Hip Hop has been an art form that has allowed artists to freely express their opinions and to convey their messages to listeners for quite some time. However, the messages of artists have transcended overtime and have generated an impression that the genre is overly violent and strives on materialism and capitalism. R.A.P, It has been in contemporary decades a controversial genre of music that has been forced to endure the forefront of mainstream media, and public, political moral panic. From the politically motivated verses of N.W.A to the dramatic East Coast- West coast rivalry that ultimately led to the violent, unsolved murders of icons Christopher Wallace (Notorious) and Tupac Shakur, it appears that political groups have resorted to enable this style of music as a moral panic and have made the decision that there is in fact a correlation between rap and youth violence. Despite continual criticism of rap and its supposed inherent violence, many overlook the empowering, and racially motivated reasoning to the existence of rap. Similar to other forms of grassroots forms of music, rap cannot be completely understood unless it is critiques outside its current context and understood for it’s historical, and grassroots inception. Popular rap music of a late modernal society does not reflect its initial hip hop culture of young, urban, blue collared Black men and women, the roots of rap lie in the verbal legacy of west Africans, its means as the speech of an otherwise racialized, and marginalized group have now expanded to include its ultimate appropriation and commercialization by music industries. Hip Hop, (which in turn leads to rap) music has said to have originated in New York’s South Bronx during the early 70’s by Jamaican bo... ... middle of paper ... ...conclusion emerges as the symbol of resistance to the lived ghetto experience, and not the source of violence in communities. In order to comprehend the complexity of rap, it is vital to analyze the entirety of rap including historical and political motives. If violence is to be tackled in the rap and hip hop genre one must first review the issue to its core which is the large disparity that exists in our society, and how rap has effectively become a means of resistance for those who must endure the structural injustice that exists in response to institutions of oppression that have further exacerbated the discrepancies in race, and class. To eliminate the nihilism present of the Black youth there must be a response to the rap, there is a necessity for scholars, and political powers to pick up the mic and drop a beat back to those who are listening with eager ears.
In one of the chapters, ‘Where Did Our Love Go?’ the author reveals how blacks in America use the music to express their anger and commitment to emerge as great people in an unfair community. Most songs are written to educate the society on the negative effects of racism. They encourage the society to love one another and embrace unity. The human nature is founded through a social platform where philosophers claim that people were created to love one another and live with peace and unity. Through this book, it is clear that the blacks in the hip-hop generation are money minded. However, this is expected in a world where the economy is tough. The author claims that the youth are the people who are majorly affected by racism. Many of them have been arrested for pity mistakes which are magnified in the courts due to the impression that the society has on the black people. They engage in dirty activities like drug dealings that that put them on the wrong side of the
Hip-Hop became characterized by an aggressive tone marked by graphic descriptions of the harshness and diversity of inner-city life. Primarily a medium of popular entertainment, hip-hop also conveys the more serious voices of youth in the black community. Though the approaches of rappers became more varied in the latter half of the 1980s, message hip-hop remained a viable form for addressing the problems faced by the black community and means to solve those problems. The voices of "message" hip...
Hip-Hop: from the live performances to the lyrics this here brought up many thoughts in my head. I attended a concert on April 2016 and several other old school concerts at the Queen Mary, front row VIP area which included; Debbie deb, Cover girls, Vanilla ice and so on. Going to an old school/hip-hop concert the songs and experiences as a whole are different with every time. New school hip-hop is narrative and with this you can receive the same lyrical experience every time, as for the concert the experience is the same as the next. I am not saying that an old school concert isn’t different in its own way but I do think their not so far apart performance wise. Example going to a “Drake” concert is more narrative compared to an old school
This article is titled “Rap music is harmful to African American communities” and is written by E. Faye Williams. Williams is a chairwoman of the National Congress of Black Women (NCBW). The national congress of black women is a non-profit organization dedicated to the educational, political, economic, and cultural development of African American women and their families. Williams’s article “Rap music is harmful to African American communities” makes her qualified and a credible source to be writing on this question: If rap music and other media is harming the African American community? In her article, she states her side of the argument of how rap music and media are indeed harming the African American community, using the context, and reasoning,
“The Hip Hop Wars What We Talk About - And Why It Matters” by Tricia Rose explores what hip hop has done to society in recent years and what people think it has caused. Though it has become one of the most commercially successful genres in mainstream music Tricia Rose explains that the topics in hip hop music have narrowed. Commercial hip hop mainly consist of black gangstas, thugs, pimps, and hoes. In the book she looks into the different points of views of people who think whether hip hop invokes violence or if it reflects life in a black ghetto and if it slows down advancement for African Americans in US. The author goes back and forth with the opinion of the mass on hip hop, she says people view hip hop as a music like heavy metal which people associate with violence but she refutes most of these points by showing the positives of hip hop.
