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The negative influence of hip-hop music on youth culture
The negative influence of hip-hop music on youth culture
The negative influence of hip-hop music on youth culture
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Hip-hop has become a mainstream culture in youth today. It is a classic of music that contains both rap and break dancing. Hip-hop culture, originally from African Americans in the United States, has influenced many young generations. For example, there are many famous hip-hop artists who are supported by new generations, such as Jay-z, Snoop Dogg, and Eminem. However, there are some controversy arguments about hip-hop culture has been influenced youth culture with reinforcing bad behaviors, such as academic performance in school and behavioral problem with drug use. Since hip-hop culture adopted the idea of subversion, an idea in popular culture, which defines as a counter-culture attempt to change the status quo. The attempt of subversion …show more content…
The drug use behavior for teenagers has become a main problem today in the relation with hip-hop music. Although hip-hop culture do not directly effect on teenager’s performance in academic, many of them have been reported by creating trouble in the society. In the article, Taste clusters of music and drugs: evidence from three analytic levels, it describes that the hip hop culture has led teenagers to adopt with the relationship of substances use. The author determines that hip-hop culture can share a common affinity for marijuana use. The research discovers that USA has found the evidence by tying hip-hop with particular drug use. From the literature research demonstrate in Kubrin’s content analysis (2005:375-72006), some hip-hop music provides an “interpretive resource” for feelings of injustice. Therefore, the researchers believes that the clustering of hip-hop has high expectancy of drug use more than generally. The research’s result shows that the level of individual-level survey data or self-reported with drug use with hip-hop listeners have 28 percent for marijuana, 65 percent for alcohol, and 46 percent for cigarettes. Therefore, the research finds significantly higher use with marijuana and other substances by the musical preferences on hip-hop music. The researchers conclude that musical preference of hip-hop by youths …show more content…
The subversion culture of hip-hop However, hip-hop culture also have the correlation with developing crime culture. In the study of Clubbing masculinities and crime: A qualitative study of Philadelphia nightclub scenes, it examines the relationship between masculinities and crime within the hip-hop music nightclub scenes in Philadelphia. The study observes 33 club events and interviews with 24 male clubbers. The result shows three common situation from these men, which are men with consistently high masculinities reported the most frequent involvement in nightclub crime, men with consistently low masculinities scores reported the least involvement, and men with variable masculinity scores put on more hyper-masculine identity while clubbing which lead them to engage in nightclub crime. The people with high possibility of engaging with nightclub crime may be associated with other sexuality problem because they contain the behavior of competitiveness, aggressiveness, dominance, and independence. In the other words, these males has established the link of trait with crime. Also, the hip-hop music nightclub scenes provide males alcohol as an activator which led them to be less rational than they normally act in life. As the result comments on the type of male with high masculinities, they should the higher crime rate with raping. Therefore, the culture of hip-hop has been
Originating in the urban Bronx area of New York hip-hop culture emerged in the 1970’s as a way for minorities to form identifies and social status. Contemporarily, hip-hop has evolved to contain numerous activities such as, “spoken word poetry, theater, clothing styles, language, and some forms of activism,” (Petchauer). Also, in his Journal of Black Studies, author Tobey S. Jenkins states that the core framework of hip-hop culture consists of five elements, and those elements are, “the B-boy/B-girl (dance or break dance), the emcee (voice), the DJ (music), graffiti (art), and knowledge (the consciousness),”(Jenkins,2011). Jenkins also states that it is common for society to replace these elements when a person is to affiliate themselves with a product of hip-hop by five core stereotypes of the Black male hip-hop artist: “the nihilistic, self-centered, caked-out mogul with a god complex; the uneducated, lazy, absentee father; the imprisoned and angry criminal;
Hip-hop culture has been a global phenomenon for more than twenty years. When introduced into the American culture, the black culture felt that hip-hop had originated from the African American community. The black community was being denied their cultural rights by the supremacy of the white people, but hip-hop gave the community the encouragement to show their black pride and televise the struggles they were facing in the world. The failure and declining of the movements, the influential, rebellious, and powerful music is what reshaped Black Nationalism, unity and to signify the struggle. The African Americans who suffered from social and political problems found that they similar relations to the political movements, which allowed the blacks to be able to voice their opinions and to acknowledge their culture openly.
Hip-hop can demolish citizen. For instance violence in some songs cause the youth to starts fights and also kill citizens. On the other hand, gangs and street thugs are a few examples. However teenagers kills, steals, vandalize, and etc. Therefore, hip hop has produce an negative impact in the world today. It has promoted an unhealthy lifestyle. This is due to attitudes and behaviors of American Youth. In addition, it teaches African American youth to use profanity. Furthermore, american youth does not have no role model when listening to hip-hop.
Since the early to mid 90’s, hip-hop has undergone changes that purists would consider degenerating to its culture. At the root of these changes is what has been called “commercial hip-hop". Commercial hip-hop has deteriorated what so many emcees in the 80’s tried to build- a culture of music, dance, creativity, and artistry that would give people not only something to bob their head to, but also an avenue to express themselves and deliver a positive message to their surroundings.
