Ernest Hemingway’s, “Hills Like White Elephants”, was first published in August of 1927 but it was not until briefly after the lone publication of this esoteric short story that it received the notability it deserved; accompanied by many other encapsulating short stories, “Hills Like White Elephants” in addition to the thirteen other short stories published by Hemingway in October of 1927 made up his second collection of short stories, “Men Without Women”. Nevertheless, William Shakespeare’s, “Hamlet”, was the longest play ever written by the Englishman estimated to be written sometime within the late 16th and early 17th century; “Hamlet” is revered not only as one of Shakespeare’s greatest literary work but also as one of the most powerful screenplays to date. Furthermore, both Hemingway’s “Hills Like White Elephants” as well as Shakespeare’s “Hamlet” contain themes, qualities, and plots which exhibit the unexplainable absurdity of the universe in addition to the human condition; both “Hills Like White Elephants” along with “Hamlet” emphasize the existential beliefs of meaninglessness pertaining to human life and the world through the manifestation of these beliefs in the characteristics, motifs, and diegesis found within both works of literature by their authors.
Ernest Hemingway expressed the absurdity of life, the universe and the human condition through the subtleties apparent in his style of writing in “Hills Like White Elephants” as well as through the subtleties apparent in the conversation between the two main characters, “The American” and “Jig”. The absurdity in “Hills Like White Elephants” begins with the introduction of the setting, Hemingway has created the setting for “The American” and “Jig” to discuss a very impo...
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...,“Hamlet” were both written with a with a specific intention in mind, as all literature is. Whether that intention is to send a message intimately to the reader - as Hemingway has done - or pay homage to the difficulties of love, family and relationships on a grand scale - as Shakespeare has, authors commonly use literature for the purpose of relating to establish a connection to the person reading their works. In “Hills Like White Elephants” and “Hamlet” the general themes the authors wants to convey seems unvarying, both existential and both very articulate; nevertheless, these works of literature do not only attempt to provide the reader with extremely useful and truthful theories - which are the products of the authors minds - but they have also made a strong effort to show how accurate their perception of life is by demonstrating it in a very lifelike manner.
Hemingway presents takes the several literary styles to present this short story. Hemingway’s use of Foreshadowing, Pathos, Imagery and Personification allows the reader to enter the true context of the frustration and struggle that the couples face. Although written in the 1920’s it the presents a modern day conflict of communication that millions of couples face. At first glance the beautiful landscape of the Barcelonian hillside in which Jig refers to frequently throughout the text appears to have taken the form of White Elephants. The Americans’ response to Jigs’ observation was less than enthusiastic as he provides a brief comment and continues on with his cerveza. This was but the first of the many verbal jousts to come between Jig and the American. The metaphorical inferences in those verbal confrontations slowly uncover the couple’s dilemma and why they may be on the waiting for the train to Madrid.
“Roman Fever” and “Hills Like White Elephants” are two stories that on surface seem very different from one another, but through careful analysis the two are quite similar. Their similarities are mainly evident through the significant use of the dialogues in the both stories. “Roman Fever” has a third person omniscient narrator which the author allows to know the inner private thoughts of both characters, Mrs. Slade and Mrs. Ansley. In contrast, “Hills Like White Elephants” is composed in a third person limited narrative where very little is known about the thoughts of both Jig and the American. At first Ernest Hemingway’s short story can clearly be viewed as the most ambiguous out of the two. With its simplistic style, written mostly in straightforward dialogue which leaves the readers to contemplate over the ultimate outcome of the story and forces them to ...
‘Hills Like White Elephants’ is a short story authored by Ernest Hemingway about an American and a girl named Jig. In the story, the two are sitting in a train station waiting for the train to Madrid. While they wait, they have an intense ongoing debate on whether or not to abort Jig. At the end of the story, the train is about to arrive and the man carries luggage on the tracks as they prepare to leave. The end of the story does not clearly define the outcome of its decision. She said I feel good at the end of the story - happiness is a central theme of the story, but we wonder if she went through with the operation. The paper discusses the manner in which symbolism has been employed in the story to communicate about an abortion, the couple is considering to go through.
