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In the catcher in the rye, how does holden view himself
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Holden's Perception of Others in Catcher in the Rye
J.D. Salinger's novel Catcher in the Rye revolves around Holden's encounters with other people. He divides all people into two different categories, the "phonies" and the authentics. Holden refers to a "phony" as someone who discriminates against others, is a hypocrite, or has manifestations of conformity. A person's age, gender, and occupation, play a key role in how Holden interacts with them.
Holden shows a particular liking towards children over adults. He values the innocence and authenticity of children and he tries to protect them from the phoniness and evil of the world. When he goes back to his old school at the end of the novel to give a note to Phoebe, he sees an obscenity on the wall that infuriates him. He says, "Somebody'd written `F*** you' on the wall. It drove me near damn crazy. I thought how Phoebe and all the other little kids would see it, and then finally some dirty kid would tell them-all cockeyed, about it and maybe even worry about it for a couple of days. I kept wanting to kill whoever'd written it" (201). When Holden's sister Phoebe demands that he tell her one thing that he really likes, Holden's responds saying, "I like Allie...And I like doing what I'm doing right now. Sitting here with you, and talking and thinking about stuff..." (171), showing that he's most content in the simple and innocent world of his childhood.
Holden has a respect for women that he views as unnatural. He feels that his sexual desires should be similar to those of his roommate Stradlater and peer, Luce. Holden shows his confusion by saying, "The thing is, most of the time when you're coming close to doing it with a girl, a girl that isn't ...
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...c artistry to "phony" artistry, Holden lost respect and his opinion of his brother changed.
Holden divides people into the "phony" and authentic groups based on age, gender, and their occupations. The novel revolves around Holden's encounters and interactions with the people, which makes Holden decide subconsciously not to try to escape society through death. But, ultimately he learns that you cannot protect the innocent from the "phonies" of the world.
Works Cited
If You Really Want to Know: A "Catcher" Casebook. Ed. Malcolm M. Marsden. Chicago: Scott, Foresman, 1963. 68-73.
Crispell, Diane. "The Holden Syndrome." American Demographics. Aug. 2001.
Online. 7 June. 2003. Available http://www.marketingtools.com/Publications/AD/96_AD/9608_AD/9608AF01.htm
Salinger, J.D. The Catcher in the Rye. Boston: Little, Brown, 1991.
of them, but he doesn’t see he is already a phony. Holden finds hypocrisy in almost everything he sees but does not yet even realize. that he too is part of that corrupt world the minute he stopped being a child and wanted to be an adult. Holden fears becoming an adult in mind and heart, but wants to become one. one in his actions, he said.
Holden’s first betrayal was that of his memory and innocence by an egotistical peer. At Pencey Prep, he roomed with a student named Stradlater; the epitome of a teenage jock. Stradlater was openly very vain; as Holden stated as he watched Stradlater gaze at himself in the mirror, “he was madly in love with himself. He thought he was the handsomest guy in the Western Hemisphere” (27). Because of his inflated ego and good looks, Stradlater figured that he would steal the breath from any girl he wanted. To Holden, he admitted that the girl of the hour was a “Jean Gallagher” (31). Here was the betrayal: this “Jean” and the Jane that Holden had spent childhood summers with playing a cool game of checkers on the porch were one and the same. Holden had ...
Immaturity of Holden in J.D. Salinger’s The Catcher in the Rye In J.D. Salinger’s The Catcher in the Rye, the main character, Holden, cannot accept that he must move out of childhood and into adulthood. One of Holden’s most important major problems is his lack of maturity.
I would like to discuss how Holden’s misinterpretation of the Robert Burns poem, “Coming Through the Rye”, sums up his deepest desires by taking a journey through his troubled adolescence and his journey to self–discovery that results in his breakdown. According to Phoebe, the original line in the poem is “if a body meet a body”. However, Holden’s misinterpretation of “if a body catch a body” removes all sexual connotations from the original poem. Holden is a deeply disturbed adolescent in search of a way to preserve his childhood innocence. His “red hunting cap” is a symbol of his uniqueness and his rejection to conform to society.
