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Introduction of economic growth in india
Introduction of economic growth in india
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INTERIOR FURNISHING INDUSTRY IN INDIA: Economic growth and industrial revolution in India in the early 1980s played a huge role in the development of private sectors. One such sector is Interior design and furnishing industry which is relatively new field in India. Initially there was a misconception between interior design and architecture. Interior design industry involves working with fabrics, furniture, wall coverings and other artistic works while the latter deals with mathematics, geometrical analysis, structure of building, etc. There is a huge boom in the growth of interior design Industry in India due to urbanisation. A planned and professionally designed artistic space is easily affordable these days which was just a dream for previous generation. In earlier days, interior design in India is completely based on utilitarianism. Interior design of an average middle class house consists of bricks, painted walls, basic furniture and some local handicrafts adorning the walls. But now, it has become wider and has fragmented into many segments such as residential design, corporate design, commercial design, etc. FDI in Furniture & Furnishing - Favourability in India: For FDI in Furniture & Furnishing % Favourable Growth in the sector and in modern retail segment 50 Political support 75 Impact of 30% sourcing from SME segment …show more content…
According to NASSCOM reports, the development of IT/ITES sector in India have revolutionised the way the corporate offices are designed. These days, even small corporates in India prefer modern sophisticated arena to traditional cabins. As on May 2014, the number of registered companies in India crossed 13 lakh. The market size of Indian real estate is expected to grow at a CAGR OF 11.2 percent and the total FDI in real estate sector stood at 22.7 dollar billion in
True Woman 101: Divine Design, just published by Portavoz, was launched during the MV15 conference. The book will be distributed by Portavoz in South America. Volunteers are ready to translate True Woman 201: Interior Design and Portavoz is ready to publish it.
Interior Decorators such as Elsie de Wolfe, Eleanor McMillen Brown, and Dorothy Draper helped to pave the way for the Interior Design profession today. Their influential decisions to stray away from the Victorian style of design helped guide both the interior decorating profession, as well as architects who no longer wanted to design in the bulky and cluttered Victorian Style. Elsie de Wolfe designed during the Victorian movement, however “had adopted the 1890’s preference for Neoclassicism” (Smith, 22). Unlike the cluttered and dark interiors of an average Victorian interior, her interiors were, “in the words of one visitor, ‘[models] of simplicity’” (Smith, 20).
During the 1980s, designers and architects backfired against the order of modernism. Instead, they devolved into Neo-Classical elements and structures. Decoration revolutionised architecture, interior furniture and accessories into a visionary reality.
Pile, J. F., 2005. A History of Interior Design. 4th ed. Toronto: Laurence King Publishing.
At the end of nineteen century, the implication of home inner design had not yet stationary. However, Elise de Wolfe used her aesthetic sensibility and her family background to introduce aesthetics to the field of architecture. The professional term "interior design” now born in architect’s industrial. She subverted the prevailing Victorian design. Her work was considered as a break through from old design and a cornerstone of merging modern interior design. She was hailed as one of those pioneers who prevailed on the development of the career of interior design.
It will discuss the different types of dwellings throughout recorded human history from the perspective of how art and culture influences building design. This will fulfill my own curiosity to understand the different influences on homebuilding and design over the years and how people have dealt with these changes.
Building from my background of art and architecture, I have developed an understanding for both creativity and the technical. Through the years, the analysis of artworks evolved my ability to look closer at elements of art to find the cultural influences and perception of the artist. I consider the city itself to be a living piece of art, which can be broken down into comprehensible list of elements similar to those used in analyzing artworks. In recent years, the architectural classes have offered me a more technical way to view the city and individual buildings. Learning about the int...
In conclusion, the debate between aesthetics and functionalism has been around for a long time. It becomes clear however, through research, that the first thing architects consider is function, and then aesthetics. It is because of this approach that aesthetics becomes somewhat of a by-product of the whole design process. By looking at examples of various buildings, it is apparent that aesthetics is important to structure and in many instances has been successfully coupled with function. But in no circumstance should aesthetics take precedence over the function and practicality of a building. It seems more likely that a happy medium between function and aesthetics can be reached, on a project by project basis, and then applied to the design process of creating the building.
[6] Kripalani, Majeet & Egnardio, Pete. The Rise Of India. Business Week Online. December 8, 2003. http://www.businessweek.com/magazine/content/03_49/b3861001_mz001.htm
Architecture is the concept of bringing structure, materiality, form and space together as a whole, provide people with enclosed atmosphere to experience. Considering this, it is important to identify that materiality and the purpose of details has been a key methodology to bringing architectural intentions into the design in an affective manner, more over producing an architectural expression. However, this position is rather declining in architecture, reducing tectonics and materiality to being secondary to form and space. With the start of modernism, the attempt to achieve minimalistic style has caused detailing to increasingly develop into a decorative aspect of a building, neglecting its individual contribution to architecture.
According to Bemis (1936) “A new conception of the structure of our modern houses is needed, better adapted not only to the social conditions of our day but also to the modern means of production: factories, machinery, technology and research”. Albert Bemis, US housing manufacturer in the early twentieth century has a vested interest in using technology to advance new concepts in the design of houses. Nevertheless he points to the important relationship of the use of technology in the structural design of housing. However, it is difficult to estimate how far changes in technology were responsible for changes in the design of housing as much of the evidence that has been sourced argues that the social, political and economic environments played a significant role in contributing to these design changes. These environments impacted on the urban form and fabric to unify with technology to create change in the design of housing.
Interior design is one of the most important professions. When thinking of design and architecture industry, it is necessary to keep in mind that the professionals emphasis on matters of everyday life when commencing a project. Important sectors of interior design consist of: residential, commercial, hospitality, healthcare, education and corporate designs. Thus, the field deals with numerous factors and affects almost everyone in some way. Design is goal-oriented– it strives to achieve a certain purpose. An essential goal of interior design is to create functional spaces that convey a specific mood for an audience using design elements, thus outlining a design for communities versus individuals.
Residential interior design involves dealing with home owners normally on an available budget. Some interior designers specialize in working on bathrooms, kitchens, living areas or even bedrooms. Others work in the larger and lucrative commercial interior design market. In this marketplace, interior designers are spoiled for choice and may select the retail industry, the hospitality business, the commercial building sector or specialize in related business as diverse as creating exhibits for art galleries and trade shows.
The work of an interior designer requires a natural skill to work with people and to decipher what a client desires. "The designer's job is to evaluate, plan, and design the interior areas of residential, commercial, and industrial places." (Careers in Focus: Design.) A few simple jobs consist of helping clients to select fixtures and furniture, supervising the coordination of colors and materials, obtaining estimates and costs within the client?s budget, and overseeing the execution and installation of the project. Some very important details designers must be aware of are the architectural requirements, space planning, and the function or purpose of the environment.
Behind every architectural work there is an architect, whether the architect is one man or woman, a small group, or an entire people. The structure created by any of these architects conveys a message about the architect: their culture, their identity, their struggles. Because of the human element architects offer to their work not just a building is made, but a work of art, a symbol of a people, a representation, is also created.