Historical Monuments
When thinking about architecture, many visual images come to mind. The works of many are seen everywhere we go, from the average home to a New York skyscraper. As these buildings are fairly common to most of us, we forget to incorporate the work of our prehistoric man that gave us the foundation of early architecture. Pre-historic monuments provide us with numerous amounts information about our past and how life existed in these prehistoric times. When comparing two great works from ancient times, we will determine the main reason for these buildings as well as rituals that were held and there excavations and discoveries.
The passage-tomb at New Grange was constructed around 3200BC, according to archeologist. This makes it older than Egyptian pyramids. New Grange was built only by stones, no metals or other foreign objects were used. This site was rediscovered in 1699. Charles Campbell, landlord at time, instructed his workers to gather some stones and soon enough, the entrance of the chamber was found. Excavations of the passage-tombs began on 1962-1975 by Professor Michael J. O’Kelly and his wife Claire O’Kelly. Each year, on winter solstice, a spectacular occurrence is witnessed as New Grange is illuminated by the sun. At sunrise, around nine o’clock in the morning, the suns strikes the front of New Grange creating a beam of light that stretches into the passage way and into its central chamber. This sun beam illuminates the chamber for a period of around seventeen minutes. It is remarkable how man constructed this tomb precisely to capture the sun every year with merely just stone technology and no other equipment. According to O’Kelly, he felt the workforce of three hundred was used to create the tomb that took around thirty years to build. The total length of the passage stretches around seventy-nine feet, and is composed of three separate chambers. There is also a great deal of Megalithic Art inside New Grange as well as its sister sites Knowth and Dowth. In fact, in Knowth, nearly every stone is decorated, and the site has been hailed as having the largest collection of megalithic art in all of Europe. Over a quarter of all known megalithic art in Western Europe is at Knowth and its surrounding mounds (http:// mythicalireland.com/ancientsites/newgrange-facts/art.php). The most common categories of art at New Grange are lozeng...
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Many humans have been interested in different forms of art throughout all of history. Countless people have spent endless hours researching, studying, and learning about different pieces of art. Although each piece of art is unique to in own appearance, time, and meaning, many similarities can be found. Stonehenge and the Great Pyramid are two historical works of art that can be studied via comparison. Looking at the two pieces, many differences and similarities can be observed.
Stonehenge is located near Salisbury, England and according to an archaeologist who has investigated Stonehenge close up, Mike Parker Pearson (2010) “...the new date for the raising of the sarsens [the large stones]...[is] between 2600 and 2480 B.C….” (p. 47). It consists of the large sarsen stones which are the ones that are in pictures and on postcards. Then there are smaller bluestones that are mixed in with the sarsens, Y and Z holes that form full circles around the sarsen stones, and Aubrey holes which form a circle around the entire structure. There is a large stone outside and a ways away from the circle called the heel stone. There are two station stones that stand to the side of the of the circle and over the Aubrey holes. They form a perfect rectangle with two barrows, or burial mounds, that are there.
The wooden lintels, writing, and the unique calendar reveal clues about life in a society that thrived for over 1000 years. Many massive building are visible today, those built to pay tribute to kings and to please the deities. The M...
Architecture, like many things, can also be made for the use of or inspired by the symbols people believe in. Therefore, art and architecture in Ancient Mesoamerica can be stated to be made for the use of religious symbols. Making architecture and art forms takes effort, dedication, and patience. Architecture can take years to make, as was s...
The first permanent stone fortifications was built in Jericho. They constructed the building using roughly shaped stones laid without mortar (Kleiner, 24). Once Jericho’s inhabitants left their site, a different group of people came to settle there. They used different techniques, “…established a farming community of rectangular mud-brick houses on stone foundations with plastered and painted floors and walls” (Kleiner, 25). The megalithic tomb in Ireland was built in the form of a passage grave. “At Newgrandge, the huge megaliths forming the vaulted passage and the dome are held in place by their own weight without mortar, each stone countering the thrust o neighboring stones. Decorating some of the megaliths are incised spirals and other motifs” (Kleiner, 27). The main chamber used early examples of corralled vaulting and in addition the Newgrandge tomb illuminates sunlight through the passage and the burial chamber during the winter solstice. Nearing the end of the fourth millennium BCE, Neolithic civilization had spread in every diffraction even to small remote areas. “…Hagar Quim is one of many constructed on Malta between 3200 and 2500 BCE” (Kleiner, 27).The builders of Malta constructed the temple by pilling cut stone blocks very carefully in stacked horizontal rows. “To construct the doorways at Hagar Qim, the builders employed the post-and-lintel system in which two upright stones
People from all around the world have seen or at least heard of public monuments. Public monuments do an amazing job at displaying history and also showing us how important some places/things are. After reading through the articles we were given there were a few that stood out to me. Those were: Source B “Waiting for Crazy Horse”, Source D “ Preserving Memory: National Holocaust Memorial Museum Controversy”, and Source E “Obscure Monument to Lobsterdom: Washington, DC”. Public monuments should be built because of how they commemorate people and places.