Holden’s childhood was far from ideal, with Allie dying, his dysfunctional parents and the revelation that he had some “perverty” stuff happen to him when he was a kid. Due to this, he isn't ready to step into adulthood and leave his childhood behind. This is why Holden is mostly alienated from adults and connects more to the innocence of children like the girl at the park and his sister, Phoebe. However, Holden is disillusioned with both adulthood and childhood. He already knows how it feels to be an adult; drinking alcohol, being independent, living by himself and caring for Phoebe, but isn’t ready to immerse himself in it.
Holden Caulfield, portrayed in the J.D. Salinger novel Catcher in the Rye as an adolescent struggling to find his own identity, possesses many characteristics that easily link him to the typical teenager living today. The fact that the book was written many years ago clearly exemplifies the timeless nature of this work. Holden's actions are those that any teenager can clearly relate with. The desire for independence, the sexually related encounters, and the questioning of ones religion are issues that almost all teens have had or will have to deal with in their adolescent years. The novel and its main character's experiences can easily be related to and will forever link Holden with every member of society, because everyone in the world was or will be a teen sometime in their life.
Marsden, Malcolm M. If You Really Want To Know: A Catcher Casebook. Chicago: Scott, Foresman and Company, 1963.
Holden’s sexual struggles are visible through his interactions with Sunny, Sally Hayes, and Carl Luce. Holden’s fascination with sex interferes with his elevated morals; as much as he wants to engage in intercourse, he voices his need to establish an emotional connection with his partner first, which prevents him from having casual sex. As much as physical intimacy is important to him, Holden needs to be taken care of and understood emotionally, as well, displaying that he holds sex in high regards and does not view it as something to be done carelessly. Holden just needs to be loved; but, unfortunately, his romantic life is sub-par at best, and until that changes, he’ll always feel confused – and very, very lonely.
The Catcher in the Rye revolves around Holden Caulfield, the protagonist of the novel, and his disillusionment. Holden’s disillusionment illustrates that he has a problem accepting such. Aforesaid is based upon multiple factors, most which have brought Holden lasting traumas. A remedy is required for Holden to accept his disillusionment and enable an improvement of his situation. For Holden’s remedy, the consultation of psychologists, and additional specialized health professionals would be the core of an apt remedy for Holden’s psychological and physiological state based upon the numerous causes of such and the everlasting trauma of some of the determinants of aforesaid situation. The origins of Holden’s disillusionment revolved mainly around the death of his younger brother Allie three years ago, of which he still experiences the trauma to this day. His disillusionment is caused by both
Marsden, Malcolm M. If You Really Want To Know: A Catcher Casebook. Chicago: Scott, Foresman and Company, 1963.
At first glance, J.D. Salinger’s The Catcher in the Rye simply tells the story of Holden Caulfield, who is often characterized as annoying and whiny by the people around him. The anti-hero frequently speaks on impulse, making quick and often inaccurate observations of others. Holden’s immature and overly critical attitude turns off those he encounters, who are displeased with how callow he is. However, what these characters fail to understand is that there is actually a sort of sophistication behind Holden’s reasoning. In fact, throughout the novel, Holden disguises his maturity through outward displays of childishness.
Holden really listens to women and he pays attention to what they have to say or do. When Holden found out that Stradlater was going on a date with Jane, he kept talking about her. He was telling Stradlater about the things they did as kids. Holden was telling Stradlater about the time they were playing checkers. Holden
The Catcher in the Rye, by J.D. Salinger, is a classic novel about a sixteen-year-old boy, Holden Caulfield, who speaks of a puzzling time in his life. Holden has only a few days until his expulsion from Pency Prep School. He starts out as the type of person who can't stand "phony" people. He believes that his school and everyone in it is phony, so he leaves early. He then spends three aimless days in New York City. During this time, Holden finds out more about himself and how he relates to the world around him. He believes that he is the catcher in the rye: " I keep picturing all these little kids playing some game in a big field of rye and all. Thousands of little kids, and nobody's around-nobody big, I mean-except me. And I'm standing on the edge of some crazy cliff. What have I to do, I have to catch everybody if they start to go over the cliff..." (173). He briefly enters what he believes is adulthood and becomes a "phony" himself. By the end of the story, Holden realizes he doesn't like the type of person he has become, so he reverts into an idealist; a negative, judgmental person.
wants to say in the poem is about anger and object to war. The poet
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