Hemingway, Ernest. “Hills Like White Elephants.” Fiction 101: An Anthology of Short Fiction. James H. Pickering. Twelfth Edition. Pearson Education, Inc., 2010. 638-641
Gale. Weeks, Lewis E., Jr. "Hemingway Hills: Symbolism in 'Hills like White'" Elephants. Studies in Short Fiction. 17.1 (Winter 1980): 75-77.
It is easy to read and understand a story when the events are revealed in chronological order. There is no guessing or inferring involved in reading. There is a distinct satisfaction reading a story in which the events do not happen chronologically. The author lets the reader search and wonder and come to a conclusion on their own. In the short story, “Hills Like White Elephants”, Hemingway uses an obscure structure in which he expresses the theme of male dominance.
Hemingway, Ernest. "Hills like White Elephants." Responding to Literature. Ed. Judith Stanford. Boston: McGraw-Hill, 2006. 841-44. Print.
Burroway, Janet. Writing Fiction: A Guide to Narrative Craft. 6th ed. New York: Longman, 2003. As Rpt. in Rankin, Paul "Hemingway's `Hills Like White Elephants'." Explicator, 63 (4) (Summer 2005): 234-37.
Hemingway, Ernest. “Hills Like White Elephants.” Literature Approaches to Fiction, Poetry, and Drama. Ed. DiYanni, Robert. 2nd ed. New York. Mc Grew Hill. 2008. 400-03. Print.
The art, literature, and poetry of the early 20th century called for a disruption of social values. Modernism became the vague term to describe the shift. The characteristics of the term Modernism, all seek to free the restricted human spirit. It had no trust in the moral conventions and codes of the past. One of the examples of modernism, that breaks the conventions and traditions of literature prior to Modernism, is Ernest Hemingway’s short story “Hills Like White Elephants”. The short story uses plot, symbolism, setting, dialogue, and a new style of writing to allow human spirit to experiment with meaning and interpretation.
Shakespeare’s Hamlet is arguably one of the best plays known to English literature. It presents the protagonist, Hamlet, and his increasingly complex path through self discovery. His character is of an abnormally complex nature, the likes of which not often found in plays, and many different theses have been put forward about Hamlet's dynamic disposition. One such thesis is that Hamlet is a young man with an identity crisis living in a world of conflicting values.
Hamlet, the conclusion is, is a failure because the materials Shakespeare inherited were too tough and intractable. Too tough and intractable for what? That they were too tough and intractable for a credible historical picture may be readily granted. But what of it? And since when was poetry supposed to defer to history? Two world wars in three decades ought to have taught us that our history has not gone deep enough. But poetry has. The greatest poetry has always depicted the world as a little citadel of nobility threatened by an immense barbarism, a flickering candle surrounded by infinite night. The “historical” impossibility of Hamlet is its poetical truth, and the paradox of its central figure is the universal psychology of man. (14)
Hemingway, Ernest. "Hills Like White Elephants." Perrine's Literature: Structure, Sound, and Sense. Ed. Thomas R. Arp and Greg Johnson. Boston: Thomson Wadsworth, 2006. 268-272.
The perfection of Hamlet’s character has been called in question - perhaps by those who do not understand it. The character of Hamlet stands by itself. It is not a character marked by strength of will or even of passion, but by refinement of thought and sentiment. Hamlet is as little of the hero as a man can be. He is a young and princely novice, full of high enthusiasm and quick sensibility - the sport of circumstances, questioning with fortune and refining on his own feelings, and forced from his natural disposition by the strangeness of his situation.
Hemingway, Ernest. “Hills Like White Elephants.” The Norton Introduction to Literature. 10th ed. Eds. Alison Booth and Kelly J. Mays. New York: Norton, 2010. 113-117. Print.