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Art history renaissance italy
Art history renaissance italy
Art history renaissance italy
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Arthur Ross (1910-2007), a philanthropist, is known for letting academic museums use his art collections in exhibitions. This year, in the honor of Arthur Ross, the University of Florida’s Samuel P. Harn Museum of Art is currently hosting an exhibition entitled Meant to Be Shared. This exhibition features more than one hundred 18th-20th century Italian, French, and Spanish prints. Throughout history, artists have used printmaking to create numerous pieces of compelling and profound artwork. This exhibition features well known painters and etchers, like Henri Matisse, Édouard Manet, and Francesco Piranesi.
Henri Matisse is a French artist from the early 20th century. Matisse worked with many forms of art, but is mostly known for his paintings. Being a part of the Fauvism Movement, Matisses painting style was fluid with a unique use of colors. In the exhibit Meant to Be Shared at the Harn museum, his piece Nadia in Sharp Profile (1948) is currently being shown. This painting depicts the side
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Known as one of the most controversial artists during this time, Manets artwork bridged the gap between Realism and Impressionism. He was also one of the first 19th century painters to depict modern life. Manets painting style emphasizes contrasting colors and thick dark lines. In the exhibit Meant to Be Shared, his piece Polichinelle (1874-76) is being shown. This painting depicts the Commedia dell'arte character Pulcinella. This painting is representational and realistic. Manet alternates between thick dark lines and wispy, light lines. The colors in the painting alternate as well between light and dark. For example, colors like pale yellow, sky blue, white, dark green, red, black, and pink are shown. In an exhibit, full of dark pieces of art work, this painting gives the room a little color and a hint of comedy. Manets painting lightens the mood of the entire room and gives the individual something different to look
Basquiat was a creative, self-taught artist who thought outside of the box when it came to painting. Most of the pieces he made were a collaboration of different ideas and constructed them together into a collage. During the 1980’s, Basquiat’s art used the human figure to portray Minimalism and Conceptualism. His target market that was in many of his pieces was on suggestive dichotomies that focused on the lower class versus the higher class. Even though Basquiat's work was remarkable, he was criticized and faced some challenges during his journey because of the symbols and words that were used in his paintings.
DeWitte, Debra J. et al. Gateways To Art. New York City, NY: Thames & Hudson, 2012. Print.
Benjamin, Walter, and J. A. Underwood. The Work of Art in the Age of Mechanical Reproduction. London: Penguin, 2008. Print.
Georges Seurat used the pointillism approach and the use of color to make his painting, A Sunday Afternoon on the Island of La Grande Jatte, be as lifelike as possible. Seurat worked two years on this painting, preparing it woth at least twenty drawings and forty color sketched. In these preliminary drawings he analyzed, in detail every color relationship and every aspect of pictorial space. La Grande Jatte was like an experiment that involved perspective depth, the broad landscape planes of color and light, and the way shadows were used. Everything tends to come back to the surface of the picture, to emphasize and reiterate the two dimensional plane of which it was painted on. Also important worth mentioning is the way Seurat used and created the figures in the painting.
In addition to the notably simplistic design, the collection itself provides access to a remarkable breadth and depth of both classic and contempora...
The Art Bulletin, Vol. 57, No. 2 (Jun., 1975), pp. 176-185. (College Art Association), accessed November 17, 2010. http://www.jstor.org/stable/3049368.
This piece is acrylic, oilstick, and spray paint on wood panel that is 186.1 centimeters in height and 125.1 centimeters in width. This piece features a human-like figure in the center that is mostly half red and half black. This figure has a gray head with one yellow eye and one light gray eye and above its head is a black halo. The background consists of patches of various colors such as light blue, black, dark red, light green, beige, turquoise, pink, and yellow. On the bottle left corner there is a figure drawn that looks like a fish and has a strip of mustard yellow painted through it. Also towards the bottom right of the artwork, there is some drawn on letters that almost look like words but are messily painted over with a desert sand color. This piece is my favorite because I find it aesthetically pleasing. There is a lot going on in this piece that makes looking at it genuinely interesting. The colors that Basquiat choses for the background go very well together and overall compliment the figure in the center. I like how incredibly expressive this piece is and it makes me want to buy a canvas and start painting that I desire. I also like how the human-like figure is drawn. One could see what looks like an outlined ribcage on the figure, which makes me believe that the head is actually a skull. Upon further research I learned that Basquiat was
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
Henri Matisse was famous for his unique movements and styles of art. He was best known as a Fauve painter, and was a large part of the modern art movement. He contributed to modern art, by keeping up with the artistic movements and trends, but also held on to the classical artistic styles of the past. While his work continued some of the stylitsic qualities of Impressionism and Post-Impressionism, he was interested and involved, mostly, in Fauvism. He, like many other artists of this movement, emphasized strong colors over realistic and basic colors, found in Impressionism. One of his most famous pieces, The Dance (1909-1910) had two versions. The first piece, Dance I, resembled that of more classical styles of art, with its
Edouard Manet signaled a new age in European painting, with his distinctive, bold style both in subject matter and technique. His revolutionary compositions of the female figure and politically charged scenes were integral to the transition from the Realist movement to the Impressionist movement in terms of both painting technique and method of approaching art.
This painting by Vincent Van Gogh is on display at the Art Institute of Chicago Museum, in the Impressionism exhibit. There are many things going on in this painting that catch the viewer’s eye. The first is the piece’s vibrant colors, light blues and browns, bright greens, and more. The brush strokes that are very visible and can easily be identified as very thick some might even say bold. The furniture, the objects, and the setting are easy to identify and are proportioned to each other. There is so much to see in this piece to attempt to explain in only a few simple sentences.
When I imagine an artist, I picture a Parisian dabbing at a sprawling masterpiece between drags on a cigarette seated in an extravagantly long holder. He stands amid a motley sea of color, great splashes of vermillion and ultramarine and yellow ochre hiding the tarp on the studio floor. Somehow, not one lonely drop of paint adorns his Italian leather shoes with their pointed toes like baguettes.
Henri Matisse was born December 31st, 1869 to two storeowners, Emile and Heloise Matisse. His father wanted him to be a lawyer, so later on in life he could takeover the family business. They sent him to Henri Martin Grammar School where he studied to be a lawyer. There was a hint of artist in Henri because while working as a lawyer’s assistant he took up a drawing course (Essers 7). It was for curtain design but it seemed to be destiny for a lawyer’s assistant to take up such a distant hobby as drawing.
Stokstad, Marilyn. Art History. New York: Prentice Hall Inc. and Harry N. Abrams Inc. 1995.
Kleiner, Fred S. Gardner's Art Through the Ages. Boston: Clark Baxter, 2009. Print. The.