The end of the Geometric period resulted in the beginning of the Orientalizing Period, dated between 700-600 BC. Within this time frame, Greek introduced a new innovation, the Peripteral Temple. For many years prior, a row of colonnade was used on the interior primarily to hold up the roof of the building. In contrast, columns are seen being used on the outside, creating a visual wall around the building exposing parts of the interior. With in the temple existed the megaron style, carried forward from Bronze Age homes. It was also in eastern influenced period, the first real stone temples, and terra cotta roof tiles came to exist to hold the weight on these new stone temples. The population grew drastically, introducing new techniques and styles, which blended to form designs with balance and symmetry. It was during this period, two major Greek designs were developed, the Ionic and Doric order. (Pedley, 2012: pg. 180) The Doric order, being the first and most simple, consisted of baseless columns placed closely together as the Greeks did not know how much weight the shortened columns could hold. Reason behind this was the lack of length in the columns were believed to hold less weight and therefore forced into being placed closer together. This closely set arrangement created a very bold statement in the Doric temple. The Capital, which sat on top of the concaved shaped shaft, was left plain but when grouped alongside others, suggested a bold harmony. In contrast, the Ionic order was less bulky and more delicate than the Doric order. The top of the capital is decorated with two scrolls, also known as volutes, which could have resembled a shell or animal horns. Above the capital, held room for a surrounding frieze depictin...
The significance of monumental architecture lies not only in the function it is built to serve but also in the cultural values it represents. Monumental architecture is aesthetic as well as functional, and in its aesthetic aspects it is a form of cultural expression. In Bronze Age Mediterranean civilizations, the development of monumental architecture was influenced primarily by the political structure of the state. Perhaps the most disparate forms of monumental architecture in this region were developed in Pharaonic Egypt and Minoan Crete, reflecting the differences in their political systems. The socio-political structure of these two cultures can be sharply contrasted through an examination of a predominant type of monumental architecture found in each region.
"Temples, tombs and pyramids - all have witnessed this earth for thousands of years. What better than to say that these architectural achievements show us that Egypt's greatest virtue lay in its architecture" (Fumeaux:11, 1964)
...re that was most unique to the Early Dynastic period was the oval enclosure with a centralized platform to lend stability to the shrine. Storage were found near the enclosure. The Temple Oval at Khafaje best exemplifies the unique formation of the oval enclosure in the temples. This enclosure had a double perimeter wall present which was highly unusual for enclosures. Another oval temple was found that Tell al Ubaid, which had a rectangular platform in the center. In the front of this platform there were elaborate decorations, which were belived to have fallen from the façade of the temple which had stood on the platform. Besides these oval temples there were also plans of temples with a number of single or double roomed shrines, one noteworthy temple is from Tell Chuera in North Syria. This design plan yields a closer resemblance to the west and megaron buildings.
When walking around a city, you may notice that the architecture and art look similar to other works. Many of these designs have changed along the course of history and time whilst others have not. The designs that many people still see in society and day to day living is from two of the many cultures of the old civilizations, Roman and Islamic. The art and architecture forms from the Islamic and Roman cultures have many comparisons and contrasts between them. They, the Islamic and Roman nations, have both adopted from other cultures and have made their own discoveries in the art and architecture worlds. The Roman and Islamic architecture and art vary drastically from each other and yet have varying comparisons between the two.
Monuments are a symbol of a significant time in history. Monuments represent life, death, success, and struggle just to name a few. They have become as important to society as the events they represent. They bring history alive to new generations and memories to those who experience them firsthand. Monuments create a bridge between generations. Many parents feel a certain indescribable joyfulness when they see the look in their child’s eyes they had went they viewed the same monument.
In the following essay, I will be comparing and contrasting to architectural pieces by the Indians. The first is the Taj Mahal, a building constructed from white marble that took seventeen years to build in honor of Shah Jahan’s wife, Mumtaz Mahal (Z. Haq). This piece of architectural beauty belonged to the Mughal’s, the Muslim emperors in India (Z. Haq). The second is the Great Stupa at Sanchi, a holy, dome shaped structure that covers the body of the Buddha in honor of him and his contributions to Buddhism (Fischer, Julia). Furthermore, this structure was made of ruins, rocks, mud, and covered in bricks (Fischer, Julia). Both pieces of architecture are significant to the Indians, however they do contrast in some ways.
From the time of the ancient Greeks all the way to modern day, some part of humanity has almost always been interested in the past. For the ancient Greeks, it was discovering Mycenaean ruins and composing stories about them. Today, inspiration is still drawn from classical architecture. One has to look no further than the U.S. capitol building, or even the University of Michigan's Angell Hall to see remnants of this architectural style. This raises the question of why does it still persists? Logically, the best way to answer this is to examine the origins of classical architecture, and what it represented then and now. Furthermore, the study of ancient architecture can show insights into past civilizations which otherwise would have been lost.
As Nuttgens eloquently expressed, architecture is a “vital…expression of the experience of mankind.” It is more than just buildings used for storage, housing, religious purposes, simple functionality; it is a great manifestation of the commonality of man, the great connecting factor of humankind. However, it can be argued that the ancient and classic forms or architecture are in essence more “profound…lasting… [and] inexhaustible” than those of their modern counterparts, because of some key differences in the ways ancient and modern architecture are practiced.