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In D.H. Lawrence’s essay, “On The Scarlet Letter,” Lawrence criticizes Nathaniel Hawthorne’s wrongful portrayal of Hester Prynne. Throughout The Scarlet Letter, Hester is treated as a victim rather than the mortal sinner Lawrence believes her to be. Hester intentionally slept with a man of the highest status, whilst she was married. Lawrence aims to diminish the feeling of sympathy that develops for Hester within the reader, and provides another view of Hester Prynne, the version he believes to be correct. In analyzing Hester Prynne, Lawrence is effective in achieving his purpose due to his satirical tone, choppy syntax, and use of biblical allusions.
Lawrence uses a satirical tone to emphasize Hawthorne’s portrayal of Hester Prynne. Throughout
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Lawrence is very strategic in how he places his words when describing Hester, which allows him to effectively condemn Hawthorne's portrayal of her. Lawrence insults Hester saying “She tickled [Dimmesdale] in the right place, and he fell. Flop. Flop goes spiritual love. But keep up the game. Keep up appearances. Pure are the pure” (Lawrence). These choppy phrases emulate bullets, bullets that Lawrence is essentially shooting at Hester. The rapid fire of the word “flop” is to emphasize how Hester not only caused Dimmesdale to crumble, but everyone else around her. After reiterating the word flop, Lawrence then takes quick jabs at how Hester enabled Dimmesdale to keep up his appearance of being pure, knowing that it would destroy him. She “shot” him in the right place, the place that she knew would destroy him, once again displaying her as the demon of the story. This effectively shoots Hester down because the quick rapid fire of insults illustrates to the reader that Hester is not deserving of praise and sympathy. If Lawrence had used long and mundane phrases, he would given the reader enough time to provide reasons as to why Hester is the victim, however, this rapid fire of insults hits the reader quickly and forces them to see how Lawrence’s opinion is correct. In another instance, Lawrence fires “bullets” when he states “Adulteress. Alpha. Abel. Adam. A. America. …show more content…
Lawrence criticizes Hester's character when he states “This time it is Dimmesdale who dies. She lives on and is Abel” (Lawrence). By committing a mortal sin, Hester had full knowledge what she was doing and was the one who forced Dimmesdale to his death. By comparing Hester to Abel, Lawrence is condemning Hawthorne’s portrayal of Hester as a victim. Abel died at the hands of his brother, falling a victim of Cain’s jealousy. Lawrence insinuates that Hester is rather Cain, intentionally killing Dimmesdale. Hester did not have to seduce Dimmesdale, but like Cain, she allowed sin to take control of her. Lawrence believes that Hester being the victim is wrong because she has committed a mortal sin, she has abandoned her relationship with God, and is not deserving of forgiveness. Lawrence uses this specific biblical allusion because it highlights how Dimmesdale, who is the true victim, dies but the sinner lives on and is seen as a martyr. Lawrence believes it should have been the opposite way around. Lawrence continues to criticize Hester’s wrongful idolization when he states “Put her upon the scaffold and worship her there. Worship her there. The woman. The Magna Mater. A. Adulteress! Abel!...It becomes a farce” (Lawrence). Lawrence uses an allusion to The Great Mother and Abel because he is mocking how Hester is worshipped. He uses these specific
Hester Prynne is a character who gave up everything, even love, for her child. Hester Prynne sacrificed her peace, her beauty, her entire being for her child and this shows her determination and profound understanding of the world. Nathaniel Hawthorne’s piece, “The Scarlet Letter” shows the other side of the sinner’s story and not as a villain, but a victim.
Nathaniel Hawthorne’s novel, The Scarlet Letter, tells the story of a young adulteress named Hester Prynne and her bastard daughter, Pearl, as they endure their residence in a small town of the Massachusetts British settlement in the1600s. Pearl’s illegitimate birth is the result of the relationship between Hester Prynne and a minister of the Puritan church, Arthur Dimmesdale. Through public defamation and a perpetual embroidery of an “A” upon her dress, Hester is punished for her crime. Whereas, Arthur choses to suppress the secret over illuminating the truth and endures internal and self-inflicted punishment as consequence.
The Scarlet Letter starts off by throwing Hester Prynne into drama after being convicted for adultery in a Puritan area. Traveling from Europe to America causes complications in her travel which also then separates her from her husband, Roger Chillingworth for about three years. Due to the separation, Hester has an affair with an unknown lover resulting in having a child. Ironically, her lover, Arthur Dimmesdale, is a Reverend belonging to their church who also is part of the superiors punishing the adulterer. No matter how many punishments are administered to Hester, her reactions are not changed. Through various punishments, Hester Prynne embraces her sin by embroidering a scarlet letter “A” onto her breast. However, she is also traumatized deep within from everything she’s been through. Nathaniel Hawthorne depicts this story of sin by using rhetorical devices such as allusion, alliteration and symbolism.
