Homosexuality in Melville's, Moby Dick
Herman Melville's Moby-Dick is fraught with sexual imagery. The elaborate descriptions with which the author establishes his indulgent style of writing aptly reflect the often indulgent behaviors of the characters. Melville's choice of words is loaded with sensuality. This is most noticeable in the relationship between Ishmael and Queequeg. The evolution of their relationship throughout the text associates homosexuality with negative consequences. As the book progresses their interactions become increasingly more erotic. This negativity culminates with the death of Queequeg. Thus, intimate relationships between men are negatively depicted through a range of literary devices. The subject matter is reflective of Melville's attempt to construct a social commentary about homosexuality.
This story is a vehicle to express something entirely unrelated to the surface meanings. Sexual references are often disguised by Melville's clever use of diction. Such references take many forms in the text but become most evident in Melville's description of a scene. Chapter 94, A Squeeze of the Hand, is illustrative of this. Melville writes, "I squeezed that sperm till a strange sort of insanity came over me; and I found myself unwittingly squeezing my co-laborers' hands in it, mistaking their hands for the gentle globules. Such an abounding, affectionate, friendly, loving feeling did this avocation beget; that at last I was continually squeezing their hands, and looking up into their eyes" (322-323). The word "sperm" is short for spermatozoon, a mature male reproductive cell. The word appropriately symbolizes the all male crew by referring to the biological essence of masculinity. Therefore, the langua...
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...ortant a factor as the men in the relationship. This pushes the relationship out of the realm of intimacy and debases it. It is only through the outcome of their relationship that we are reminded of this reality. In general, the relationship is a tragedy about an intimate same sex relationship. The relationship between Ishmael and Queequeg tends to transcend intimacy and approach eroticism. The views expressed in the text do not necessarily reflect the author's opinions. Rather, the text is an expression of an opinion about sexuality that does exist and that the author wishes to comment on.
Works Cited
Melville, Herman. Moby Dick or, The Whale. Reprinted New York. Random House, Inc. 1992.
Sources Consulted
Baym, Nina. (1998) " Homosexuality and Melville." University of Illinois at Urbana-Champaign http://www.english.uiuc.edu/baym/essays/melvillehomo.htm
Analysis: Melville's Great American Novel draws on both Biblical and Shakespearean myths. Captain Ahab is "a grand, ungodly, god-like man … above the common" whose pursuit of the great white whale is a fable about obsession and over-reaching. Just as Macbeth and Lear subvert the natural order of things, Ahab takes on Nature in his
"He tasks me; he heaps me; I see in him outrageous strength, with an inscrutable malice sinewing it. (280)" At first glance, a modern reader might mistake this quote for that of a social justice warrior complaining about the patriarchy and not a line proclaimed by Captain Ahab in Moby Dick. However, as one deconstructs Herman Melville's classic, he will observe that this gaffe is actually justified. Despite originating over a hundred years before the equality movements, Captain Ahab symbolizes one of their ambassadors because of his hatred for the system that wronged him; his driving will to enact revenge; and being disdained upon for his actions. To commence elaboration, the first characteristic exemplified by Ahab that establishes his symbolism is his loathing for the body that ruined him.
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Kurt Cobain was born February 20, 1967 in a small town near Seattle, Washington. His family soon-after moved to Aberdeen, Washington. This period of his life was a difficult one because his parents divorced and he didn’t have much ambition to do much more than hanging out with his friends. Struggles with his parents caused him to move back and forth between them and to eventually move in with relatives. (The Cobain Memorial)
Herman Melville’s use of religious images not only demonstrates his genius as a romantic author, but also displays the human capacity for evil. Melville specifically chooses these religious images to make a powerful statement on how evil is used as a weapon against people. Melville’s use of religious imagery is deliberate and even on the verge of calculating. Melville uses religion multiple times to show how being ignorant of one’s surroundings can be incredibly damaging.
