After reading the ancient Greek stories entitled The Iliad and Medea, authored by Homer and Euripides, respectively, I realized a startling and disturbing truth involving society during ancient Greek times. It seems as though no matter how similar the circumstances, or how similar the action undertaken and the reason for undertaking such an action, women in ancient Greek society were never, ever, regarded as being heroic. While a man who chose to commit selfishly rageful atrocities during this period was considered admirable, honorable, and was revered by others, the same truth did not apply to women, even if they were essentially forced into a similar situation. This conclusion was reached after an in-depth comparison of the similarities and differences between the two canonical Greek texts and the protagonists of each.
Immediately, I noticed there are quite a few similarities between trivial things within the stories (i.e. divine intervention), but more importantly, there are distinct similarities between not only the main characters of each story, but also between the major themes and what those themes revolve around. Major disparities between each story were also evident (i.e. Homer's text focuses on the actions of a man, Achilles, while Euripides' text focuses on the actions of a woman, Medea), but once I looked past the obvious differences, much of what I read encompassed the same exact thing: two trademarks of the human species, violence and rage. The stories are practically identical, both focusing on the vengeful and murderous activities of the main character, which come to fruition after an abominable rage overcomes them.
In reading the story of The Iliad, it is immediately obvious that the rage of the...
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...n be said about Medea, yet she earns the title of barbarian, witch and criminal for her actions, and Achilles gets to be the epitome of the word hero, which, of course, is blatantly unfair.
WORKS CITED
Books:
The Norton Anthology of World Literature, 2nd Edition, Volume A.
W.W. Norton & Company, Inc., Copyright © 2002.
Internet:
"Summary and Analysis of Medea by Euripides", eLibrary.
Copyright © 2000. TheatreHistory.com.
< http://www.theatrehistory.com/ancient/bates018.html >
"Study Guide for Euripides' Medea", Temple University Library.
Copyright © 2004. Temple University.
< http://www.temple.edu/classics/medea.html >
"Achilles, The Iliad, Medea", Encarta® Online.
Copyright © 2004. Encyclopedia Encarta.
< http://encarta.msn.com >
In order to understand the “center” of the Iliad, one must first recognize that the Iliad started as a “Lyrical,” or oral poem and was written down much later in history, becoming a “Narrative,” or literate poem. The Iliad began as a poem that was strictly part of an oral culture, its transition into a written work for a literate culture brought complexities and complications that are often overlooked when examining this poem on its surface. Walter J. Ong explained this phenomenon best when he described the psychodynamics of an oral society. His explanations concerning these particular societies’ psychologies and social dynamics are often times lost on the Iliad’s modern-day reader. Therefore, when reading a piece of literature, one must first take into account how the text has arrived to him through the passage of time and history. So, before we are to examine the modern critics’ interpretations and analyses of Homer’s Iliad, we must first look to Ong’s claims concerning oral societies.
The Role of Women in Greek Mythology In learning about the feminist movement, we studied the three articles, discussed and reviewed the different authors perspectives on the topic, and learned how important the role of woman in Greek mythology is. In presenting the feminist theory to the class, we analyzed the three articles, Women in Ancient Greece; Women in Antiquity: New Assessments; and Women in Greek Myth, and discussed how although the three articles provided different views on Feminism in mythology, they all essentially are aiming to teach the same basic concept. In order to understand the feminist theory, we have to understand the notion that although myths are invented and that they involve fantasy, the concept of mythology does not necessarily imply that there is no truth of history in them. Some of the humans may have lived while some of the events may have taken place. Most importantly, the social customs and the way of life depicted in the myths are a valuable representation of Greek society.
Yet, despite the fact that no two women in this epic are alike, each—through her vices or virtues—helps to delineate the role of the ideal woman. Below, we will show the importance of Circe, Calypso, Nausicaa, Clytaemestra, and Penelope in terms of the movement of the narrative and in defining social roles for the Ancient Greeks. Before we delve into the traits of individual characters, it is important to understand certain assumptions about women that prevailed in the Homeric Age. By modern standards, the Ancient Greeks would be considered a rabidly misogynistic culture. Indeed, the notoriously sour Boetian playwright Hesiod-- who wrote about fifty years before Homer-- proclaimed "Zeus who thunders on high made women to be evil to mortal men, with a nature to do evil (Theogony 600).
As a child, I was fascinated by Greek mythology and history, and I made it my business in elementary school to read as much as possible about the subject, including the outstanding stories and the pantheon of gods presented. I thought of them as fantastic, supernatural tales with fitful gods and brave heroes, and I never stopped to consider that the mythologies could be representative of the cultural views and habits of the Greeks, specifically regarding gender roles. One such representaton is Virgil's epic Aeneid, which contains depictions of women in positions of power, and also characterizes these women as irrational, emotional to the point of hysteria, and consequently, unfit rulers.
In historic Greece, the characteristics of a hero were for the most part left only for men to achieve. Heroes were viewed as those who were kind to friends, vicious to enemies. They were also men who risked their lives regularly everyday, fighting for not only their country, but also treasures such as women, gold, and armor, among other things. Women, however, rarely accomplished such things, for what made a good woman was her obedience to her husband, her loyalty to her family, and, for the most part, other functions that a housewife is usually considered to perform. In order to win renown, however, a woman was forced to commit actions normally left to men. Antigone, Electra, and Medea, do not attempt to be what was considered a “good” women in ancient Greece; rather, their actions become masculine, instead. This is why they were known in the ancient world.
