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The influence in literature
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F. Scott Fitzgerald and Ernest Hemingway, though both evolved from the same literary time and place, created their works in two very dissimilar writing styles which are representative of their subject matter. The two writers were both products of the post-WWI lost generation and first gained notoriety as members of the American expatriate literary community living in Paris during the 1920's. Despite this underlying factor which influenced much of their material, the works examined in class dramatically differ in style as well as subject matter. As far as style, Fitzgerald definitely takes the award for eloquence with his flowery descriptive language whereas Hemingway's genius comes from his short, simple sentences. As for subject, Hemingway writes gritty, earthy material while on the other hand Fitzgerald's writing is centered around social hierarchy and longing to be with another person. Although the works that these two literary masters are so uniquely different, one thing that they have in common are their melancholy and often tragic conclusions. To explore the two distinct writing styles, one can begin with how the stories do. (That is, how they begin too.) The opening paragraphs of Fitzgerald's "Winter Dreams" and Hemingway's "Indian Camp" epitomize the basic difference between their writing styles. "Winter Dreams" begins, "Some of the caddies were poor as sin and lived in one-room houses with a neurasthenic cow in the front yard, but Dexter Green's father owned the second best grocery-store in Black Bear-the best one was 'The Hub,' patronized by the wealthy people from Sherry Island-and Dexter caddied only for pocket-money" (1504). "Indian Camp" starts out, "At the lake shore there was another rowboat drawn up. The two In... ... middle of paper ... ...s said with the repetition of one word is pure Hemingway in its use and imagery. By comparing the discussed samples from the two authors, it is obvious not only how their styles differ but also how their styles represent their two contrasting subject material. In conclusion, despite the various differences discussed above, one similitude between the two is that their stories all end in a negative if not tragic tone. In each of the Fitzgerald stories the main character loses what he desires and dreams of obtaining. Not only does this happen to Gatsby, but he is also tragically murdered in a case of mistaken identity. Hemingway's endings also force the reader to sympathize if not pity the characters whether it be the boy's naively innocent belief of self-immortality, Nick's and Marjorie's break up, Krebs' emotionally dead stoicism, or the loneliness of the old waiter.
Hemingway presents takes the several literary styles to present this short story. Hemingway’s use of Foreshadowing, Pathos, Imagery and Personification allows the reader to enter the true context of the frustration and struggle that the couples face. Although written in the 1920’s it the presents a modern day conflict of communication that millions of couples face. At first glance the beautiful landscape of the Barcelonian hillside in which Jig refers to frequently throughout the text appears to have taken the form of White Elephants. The Americans’ response to Jigs’ observation was less than enthusiastic as he provides a brief comment and continues on with his cerveza. This was but the first of the many verbal jousts to come between Jig and the American. The metaphorical inferences in those verbal confrontations slowly uncover the couple’s dilemma and why they may be on the waiting for the train to Madrid.
They both lose out on the love of their lives, but the differences in their endings are completely and utterly separate. Works Cited Fitzgerald, F. S. The Great Gatsby. New York: Scribner Paperback Fiction, 1995. Print.
Imagine. You are sitting in complete silence, even the nearby crickets won't dare to let out even the slightest of croaks. You stare down at your cluttered, dimly lit desk. Your hand grasps your pen, and the other rubs back and forth across your temple in angst. Your eyes pass over each paper, containing each incomplete thought, and your mind floods with memories of your past. Trapped by writer’s block, you are all alone with only your experiences, surroundings, and philosophy aiding you in the fall that is the dark reality of alcoholism and depression. For renowned authors F. Scott Fitzgerald and Ernest Hemingway, these influences all played a crucial role in identifying their style techniques, as well as determining similarities and differences
Hemingway’s narrative technique, then, is characterized by a curt style that emphasizes objectivity through highly selected details, flat and neutral diction, and simple declarative sentences capable of ironic understatements; by naturalistic presentation of actions and facts, with no attempt of any kind by the author to influence the reader; by heavy reliance on dramatic dialogue of clipped, scrappy forms for building plot and character; and by a sense of connection between some different stories so that a general understanding of all is indispensable to a better understanding of each. He thus makes the surface details suggest rather than tell everything they have to tell, hence the strength of his “iceberg.” His short stories, accordingly, deserve the reader’s second or even third reading.
Meter, M. An Analysis of the Writing Style of Ernest Hemingway. Texas: Texas College of Arts and Industries, 2003.
It was Ernest Hemingway’s belief that “for a true writer each book should be a new beginning where he tries again for something that is beyond attainment” (Nobel Prize Speech). This means that each time someone puts pen to paper, he should strive for such realness that it seems unreal. Rhetoric, or use of language, is the most critical aspect of writing. This is because a skilled use of rhetoric not only allows the writer to convey his ideas to an audience, but also manipulate the way the audience perceives them. Hemingway is extremely well-known for his use of rhetoric, which includes his figurative language, syntax, and other types of literary devices. Hemingway uses syntax, figurative language, and the placement of his stories and chapters
Two of Fitzgerald’s works, Winter Dreams and The Great Gatsby, have very similar plots. Both features poor young men trying reach wealth. Both protagonist have a women of their dreams in mind. And both men are devastated in the end. However there are some things that make the stories differ. Wether it is in a shape of a narrator or the way the story is written, they do have differences.
