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Comparison between movies
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For my at home movie I watched Hang em’ High directed by Ted Post. It is considered a spaghetti western that was made in America. In comparison to the film we watched in class, High Noon directed by Fred Zinnemann. These two westerns had many similarities and differences. From differences in how the movie was actually shot, to the similarity of how both of the main characters are loners, these two movies connect all over on many different levels.
High Noon was the story of a very brave man, Will Kane played by Gary Cooper, which is giving up his Sheriff position to become a homemaker with him wife. Just when they are leaving to start their new life together, there is news that four outlaws are coming back into town to seek revenge on Kane. High Noon, the title of the movie, is exactly when the four outlaw characters are meeting up in the town, and with the time getting closer, Kane realizes that his friends are harder to find. Almost every person he asks to help him deserts him, and the few that say they will help either back out at ht last minuet or are incompetent. Even his new wife decides she will leave this town on the noon train, with or without him. When “high noon” does finally come Kane has no one to help him and he has to go and battle these four outlaws by his self. At the last possible second with some help from Helen Ramirez, an ex-love character played by Katy Jurado, she helps Amy realize she can save her husband and if she really loved him she would. Amy run...
The movie High Noon is better than the story “Tin Star.” The movie could easily add more drama and action. The story would have drama but you couldn’t really have a lot of action.
High Noon The movie High Noon is a western style movie about loyalty and betrayal. Throughout the whole movie, you can see how Kane is loyal to the town and how the town betrays Kane. The film tells a story about a man who was too proud to run— a tale of a lone, stoic marshal (Will Kane) who was left desolate and abandoned by the townspeople he has sworn to protect because of a four-man gang led by Frank Miller. This is where the loyalty part comes in.
Howard Hawkes' 1948 Red River will serve as our example of the western model.The opening credits rise literally out of the landscape, and we're told in the opening narration that this is a story of the landscape, in that it recounts the first major cattle drive along the Chisholm trail from Texas to Abeline, Kansas.In the 1st scene we see a vastly open prairie with a small wagon train almost lost in its expanse.We discover immediately that Dunson (John Wayne) is leaving the wagon train to strike out on his own.The signature trait of Dunson is the first of the western hero's trademarks: once he's made up his mind, "nothing anyone says or does can change it"; despite the entreaties of the wagon master and his putative girlfriend, Dunson sets out south with only his friend, Tom Groot (played by Walter Brennan).
The overall appeal of the cinema to the masses was particularly evident during the interwar era. Audiences worldwide wanted to watch the variety of films, particularly American produced films, and they always went back. The visibly attractive and glamorous Hollywood movies often depicted the success of the underdog over unjust authority. Values of cash over culture were often a theme in the early American films and societies with restricted social mobility, such as those in Europe, could dream of such a triumph. The working class and unemployed could fantasise about wealth, fame and freedom which America as a country was portrayed as offering.
Many westerns contain some of the same elements. For instance, almost every western ever made involves a sheriff. He is usually the peace-keeper of a small town overrun by outlaws and cowboys, which he eventually chases out of town or kills. Another element of westerns is a gunslinger. A gunslinger is usually a young man who makes his living shooting other men in showdowns, a classic example is Billy the Kid. Railroads are also a recurring image in westerns. Since the railroad was the major mode of transportation in the old west, it is always present in westerns. Finally, westerns always have a villain. The villain, usually a man, dresses very slick and will stop at nothing in his quest for power. In addition, the villain usually has a gang to carry out his dastardly deeds. The gang is usually full of incompetent, but loyal thugs, who would love to destroy a small town just for the pleasure of wanton destruction. The elements of a western are very simple, but easily manipulated into a very interesting plot.
I believe that the film does indeed conform to a certain type of narrative structure expected by other films of this style. This film, through and through, is a Western, even starring one of biggest names in Hollywood Westerns, John Wayne. We’re thrown into a world of sturdy, rugged men riding around on horses, decked out in cowboy hats and belt buckles. Wayne portrays the archetypal man, honorable, reliable and
The plot of this movie is about the struggle between the farmers and the cowboys. The farmers all want to start up crops, but the cowboys want to run their cattle through the open space so they can feed. Obviously, the two sides don’t agree. The cowboys end up attempting to use strong-arm tactics to get their way. They even try to scare the farmers off the land by burning down one of the homes of the farmers. Eventually, Shane, a former gunfight, realizes what he must do. He rides into town and kills all of the cowboys, including Wilson, the hired gun.