“A woman cannot be herself in the society of the present day, which is an exclusively masculine society, with laws framed by men and with a judicial system that judges feminine conduct from a masculine point of view” (Ibsen). This saying also applied to the times of the Odyssey, an epic constructed by the blind, eight century B.C.E. poet, Homer. As one of the few representatives of ancient Greek social order, the blind, Homer witnessed women as substandard to men, regardless of their actions; many of them existed as seductresses, prostitutes, or slaves. He engraved into his poem women’s roles; the roles of women, as mothers, wives, seductresses, and goddesses are exemplified in this epic, when shown in comparison to the men of that era.
Greek women, as depicted as in their history and literature, endure many hardships and struggle to establish a meaningful status in their society. In the Odyssey, Penelope’s only role in the epic is to support Odysseus and remain loyal to him. She is at home and struggles to keep her family intact while Odysseus is away trying to return to his native land. The cultural role of women is depicted as being supportive of man and nothing more. Yet what women in ancient Greece did long ago was by far more impressive than what men did.
Since the beginning of human civilization, women have often occupied inferior roles in society while the dominant role has been played by men. In Homer’s The Odyssey, gender roles in Greek society are emphasized, showing how men controlled society while women were undervalued and constantly disrespected. Although it may be argued that Homer poses some rather feminist views, it is evident by several elements that The Odyssey is a misogynistic text. First, women in the Odyssey were continually oppressed by men, never having true free will.
In the Bronze Age, early Greek’s political concern was largely on defense. During this time, while the men were serving in battles and war, women were expected to “bear future warriors” (Pomeroy 18), similarly to what Zeus enforced. Heroic Greek society demanded women to be married upon reaching maturity, and to begin having children immediately. The earliest writings of ancient Greece, usually accredited to Homer, show murderous arguments between men over women. Pomeroy writes, “It was a quarrel with Agamemnon over a valuable slave woman that precipitated Achilles’ withdrawal from the fighting at Troy and provided the theme for the Iliad.” (Pomeroy 25) Later, we will see how lawmakers enforced the role of women to prevent competition among
One can hardly deny that in Euripides’ plays women are often portrayed as weak, uncertain, and torn between what they must do and what they can bring themselves to do. Other women appear to be the root of grave evils, or simply perpetrators of heinous crimes. In a day when analysis of characters and plot had yet to be invented, it is easy to see why he might have been thought to be very much against women. However, when looking back with current understanding of what Euripides was doing at the time, armed with knowledge of plot devices and Socratic philosophy, this argument simply does not hold up. In fact, a very strong argument can be made to the opposite, that Euripides was in fact very much in support of women’s rights, and thought they were treated unfairly.
Euripides, one of Ancient Greece’s most famous playwrights, could be considered as one of the earliest supporters of women’s rights. With plays such as Alcestis and Medea, he clearly puts an emphasis on the condition of women, and even integrates them in the Chorus of the latter play, a feat that was not often done in Ancient Greece. Throughout the years, it has been argued that the two central characters in each of those plays offer conflicting representations of women in those times, and I can safely say that I agree with that argument. I will expand on my view by pointing out an important similarity between Alcestis and Medea, followed by a key difference, and will finish it off by contrasting them with the Ancient Greek depiction of an “ideal woman.”
In the Iliad, Achilles is the main protagonist. He is a demi-god and is the son of the nymph Thetis and Peleus who was the King of the Myrmidons. He was a Greek hero of the Trojan War. He falls in love with a battle prize called Briseis. He is to portray, “as a brave, loyal, cocky, intelligent and even superhuman soldier. In Achilles ' case, the word "superhuman" is literal; he is the result of a union between a god and a mortal.”(Harvard 1)
Medea and Lysistrata are two Greek literatures that depict the power which women are driven to achieve in an aim to defy gender inequality. In The Medea, Medea is battling against her husband Jason whom she hates. On the other hand, in Aristophanes' Lysistrata, the protagonist Lysistrata plotted to convince and organize the female gender to protest against the stubbornness of men. In terms of defining the purpose of these two literatures, it is apparent that Euripedes and Aristophanes created characters that demonstrate resistance against the domination of men in the society.
The 'Iliad'; by Homer is a book that deals with many emotional issues. I am going to talk about a few emotional parts of the Iliad and compare them to the emotional life of today. I have chosen a section of the book and will talk about the emotions that come up there. The section that I have chosen to talk about is in book 18 when Achilles is very angry and very sad about Patroclus death. After that he wants revenge by killing hector.
The poem “Iliad,” by Homer, is known for its violence between men during a war, but under that violence, is the different type of women who play a significant role in the poem (Homer 189). This poem’s narrative seems to show a male dominated world between the Greek commanders. This male dominated world cannot happen on its own, thus the different background roles of women are needed in order to make sense of all this rage. As the University of Michigan article How Do Women Make Their Way Into This Cycle states, “They are seen as the objects of both lust and domesticity, yet they are also used to excuse war, cause conflict, and display the power of men” (www.umich.edu). The focus in this poem steers towards the rage between the men, but this rage most of the time is inspired and initiated by a woman. The women of Iliad play a significant role in the poem such as war prizes, male hero partners, and women gods.