Ernest Hemingway was a great American author whom started his career humbly in a newspaper office in Kansas City at the ripe, young age of seventeen. Once the United States joined World War One, Hemingway deemed it fit to join a volunteer ambulance service. During this time Hemingway was wounded, and decorated by the Italian Government for his noble deeds. Once he completely recovered, he made his way back to the United States. Upon his arrival he became a reporter for the American and Canadian newspapers and was sent abroad to cover significant events. For example, he was sent to Europe to cover the Greek revolution. During his early adulthood, Hemingway became a member of the group of expatriate Americans in Paris. This is known as the time in his life in which he describes in two of his novels; A Farewell to Arms and The Sun Also Rises the latter of the two being his first work. Hemingway was able to use his experiences of serving in the front during the war and his experience of being with other expatriates after the war to shape both of these novels. He was able to successful write these novels due to his past experience with working for newspapers. His experience with the newspaper seemed to be far more beneficial than just supplying him with an income, with the reporting experience under his belt he also was able to construct another novel that allowed him to sufficiently describe his experiences reporting during the Civil War; For Whom the Bell Tolls. Arguably his most tremendous short novel was a about an old fisherman’s journey and the long, lonely struggle with a fish and the sea with his victory being in defeat.
When a writer picks up their pen and paper, begins one of the most personal and cathartic experiences in their lives, and forms this creation, this seemingly incoherent sets of words and phrases that, read without any critical thinking, any form of analysis or reflexion, can be easily misconstrued as worthless or empty. When one reads an author’s work, in any shape or form, what floats off of the ink of the paper and implants itself in our minds is the author’s personality, their style. Reading any of the greats, many would be able to spot the minute details that separates each author from another; whether it be their use of dialogue, their complex descriptions, their syntax, or their tone. When reading an excerpt of Hemingway’s A Moveable Feast one could easily dissect the work, pick apart each significant moment from Hemingway’s life and analyze it in order to form their own idea of the author’s voice, of his identity. Ernest Hemingway’s writing immediately comes across as rather familiar in one sense. His vocabulary is not all that complicated, his layout is rather straightforward, and it is presented in a simplistic form. While he may meander into seemingly unnecessary detail, his work can be easily read. It is when one looks deeper into the work, examines the techniques Hemingway uses to create this comfortable aura surrounding his body of work, that one begins to lift much more complex thoughts and ideas. Hemingway’s tone is stark, unsympathetic, his details are precise and explored in depth, and he organizes his thoughts with clarity and focus. All of this is presented in A Moveable Feast with expertise every writer dreams to achieve. While Hemingway’s style may seem simplistic on the surface, what lies below is a layered...
Earnest Hemingway is one of Americas foremost authors. His many works, their style, themes and parallels to his actual life have been the focus of millions of people as his writing style set him apart from all other authors. Many conclusions and parallels can be derived from Earnest Hemingway's works. In the three stories I review, ?Hills Like White Elephants?, ?Indian Camp? and ?A Clean, Well-lighted Place? we will be covering how Hemingway uses foreigners, the service industry and females as the backbones of these stories. These techniques play such a critical role in the following stories that Hemingway would be unable to move the plot or character development forward without them.
To explore the two distinct writing styles, one can begin with how the stories do. (That is, how they begin too.) The opening paragraphs of Fitzgerald's "Winter Dreams" and Hemingway's "Indian Camp" epitomize the basic difference between their writing styles. "Winter Dreams" begins, "Some of the caddies were poor as sin and lived in one-room houses with a neurasthenic cow in the front yard, but Dexter Green's father owned the second best grocery-store in Black Bear-the best one was 'The Hub,' patronized by the wealthy people from Sherry Island-and Dexter caddied only for pocket-money" (1504). "Indian Camp" starts out, "...
Hemingway’s writing style is not the most complicated one in contrast to other authors of his time. He uses plain grammar and easily accessible vocabulary in his short stories; capturing more audience, especially an audience with less reading experience. “‘If you’d gone on that way we wouldn’t be here now,’ Bill said” (174). His characters speak very plain day to day language which many readers wouldn’t have a problem reading. “They spent the night of the day they were married in a Bostan Hotel” (8). Even in his third person omniscient point of view he uses a basic vocabulary which is common to the reader.
Both Hemingway and Fitzgerald capture the essence of the modernist period, and both approach different aspects of the same genre. The goal of the modernist writer was to create an enjoyable piece of literature, while confronting issues that had never before been raised in the literary world to date.
Although Ernest Hemingway and Raymond carver lives were very different they share one thing which was there style of writing. Both wrote in a minimalist fashion and are still today considered the masters of minimalism. In the short stories of Hemingway Hills like White Elephants and Carvers short story What We Talk about When We Talk about Love, both use minimalist techniques such as open endings, symbolism, omission, and characteristics of main characters.
In novels or other literary works many authors write about things they dream about. Many write about what stories they have heard from fellow companions. None have written about such vivid, yet traumatic experiences as the twentieth century writer, Ernest Hemingway. That is why Hemingway's tend to concur to his real life experiences.