"Street...more and more" (Foreman 332). After Will Kane with the help of Amy, his wife, take don Frank Miller and his gang, it is finally safe for people to come out. So many people that could have helped him started pouring out of there homes surrounding the gun fight, and it leads Will Kane to believe that a ton of people could have helped. This quote shows how the theme in the movie is that friends will abandoned you. "It has become too easy...bore than perfection" (Connell 220). The sociopath General Zarroff has been hunting the most dangerous and exotic animals in the world, but because he was so good a it, the hunt no longer seemed to give him any excitement. This lead to him having the idea of hunting humans, which lead to the hunting of Rainsford. The theme for the short story unlike High Noon is that perfection is
Somewhere out in the Old West wind kicks up dust off a lone road through a lawless town, a road once dominated by men with gun belts attached at the hip, boots upon their feet and spurs that clanged as they traversed the dusty road. The gunslinger hero, a man with a violent past and present, a man who eventually would succumb to the progress of the frontier, he is the embodiment of the values of freedom and the land the he defends with his gun. Inseparable is the iconography of the West in the imagination of Americans, the figure of the gunslinger is part of this iconography, his law was through the gun and his boots with spurs signaled his arrival, commanding order by way of violent intentions. The Western also had other iconic figures that populated the Old West, the lawman, in contrast to the gunslinger, had a different weapon to yield, the law. In the frontier, his belief in law and order as well as knowledge and education, brought civility to the untamed frontier. The Western was and still is the “essential American film genre, the cornerstone of American identity.” (Holtz p. 111) There is a strong link between America’s past and the Western film genre, documenting and reflecting the nations changes through conflict in the construction of an expanding nation. Taking the genres classical conventions, such as the gunslinger, and interpret them into the ideology of America. Thus The Western’s classical gunslinger, the personification of America’s violent past to protect the freedoms of a nation, the Modernist takes the familiar convention and buries him to signify that societies attitude has change towards the use of diplomacy, by way of outmoding the gunslinger in favor of the lawman, taming the frontier with civility.
The story is an Eastern take on the Hollywood western with a dash of satire,
Citizen Kane, is a 1941 American film, written, produced, and starred by Orson Welles. This film is often proclaimed by critics,filmmakers, and fans as one of the best if not the best film ever made. Citizen Kane is an unbelievable film becuase of how advanced it is compared to other films of its time. In the film, the producer used many different narrative elements to capture the audiences imagination. It truly is astounding how the filmmakers used certain editing techniques, sounds, and different narrative elements to illustrate the story and the plot. Although the plot isnt exactly captivating to the present day audience, this film is still amazing due to how much work and effort went into making it.
The scenes in Wyatt Earp expressed a feeling of comfort between the viewer and the film. The development of the characters reflect upon the hardship of the Old Western lifestyle. In this film, we are introduced to the idea of genre and the components that differentiate films altogether. However, Wyatt Earp has showed us a different side of genre, where two genres are joined together as one. The film Wyatt Earp has displayed examples of genre-breaking through its plot, character development and connection to modern day society.
Westerns are split down into sub genres for example classical westerns like "The Great Train Robbery" but there are also other western genres like revisionist westerns. Revisionist westerns occurred after the early 1960's, American film-makers began to change many traditional elements of Westerns. One major change was the increasingly positive representation of Native Americans who had been treated as "savages" in earlier films. Another example is Spaghetti westerns, Spaghetti westerns first came during the 1960's and 1970's, The changes were a new European, larger-than-life visual style, a harsher, more violent depiction of frontier life, choreographed gunfights and wide-screen close-ups.
Few Hollywood film makers have captured America’s Wild West history as depicted in the movies, Rio Bravo and El Dorado. Most Western movies had fairly simple but very similar plots, including personal conflicts, land rights, crimes and of course, failed romances that typically led to drinking more alcoholic beverages than could respectfully be consumed by any one person, as they attempted to drown their sorrows away. The 1958 Rio Bravo and 1967 El Dorado Western movies directed by Howard Hawks, and starring John Wayne have a similar theme and plot. They tell the story of a sheriff and three of his deputies, as they stand alone against adversity in the name of the law. Western movies like these two have forever left a memorable and lasting impressions in the memory of every viewer, with its gunfighters, action filled saloons and sardonic showdowns all in the name of masculinity, revenge and unlawful aggressive behavior. Featuring some of the most famous backdrops in the world ranging from the rustic Red Rock Mountains of Monument Valley in Utah, to the jagged snow capped Mountain tops of the Teton Range in Wyoming, gun-slinging cowboys out in search of mischief and most often at their own misfortune traveled far and wide, seeking one dangerous encounter after another, and unfortunately, ending in their own demise.
The highly acclaimed Citizen Kane creates drama and suspense to the viewer. Orson Welles designed this film to enhance the viewer’s opinion about light and darkness, staging, proxemics, personal theme development, and materialism. Creating one of the most astounding films to the cinematography world, Welles conveys many stylistic features as well as fundamentals of cinematography. It is an amazing film and will have an everlasting impact on the world of film.