Herman Melville’s novels, with good reason, can be called masculine. Moby-Dick may, also with good reason, be called a man’s book and that Melville’s seafaring episode suggests a patriarchal, anti-feminine approach that adheres to the nineteenth century separation of genders. Value for masculinity in the nineteenth century America may have come from certain expected roles males were expected to fit in; I argue that its value comes from examining it not alone, but in relation to and in concomitance with femininity. As Richard H. Brodhead put it, Moby-Dick is “so outrageously masculine that we scarcely allow ourselves to do justice to the full scope of masculinism” (Brodhead 9). I concur with Brodhead in that remark, and that Melville’s use of flagrant masculinity serves as a vehicle in which femininity is brought on board The Pequod; femininity is inseparable from masculinity in Melville’s works, as staunchly masculine as they seem superficially.
Before exploring Ishmael, Ahab, and Moby Dick and their Biblical counterparts, it is important to understand Melville's background. He grew up as a baptized Calvinist in the Dutch Reformed Church. His parents trained him to obey God at all times, even if God’s commands seem unjust and cruel. However, he quickly turned against his faith after his father died. During his travels, he witnessed diseases, catastrophes, and hatred throughou...
Herman Melville’s stories of Moby Dick and Bartleby share a stark number of similarities and differences. Certain aspects of each piece seem to compliment each other, giving the reader insight to the underlying themes and images. There are three concepts that pervade the two stories making them build upon each other. In both Moby Dick and Bartleby the main characters must learn how to deal with an antagonist, decide how involved they are in their professions, and come to terms with a lack of resolution.
The history of marijuana in the United States dates to early colonial times. ``In 1619, America's first marijuana law was enacted at Jamestown Colony, Va., `ordering' all farmers to `make tryal of' (grow) Indian hemp seed.” (Tribune) A by-product of the cannabis plant is hemp. Today, hemp can be used to make fabrics, construction, paper, medicines, oils, body care products, and molded plastics. In colonial times hemp was used to make various textile products and in the 1800s hemp was found to have medicinal benefits. Herer says in his book, The Emperor Wears No Clothes, “various marijuana and hashish extracts were the first, second or third most-prescribed medicines in the United States from 1842 until the 1890s. (Herer) For centuries people have recognized the medicinal properties of cannabis; “depending on the c...
... King references Moby-Dick but instead uses the name Moby-Jane. I found it funny when Changing Women and Moby-Jane were “swimming and rolling and diving and sliding and spraying” (248). Although I thought this passage was funny I had a hard time connecting it to the book. I would like to discuss how this connects to the book. I wonder if it is biblical reference to something. Another thing I found to be funny was the Dead Dog café. I did not understand its connection to the book but I found it to be funny that tourists would go there. Even if the Dead Dog Café sold actual dog meat why would a tourist want to eat dog?
Stevenson's choice of certain words in the novel is extremely pertinent to a homoerotic reading of the text. In some Victorian circles (and most certainly not in others), certain words had very explicit homosexual connotations.
At first glance, Herman Melville’s novel Moby Dick, appears to be the story of a man, his captain, and the whale that they quest to destroy. But a closer look reveals the author’s intense look at several metaphysical ideologies. He explores some of the most ponderous quandaries of his time, among these being the existence of evil, knowledge of the self and the existential, and the possibility of a determined fate. All of these were questions which philosophers had dealt with and written about, but Melville took it to a new level: not only writing about these things, but also doing so in a lovely poetic language backed by a tale packed with intrigue. He explores the general existence of evil in his antagonist, the white whale, and through the general malice that nature presents to humans throughout the novel. The narrator, Ishmael, gains a lot of knowledge about himself through his experiences on the whaling voyage, where he also is able to learn much about the phenomenon of existence itself. Also, through Captain Ahab, he sees more about the existence of man and the things that exist within man’s heart. Especially through Ahab and his ongoing quest for the white whale, and also in general conversation amongst the whalers, the issue of fate and whether one’s destiny is predetermined are addressed in great detail, with much thought and insight interpolated from the author’s own viewpoints on the subject.
Melville not only used a number of biblical allusions in Moby Dick, but he also used many mythological allusions. He used Greek mythology in describing the tattooing on the Queequeg. “The counterpane of the patchwork, full of odd little parti-colored squares and triangles, and this arm of his tattooed all over with an interminable Cretan labyrinth of a figure” (Melvine 19). The Cretan labyrinth was the maze, which imprisoned the half-bull, half-human Minotaur. This adds immensely to the visual imagery of Queequeg. Being able to imagine this large, black harpoon with a “Cretan labyrinth of a figure” (Melville 19) the reader has a more appealing and specific picture of him.