A race issue that occurs within the rap and hip-hop musical genre is the racial stereotypes associated with the musical form. According to Brandt, and Viki rap music and hip- hop music are known for fomenting crime violence, and the continuing formation of negative perceptions revolving around the African-American race (p.362). Many individuals believe that rap and hip-hop music and the culture that forms it is the particular reason for the degradation of the African-American community and the stereotypes that surround that specific ethnic group. An example is a two thousand and seven song produced by artist Nas entitled the N-word. The particular title of the song sparked major debates within not only the African-American community thus the Caucasian communities as well. Debates included topics such as the significance and worth of freedom of speech compared with the need to take a stand against messages that denigrate African-Americans. This specific label turned into an outrage and came to the point where conservative white individuals stood in front of the record label expressing their feelings. These individuals made a point that it is because artists like Nas that there is an increase in gang and street violence within communities. Rap and hip-hop music only depicts a simple-minded image of black men as sex crazed, criminals, or “gangsters”. As said above, community concerns have arisen over time over the use of the N-word, or the fact that many rappers vocalize about white superiority and privilege. Of course rap music did not develop these specific stereotypes, however these stereotypes are being used; and quite successfully in rap and hip-hop which spreads them and keeps the idea that people of color are lazy, all crimin...
Rap is about giving voice to a black community otherwise underrepresented, if not silent, in the mass media. It has always been and remains … directly connected to the streets from which it came. (144)
Hip hop culture has been around since the 1970s. Multiple sources all come down to the South Bronx in New York City, as the origin of hip hop culture. The culture began to take its shape within the African American, Afro-Caribbean, and Latino communities. The father of the start of this culture was a Jamaican-born DJ named Clive Campbell but also known as DJ Kool Herc. He brought forth a new sound system and the Jamaican style of “toasting.” Toasting was when Jamaicans would talk or rap over the music they played. This whole new style soon brought what is now known as DJs, B-Boys, MC’s, and graffiti artists (Kaminski).
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and contents. It will also identify the history of Hip hop and its transition into popular music. In particular this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them. This will then open up the discussion for the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music.
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
Rap has been around since 1973, when Kool DJ Herc introduced this new mash of jazz, soul, gospel, and reggae. This culture has been focused around African Americans, and since has served as a voice for the underrepresented, that is spreading violence, alcohol, and drugs. In this genre the most popular and successful boast about who has murdered more foes as breezily as other artists sing about love. Rap music tells stories of drugs, violence, and alcohol. The youth of America is constantly exposed to this kind of music, and our teenagers are being desensitized to the effects of these stories.
Across the world teens feel like they’re losing their voice. In an Independent article, a magazine I found online, Geraldine says “Rates of depression and anxiety among teenagers have increased by 70 percent in the past 25 years” With such a high percentage teens feel like no one can help them and that they have no one to talk to about their problems so they tend to start breaking away from their families and depend more on music. Hip Hop gives teens a chance to feel like they have someone to talk to or someone who understands what they’re going through because a lot of what the artists rap about are life situations that they’ve gone through throughout their lives. Not everyone will understand the message of Hip Hop. “Over the years the instruments change, but the message is the same… They’re telling us something. Our children can hear it” (Mcbride 11) Rappers all have different skills, but it’s all based on telling a story. As long as Rappers tell a story all they need is the right people to listen to those stories, in this case, teens are the people that really understand the message. Hip Hop does sometimes talk about violence but it’s not always about violence, it’s what people make it seem like and if the older generations don’t listen to rap or Hip Hop then they will associate rap with gangs but what they won’t know is that it’s also about
In Total Chaos, Jeff Chang references Harry Allen, a hip hop critic and self-proclaimed hip hop activist. Harry Allen compares the hip hop movement to the Big Bang and poses this complex question: “whether hip-hop is, in fact a closed universe-bound to recollapse, ultimately, in a fireball akin to its birth-or an open one, destined to expand forever, until it is cold, dark, and dead” (9). An often heard phase, “hip hop is dead,” refers to the high occurrence of gangster rap in mainstream hip hop. Today’s hip hop regularly features black youths posturing as rich thugs and indulging in expensive merchandise. The “hip hop is dead” perspective is based on the belief that hip hop was destined to become the model of youth resistance and social change. However, its political ambitions have yet to emerge, thus giving rise to hip hops’ criticisms. This essay will examine the past and present of hip hop in o...
Richardson, Jeanita W., Kim A. Scott. “Rap Music and Its Violent Progeny: America’s Culture of Violence in Context.” The Journal of Negro Education 71.3 (2002): 175 – 192.
We rely heavily on music to get us through a work out, cleaning, and we even rely on it when going through rough patches in our lives. One can say music is where we turn to too get in a certain mindset. For instance, boxers before a fight listens to music that will get them energized and pumped up. This doesn 't seem so bad, but unfortunately the most popular music today has the most negative effects on its audience. Specifically, Hip hop Music, today it is more provocative than ever and one can only assume it will only get worse from here. The lyrics to these harmful but catchy tunes are to blame for distorting the image of what success looks like in the mind of our youth. Not only are the lyrics poisonous but the music videos and graphics that go along with the songs are even more negatively influential. Furthermore, It is a combination of damaging lyrical messages and visual representations that are adversely contributing to the racial profiling of African Americans. The evolution of rap culture could be more dangerous than we realize. On the image to the left is 50 cent on a cover to his album. This is what is selling in today’s society. If this is not African Americans contributing to their own racial profile I don’t know what