Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The Odyssey: Notes Towards an Analysis of Homer’s Poem
How was odysseus a hero in homer poem
The Odyssey literary analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
I believe my men looked at me a little different today, with pride in their eyes. Like they wanted to be in my position. I was heroic today, and no god or other being will not tell me otherwise. Not only did I face, “A brute / so huge, he seemed no man at all of those / who eat good wheaten bread; but he seemed rather / a shaggy mountain reared in solitude.” I also scarred him with the maiming and traumatizing mark of I, the raider of cities. I will have to concede at one point, the Cyclops was scary. I was frightened, confused, and panicked. I had to learn to do what was best for everyone, which was simple. I had to call Athena because she knows everything about war. I had to mutilate Polyphemus...but how. Of course, how brilliant minded
displays great courage by going and facing a much more seasoned knight such as he. "Sir
this, for once the suitors are gone Odysseus is free to reclaim is post in
The narrative epic, ‘The Odyssey’ composed by Homer between 750 and 650 BC recounts the nostos or homeward voyage of Odysseus If I were you, I should take steps to make these men disperse. Listen, now, and attend to what I say: at daybreak call the islanders to assembly, and speak your will, and call the gods to witness: the suitors must go scattering to their homes. Then here’s a course for you, if you agree: get a sound craft afloat with twenty oars and go abroad for news of your lost father— perhaps a traveller’s tale, or rumored fame issued from Zeus abroad in the world of men. Talk to that noble sage at Pylos, Nestor, then go to Menelálos, the red-haired king 330 at Sparta, last man home of all the Akhaians. If you should learn your father is alive and coming home, you could hold out a year.
The majority of the Odyssey is an account of Odysseus’ adventures trying to reach his homeland of Ithaka. Several of these adventures are false homecomings, the most prominent of which is his imprisonment on Kalypso’s island. This false homecoming is strikingly different from what one would expect of Odysseus’ real homecoming, but similar enough for parallels to be drawn between the two. Homer uses this false homecoming to foreshadow Odysseus’ true homecoming.
told him this because he knew if the other Cyclopes would come and ask who was
but he is the only one who can discern the proper course of action in the
You are permitted on settle on your choices yet you need support not permitted to lift those results" that quote recognizes for a few pieces in the odyssey. The subject "Through Also through flexibility is An all the all the more persuading move over destiny" may be for a few encounters in the odyssey: those secured proprietor, eating up Hyperions dairy creatures, Moreover The minute that odysseus returns home.
Since the beginning of human civilization, women have often occupied inferior roles in society while the dominant role has been played by men. In Homer’s The Odyssey gender roles in Greek society are emphasized showing how men controlled society while women were undervalued and constantly disrespected. Although it may be argued that Homer poses some rather feminist views, it is evident by several elements that The Odyssey is a misogynistic text. First, women in the Odyssey were continually oppressed by men never having true free will. In addition, Women were depicted as symbols of lust, seduction, and evil who bring destruction to men, undermining the true values of women. Furthermore, Women were expected to remain loyal to men while men have no expectation for themselves which promoted gender inequality. Exemplified by these three elements, it is evident that The Odyssey is a misogynistic text depicting a society where women occupy subservient and inferior positions.
As society has progressed, composers have adapted and appropriated the archetypal quest so as to reflect the values of the time’s culture appropriately. This has been a necessary course of action, to ensure their writing conveys the quest and its respective elements in a manner that will be understood by the responder in the relevant time period. The texts ‘The Odyssey (Homer 8th Century BC), In the Shadow of No Towers (Art Spiegelman 2004) and The Picture of Dorian Gray (Oscar Wilde 1890) have appropriated the archetypal quest in their respective time periods to reflect the values of their context.
In book eight of Homer’s The Odyssey, Odysseus is on the island of the Phaeacians and is waiting to return home to Ithaca. Meanwhile, Alcinous, the Phaeacian king, has arranged for a feast and celebration of games in honor of Odysseus, who has not yet revealed his true identity. During the feast, a blind bard named Demodocus sings about the quarrel between Odysseus and Achilles at Troy. The song causes Odysseus to start weeping, so Alcinous ends the feast and orders the games to begin. During dinner after the games, Odysseus asks Demodocus to sing about the Trojan horse and the sack of Troy. This song too causes Odysseus to break down and cry. Homer uses a dramatic simile to describe the pain and sorrow that Odysseus feels as he recalls the story of Troy.
The Hero’s Journey is never an easy one. This particular journey, as detailed in Homer’s The Odyssey, is one of struggle, loss, heartache, pain, growth and triumph. It is comprised of many steps that Odysseus has to overcome and battle through in order to achieve his final goal of reaching his home and his loved ones. From the Call to Adventure to the Freedom or Gift of living, Odysseus conquered them all. The story begins in the middle of the story, as many of the oral Greek traditions did, with the Journey of Telemachus to find his father. Although Telemachus has not yet met his father, it is almost as if they are journeying together, where the end of both of their journeys results in being reunited. Telemachus journeys from being a boy to becoming a man, while out in the sea Odysseus is battling Poseidon to return to the home that wife that he loves and the home he has left behind.
The film O Brother, Where Art Thou? is a reinterpretation of the epic poem The Odyssey. The Coen brothers, writers and directors of the film, did not over analyze their representation. “It just sort of occurred to us after we’d gotten into it somewhat that it was a story about someone going home, and sort of episodic in nature, and it kind of evolved into that,” says Joel Coen in Blood Siblings, “It’s very loosely and very sort of unseriously based on The Odyssey” (Woods 32). O Brother, Where Art Thou? contains ideas from The Odyssey for the sake of modernization and entertainment of an audience that comprehends the allusions to the epic. The Coen brothers utilize elements of Homer’s The Odyssey to improve and to give direction to O Brother, Where Art Thou?, a reinterpretation which was made simply to show that an epic-adventure such as The Odyssey could be modernized to apply to modern times.
The epic poem called The Odyssey, which was written by the poet Homer, is one of the many classical stories from Ancient Greek culture. It tells the story of Odysseus, King of Ithaca, and his journey back home from the war with Troy, which had occurred in Homer’s other epic Greek poem, The Illiad. Odysseus faces many trials and quests in his journey home and to take back his kingdom from the suitors, such as meeting the witch Circe, blinding a Cyclops named Polyphemus, dealing with Poseidon, and staying with the goddess Calypso. The poem has many themes that are relevant to it. One such theme is the factor of redemption. Redemption is usually a typical subject in any kind of religion, like the Greek religion and Christian religion. The story of Odysseus has an underlying message of him receiving redemption from the Greek gods. The Odyssey is a tale of redemption because it deals with Odysseus being forgiven by the gods after having to go through many trials and wrongs to rightfully claim back his wife and the throne of Ithaca.
book takes place in, is called to action and set in motion on his Hero
Hu•bris /ˈ(h)yo͞obris/ noun: excessive pride or self-confidence. Hubris is believed to be the most serious of all seven deadly sins. Some say it was the original sin that led to all others. A word with such loathsome synonyms like arrogance, conceit, haughtiness, pomposity, and egotism was seen as one of the worst possible sins in Greek culture. They believed that no matter your social status those who exhibited it were destined to fall down into damnation. Yet some Grecian heroes seemed to ooze hubris in the form of confidence or cockiness. There was a fine line between the two that they should never cross. One hero in particular showed this sin on more than one account. Throughout The Odyssey, Odysseus, shows the sinful trait of hubris, in the form of cockiness when he talks to Polythemus, his crewmen, his wife, and his son.