Lawrence creates a sarcastic tone throughout his essay to exhibit Hester’s iniquitous behavior. He utilizes the biblical story of Cain and Abel to describe how “this time it is Mr. Dimmesdale who dies [while Hester] lives on and is Abel” (Lawrence). Lawrence mocks Hawthorne’s depiction of Hester by calling her Abel, which is ironic because Abel was the victim of the story. The sarcastic tone portrays Hester as a complete divergence to Abel, who was faithful to God and trustworthy. This tone also urges the readers to examine Hester and conclude that she goes not have these morally good characteristics like faithfulness and trustworthiness. Lawrence claims that placing Prynne on the scaffolding and exploiting her sins will “[become] a farce” (Lawrence). His mocking tone underscores the severity of adultery, which Hawthorne falsely describes Hester’s transgression as a “farce”. Lawrence’s use of sarcasm implies that her sins were substantial and grave. This conveys to the readers that Hester is a deplorable character and was portrayed wrongly by
Lawrence is very strategic in how he places his words when describing Hester. Rather than using long, stuffy sentences, his choppy arrangement of words allows for the reader to fully understand each phrase and their purpose towards describing Hester Prynne. Lawrence insults Hester saying “She tickled [Dimmesdale] in the right place, and he fell. Flop. Flop goes spiritual love. But keep up the game. Keep up appearances. Pure are the pure” (Lawrence). By keeping his phrases choppy and reiterating the word “flop” he essentially aims bullets at Hester Prynne. Not only in committing her sin did she seduce a pure man, but knew she was going to cause another’s downfall. In another instance, Lawrence fires “bullets” when he states “Adulteress. Alpha. Abel. Adam. A. America. The Scarlet Letter” (Lawrence). This rapid fire of words fully emphasizes Lawrence’s opinion on Hester. Each word is used to shoot down Hester’s character. This choppy syntax effectively portrays Lawrence’s purpose due to the fact that it takes direct hits at Hester and displays her as a sinner rather than a
Lawrence uses biblical allusions to help demonstrate that Hester is a sinner because they compare her to well-known figures in a way that brings out her corruptness. Lawrence compares Hester to Mary by saying she is “the sacred image of sinless Motherhood, whose infant was to redeem the world” (Lawrence). Mary is one of the most pure figures in religion and Lawrence is blatantly being sarcastic in his comparison of the two character to provide an idea of how ridiculous it is to consider Hester a hero. Mary was given the gift of Jesus by God while remaining a virgin and faithful to her husband. Hester on the other hand had a baby with a man she was not married to. Moreover, Hester is compared to Abel from the story of Cain and Abel. While Dimmesdale is the one who dies for their sins, Hester “lives on and is Abel” (Lawrence). One would think that Lawrence would compare Hester to Cain instead, considering he is the one who lives and Abel is the one who dies. By stating this, Lawrence is showing the irony and ridiculousness that Hawthorne ensures by condemning the pure and innocent Dimmesdale to death but the sinning and corrupt Hester to live on. He is also using “Abel” as a play on words in an ironic way, demonstrating that the A stands for able and Abel, but is given to the person farthest from resembling
Lawrence’s pessimistic and hateful diction, he is able to express his negative outlook on Hester Prynne. Lawrence communicates such words to specify his hatred and anger towards how Hester is portrayed in an angelic and victimized way. He focuses in on how “Hester Prynne is the great nemesis of woman”, which indicates to the reader how unforgivable her sin was, according to the traditional Puritan values in that time period. Such hateful diction persuades the reader to believe in Lawrence’s views, and to take part in the idea that Hester is diabolical. Lawrence does not despise the novel’s plot, but rather the way that Hester is portrayed. He goes on to mock and ridicule her, commenting, “Oh, Hester, you are a demon… a man must be pure just so that you can seduce him to a fall”, which reveals the possible truth behind Hester’s actions, according to the critic (Lawrence). He pokes fun at the character, and once again uses sarcasm and a ridiculous pretense. His utilization of pessimistic diction is the key toward illustrating a wicked appearance of Hester Prynne. In Lawrence’s critique, he weaves in a sarcastic and critical tone as a way to effectively convey his opinion of Hester. Lawrence evaluates Hester’s sin and the consequences upon her and upon others in the novel, exclaiming “But keep up the games, keep up appearances… Look out Mister, for the Female Devotee...Mind your Purity”, which is an impactful take on how Hester is able to
Lawrence again refers back to sarcasm in his tone to emphasize his criticism. For example, he talks about the idea of Hester “Glittering with gold thread. Abell Adultery. Admirable!” (Lawrence). It is clear that Lawrence is simply mocking the tone of those who sympathize with Hester Prynne. By criticizing and retaliating against the idea that Hester Prynne is an admirable character, Lawrence succesfully attacks how Hawthorne seeks to portray Prynne, as well as those who cannot see Hester Prynne as a contradictory symbol to pure society. In this case specifically, Lawrence targets the seduced reader who fails to detect Hester’s mortal sin, mainly because it helps him lead into the gravity of her sin itself. Lawrence also warns those of pure society to not “let [Hester] start tickling [them]” (Lawrence). Lawrence issues a direct statement to the reader that Hester Prynne’s characterization is used for the mere purpose of seduction. Those who have been seduced undermine the virtues of pure society, and are therefore criticized by Lawrence. Lawrence warns his fellow members of pure society to not fall under this
This particular tone is evident when he accuses Hester of “seducing a man:...the greatest triumph of woman” (Lawrence). As Lawrence repeats this line several times, he illustrates Hawthorne’s foolishness for unreasonably respecting Hester even though she committed a mortal sin. It is obvious that an act of seducing someone is not something to be congratulated for, let alone to be named as the greatest triumph. By saying this in a mocking tone rather than blatantly stating Hawthorne’s false portrayal of Hester, Lawrence emphasizes the absurdity of Hawthorne’s words. Likewise, Lawrence exhibits a sarcastic tone when he suggests to “put [Hester] upon the scaffold and worship her there” (Lawrence). Here, Lawrence is not really proposing to worship Hester, but rather, is exhibiting a ridiculing tone to display how Hawthorne glorifies Hester by depicting her as a heroine with noble qualities when she is obviously a disgrace to society. Here, Lawrence purposefully makes an incongruent statement to mimic Hawthorne’s perspective; a scaffold is not a platform to worship people but is rather to publicly execute criminals. Because readers can recognize this incongruence, Lawrence effectively demonstrates that Hawthorne mischaracterizes Hester by claiming that Hester is a victim and a heroine. If Lawrence had established a forthright tone instead of a sarcastic tone, he would not have strongly revealed his disapproval of Hawthorne’s depiction of Hester as a victim.
