the Sexual Revolution.
Wilton, Tamsin. "Which One's the Man? The Heterosexualisation of Lesbain Sex." Gender, Sex, and Sexuality. New York: Oxford University, 2009. 157-70. Print.
Halwani, Raja, Gary Jaeger, James Stramel, Richard Nunan, William Wilkerson, and Timothy Murphy. What Is Gay and Lesbian Philosophy? 2008. MS. Oxford, UK. San Diego Mesa College Academic Databases. Web. 10 Oct. 2011. .
An issue that has, in recent years, begun to increase in arguments, is the acceptability of homosexuality in society. Until recently, homosexuality was considered strictly taboo. If an individual was homosexual, it was considered a secret to be kept from all family, friends, and society. However, it seems that society has begun to accept this lifestyle by allowing same sex couples. The idea of coming out of the closet has moved to the head of homosexual individuals when it used to be the exception.
In the face of a homophobic society we need creative and critical processes that draw out the complexity of lesbian lives and same sex choices, not a retreat into the comforting myths of heroines and unfractured, impeachable identities
Bawer, Bruce. A Place at the Table: The Gay Individual in American Society. New York: Poseidon, 1993. Print.
Both parts of Tony Kushner's play Angels in America paint a painfully truthful picture of what gay men go through. In most cases, they suffer either inner anguish or public torment. Sometimes they must endure both. Being homosexual in America is a double-edged sword. If you publicly announce that you are gay, you suffer ridicule and are mocked by the ignorant of society; but if you keep your homosexuality a secret, you are condemned to personal turmoil. Kushner's work attempts to make America take a close look at itself and hopefully change its ways. The fear of public scrutiny forces many gay men into a life of denial and secrecy.