It was the first time I had ever been to a party. I had just graduated high school, and did not have nor ever did have any sort of interest in going to a party. One of my fellow classmates had invited me to her party on the night of graduation, and I decided why not? I was told growing up that I would never have contact with most of my classmates after graduation ever again, so I wanted to have one last fun moment with the graduating class of 2013. I arrived at my classmate’s house around nine, and immediately was overwhelmed by the makeshift dance floor in the backyard, the loud, unfamiliar music, and the disco lights. Growing up, I had never been introduced to rap music, so I did not enjoy it as much as my fellow classmates did. It did not take long for the party to get started. Boys and girls alike started to make their way to the makeshift dance floor, immediately dancing on one another. I was absolutely taken away as girls that I had known for four years bent over and began to press their backsides up against boys, grinding on the boys as if it were an everyday activity as degrading music blared out of the speakers, as if they were not aware of the actual lyrics of the song. I was not sure what made me feel sicker to my stomach: the way the girls moved their behinds in ways that I found impossible, which I later learned was called ‘twerking’, or the misogynistic rap music that my classmates danced to. I have not been to a party since then, and I do not think I ever will go to one again. It did not take me long to understand why my parents never let me listen to rap music before: it is this misogynistic, or a hatred towards women, type of music. Rap music clearly portrays women in several, negative ways, such as re...
In the words of rapper Busta Rhymes, “hip-hop reflects the truth, and the problem is that hip-hop exposes a lot of the negative truth that society tries to conceal. It’s a platform where we could offer information, but it’s also an escape” Hip-hop is a culture that emerged from the Bronx, New York, during the early 1970s. Hip-Hop was a result of African American and Latino youth redirecting their hardships brought by marginalization from society to creativity in the forms of MCing, DJing, aerosol art, and breakdancing. Hip-hop serves as a vehicle for empowerment while transcending borders, skin color, and age. However, the paper will focus on hip-hop from the Chican@-Latin@ population in the United States. In the face of oppression, the Chican@-Latin@ population utilized hip hop music as a means to voice the community’s various issues, desires, and in the process empower its people.
The longevity of Hip-Hop as a cultural movement can most directly be attributed to its humble roots. For multiple generations of young people, Hip-Hop has directly reflected the political, economic, and social realities of their lives. Widely regarded as the “father” of the Hip-Hop, Afrika Bambaataa named the cultural movement and defined its four fundamental elements, which consisted of disc jockeying, break dancing, graffiti art, and rapping. Dating back to its establishment Hip-Hop has always been a cultural movement. Defined by far more then just a style of music, Hip-Hop influences fashion, vernacular, philosophy, and the aesthetic sensibility of a large portion of the youth population (Homolka 2010).
Blair, M Elizabeth. "Commercialization of the Rap Music Youth Subculture." Rpt. in That’s the Joint!: The Hip-Hop Studies Reader. Ed. Murray Forman and Mark Anthony Neal. New York, NY: Routledge, 2004. 497-504. Print.
Hip-Hop is produced on the role of coercion and power. The diversity of the culture supposes to create meaning not chaos. Social order is maintained by domination, and the power of the song lyrics. The black youth is more likely to be victimized by crime than any other group. Hip-Hop influence the music that we listen to that a new artist can directly affect how we dress, talk, dance and etc. For example, “prison inspired hip-hop styles like sagging black pants and oversized t-shirts” (Baxter & Marina 2008, 110). Sending a culture shock across the country, some may believe it could be a good thing and others may believe it could be a detriment to our youth and
Hip hop culture is known for its negative reputation. It is often thought as an entrance way into gangs, illegal drug activity, and malicious behavior. In today’s culture it is important to lead kids toward a positive direction in life but the hip hop culture of today is not steering youth in that direction. This is because hip-hop has moved away from what it was supposed to be used for. This genre of music was supposed to be used to for personal expression and growth not to create negative images for the youth and encourage them to change their behaviors and beliefs. Hip hop was supposed to give hope to the youth. Give them a reason to pursue their dreams and give them a positive outlook on life. Are there artists who keep it “old school?” Yes there is, but it is never heard on mainstream radio. Hip hop culture has the potential to help the youth follow their dreams and become better people. It just needs to go back to its roots and bring those morals back up again.
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
By corporating the airwaves with message, serve as a blueprint for our youth to self-destruct by creating a large army of pants-sagging, Blunt-smoking, tattooed-up, uneducated, STD-infected, impoverished thugs. Hip Hop is defined as: “subculture especially of inner-city youths who are typically devotees of Rap music, graffiti, break dancing, and DJing”. If one asks a fan of Hip Hop what the definition is to them, then one might get something deeper. Some fans define Hip Hop as a culture that consists of many of its own subcultures and its knowledge of the history and principles of Hip Hop. Hip Hop can also be defined as an expression of the relationship between urban youth and their environment....
Music is one of the most powerful and influential language which to many people in
People are surrounded by music every day of their lives. They hear it in their homes, on the radio on their way to work; some people have even caught themselves humming the tune of their favorite song to themselves. But how many people actually listen and not just hear the music they are listening to? Teens in particular don’t realize the message behind the music they are quoting the lyrics to, or the effect it has on them. In today’s culture where rap music has become increasingly popular, many teens aren’t realizing what they are listening to. A lot of teens would argue that the music they listen to has no effect on them, but they are wrong. Rap music, especially, has had a major impact on teenagers in today’s society.
The Effects of Hip-Hop Music on Today’s Youth Does hip-hop music effect today’s youth in a positive or negative way? The effects of hip-hop music have been disputable following the time when its rise into the social standard in the late twentieth century, but hip-hop music is not just one sided but can be both positive and negative in today’s youth. What is hip-hop about? Assuming that you address hip-hop fans, the term alludes to more than simply a musical type - it incorporates an entire society, including dance structures, graffiti symbolization, and fashion (Selke INT).