In the midst of a painful and perilous situation, would you respond by giving up or persevering forward? In Nathaniel Hawthorne’s The Scarlet Letter, the reader is introduced to a woman named Hester Prynne, who beared a scarlet letter to represent her sin of adultery and lived a life as an outcast from society. The story heavily revolves around the idea of sin, which plays a huge part in Hester Prynne’s life. Hawthorne uses different aspects of Prynne’s life to create several conflicts that occur throughout the story. These conflicts include: herself, another, a group, nature, and the supernatural. Hester Prynne has several conflicts, and as these are resolved, her character is revealed.
In Nathaniel Hawthorne’s well known novel, The Scarlet Letter, extensive diction and intense imagery are used to portray the overall tone of the characters. In particular, Hester Prynne, the wearer of the Scarlet Letter, receives plentiful positive characterization throughout the novel. Hester’s character most notably develops through the town’s peoples ever-changing views on the scarlet letter, the copious mentions of her bravery, and her ability to take care of herself, Pearl, and others, even when she reaches the point where most would give up and wallow in their suffering.
Hester and Dimmesdale both bear a scarlet letter but the way they handle it is different. Hester’s scarlet letter is a piece of clothing, the “SCARLET LETTER, so fantastically embroidered and illuminated upon her bosom” (Hawthorn 51). Dimmesdale on the other hand, has a scarlet letter carved in his chest. This is revealed when Dimmesdale was giving his revelation, in which “he tore away the ministerial band from before his breast. It was revealed!” (Hawthorn 232). Since the Scarlet Letter on Hester is visible to the public, she was criticized and looked down on. “This women has brought same upon us all, and ought to die” (Hawthorn 49) is said by a female in the market place talking about Hester. She becomes a stronger person through living this hard life. Dimmesdale instead has to live “a life of cowardly and selfish meanness, that added tenfold disgrace and ignominy to his original crime” (Loring 185). He becomes weaker and weaker by time, “neither growing wiser nor stronger, but, day after day, paler and paler, more and more abject” (Loring 186). Their courage is also weak.
Throughout all the sinful things Hester Prynne has done, she still managed to obtain good qualities. Hester was an adulterer from the book The Scarlet Letter by Nathaniel Hawthorne. Hester was looked down upon by the citizens of Boston because of the sin she and another person committed, but no one knew who her partner in crime was because she refused to release his name. Towards the very end of the story Hester’s accomplice confessed and left Hester and Pearl feeling joyous, because now they didn’t have to keep in a secret. Hester is a trustworthy, helpful, and brave woman throughout The Scarlet Letter.
One of the main symbols in Lawrence’s short story is Hester. She is the mother of Paul and both are main characters. Hester is a good representation of greed, selfishness and being materialistic. She values money more than her children “She had bonny children, yet she felt they had been thrust upon her, and she could not love them” (Lawrence, 295). Hester is not capable of creating...
The Scarlet Letter is a fictional novel that begins with an introductory passage titled ‘The Custom-House’. This passage gives a historical background of the novel and conveys the narrator’s purpose for writing about the legend of Hester Prynne even though the narrator envisions his ancestors criticizing him and calling him a “degenerate” because his career was not “glorifying God”, which is very typical of the strict, moralistic Puritans. Also, although Hawthorne is a Romantic writer, he incorporates properties of Realism into his novel by not idealizing the characters and by representing them in a more authentic manner. He does this by using very formal dialogue common to the harsh Puritan society of the seventeenth century and reflecting their ideals through this dialogue. The Puritans held somewhat similar views as the Transcendentalists in that they believed in the unity of God and the world and saw signs and symbols in human events, such as when the citizens related the meteo...