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Denise Uyehara the playwright and actress performed a solo piece “Hello Sex Kitty” that delved into the issues of “sexuality, dating, domestic violence, and the AIDS epidemic by portraying several vastly different caricatures of Asian women and men” (Lee 173). She relates these issues to the female identity through a comedic, sexual, and realism performance. Denise Uyehara broke down the fourth wall and included audience participation in her performance in order to further involve the audience in her journey of the “borderless identity” (Lee 171). She essentially stripped down the stereotypes and identities placed on Asian women from different situations in order to present the female identity to its barest form. In scene two “Vegetable Girl” …show more content…
Yano, perfectly supports the veiled truth of Hello Kitty and Uyehara uses the Hello Kitty Doll to symbolize the “mute[ed] presence that does not look back at you or judge”, an “Asian female” who is obedient and listens. In scene two, the Hello Kitty Doll would be the alternate persona of the VEGETABLE GIRL and MAD KABUKI WOMAN, “the submissive Asian female, the wildcat, and the innocent little doll” (Prasso 149, 150), all signs of Yellow Fever. Uyehara placed the Hello Kitty Doll and all the accessories as part of the text to communicate to the audience that Yellow Fever is considered a ridiculous fetishism of the Asian female …show more content…
This way of life sounds clean and simple and does not seem to exert any sexuality or any notion that could be considered as absurd, but if we look deeply into the doctrines of Zen Buddhism, this practice of life does not deny sexuality, but approves that “Sexuality is a part of life. Denying sexuality is denying humanity…Desires, like sexuality, are an integral part of the human nature, we could not live without desires” (Miyamoto). Sometimes people are misguided that sages, monks, or Buddhists have to proclaim celibacy in order to follow Zen Buddhism, but that is far from the truth. Uyehara incorporated Zen Buddhism to emphasis the sexual context of scene two. The remark that the MAD KABUKI WOMAN: the other persona of VEGETABLE GIRL: makes “Don 't you get it? He just wants some yellow pussy…”(Uyehara 9) backs up the intentional placement of Zen Buddhism, but this way of life was not mentioned only to add the sexual context into the scene, but also the reason behind why the assistant pursued VEGETABLE
In the beginning of “Barbie Doll”, pleasurable and unpleasurable imagery is given so that the reader can see the extremes girls go through to be considered perfect.
Imagine a world where women are the superior gender rather than men. Imagine a reality where women have full dominance in today’s modern society. However, the whole idea of feminism is to promote equality for both males and females; so that women are treated equally to men. It would be wrong to suggest women as the superior gender just as it is wrong to suggest men in that same light. Jane O’Connor’s story, Fancy Nancy: Fanciest Doll in the Universe, excludes the male gender which ultimately does not promote gender equality to her young readers. Although Fancy Nancy is a popular book series, Jane O’Connor demonstrates gender stereotypes
Lee, H. & Shimizu, C. (2004). Sex acts: Two meditations on race and sexuality. Signs: Journal
In the novel Life of a Sensuous Woman, Ihara Saikaku depicts the journey of a woman who, due to voraciously indulging in the ever-seeking pleasure of the Ukiyo lifestyle, finds herself in an inexorable decline in social status and life fulfillment. Saikaku, utilizing characters, plot, and water imagery, transforms Life of a Sensuous Woman into a satirically critical commentary of the Ukiyo lifestyle: proposing that it creates a superficial, unequal, and hypocritical society.
Performance artist Patty Chang creates pieces that deal with scopophilia or voyeurism, best described as “the love of looking”, a topic that goes hand in hand with the issues of gender roles in society that Chang also represents in her work. Chang particularly addresses issues of gender roles through her confrontation of female representation in art, film and popular culture as a whole. In Chang’s video clip entitled, “Shaved (At a Loss)”, she sits herself on a chair in front of her audience, hikes up her dress to expose her vagina and then proceeds to, very roughly, shave off her pubic hair. The entire duration of “Shaved (At a Loss), Chang is blindfolded. In this piece Chang presents consumer culture’s fetishization of the ”flawless” female figure, which is outlined by the unattainable body ideals that are portrayed not only in most mainstream pornography, but also in almost all media connected to our society’s popular culture sphere.
First we are going to talk about the story, “The Yellow Wallpaper”. Everyone who has read this story by Charlotte Gilman knows about the “crazy” wife. If anyone has read the poem “Barbie Doll” by Marge Piercy, you will understand that the girl was getting brainwashed by society which was making her go a little crazy. Lastly the film Shutter Island, starring Leonardo DiCaprio of also ended up being crazy in the end of the movie. Many people have different thoughts of the word crazy. So I feel that between these characters they are all part of the “Reality vs. Fantasy” because they are all simply in there own world and blocking out reality. They all have something that shows us how our imaginations or even thoughts can make you do some hectic
The literary work, A Doll’s House, was written by Henrik Ibsen and has been a historical work of literature since the late 1800’s. There are many themes through out the story that impose the different ideals of the 1870’s. Many of the characters reflect the time period through the positions they hold, the activities they do, as well as how they behave and act. Torvald Helmer and his wife Nora traditionally represent the upper-middle class in the way they present themselves, what types of activities they engage in, as well as what they do as an everyday task.
A maiden aunt never marries because a river prawn bites her calf and, due to minimal treatment by her physician, nestles there to grow. She devotes her life to her nieces, making for them life-sized dolls on their birthdays and wedding days. When only the youngest niece is left at home, the doctor comes to see his patient and brings his son, also a physician. When the son realizes the father could have cured the leg, the doctor says, "I wanted you to see the prawn that has paid for your education these twenty years."
A Doll 's house is one of the modern works that Henrik Ibsen wrote. He was called the father of modern drama .He was famous for writing plays that related to real life. A Doll 's House is a three-act play that discusses the marriage in the 19th century. It is a well-made play that used the first act as an exposition. The extract that will be analyzed in the following paragraphs is a dialogue between Nora and the nurse that takes care of her children. This extract shows how she was afraid not only of Krogstad blackmail, but also of Torvald 's point of view about those who committed any mistake. Torvald says that the mothers who tell lies should not bring up children as they are not honest . Nora is also lying to her family and to Torvald. So she is afraid because she thinks she maybe 'poisoning ' her own children. The analysis of this extract will be about of Nora 's character, the theme, and the language in A Doll 's House.
In the play A Doll House, by Henrik Ibsen, Nora and Torvald’s marriage seems to have been torn apart by Krogstad’s extortion plot, but in reality their marriage would have ended even without the events in the play. Torvald’s obsession with his public appearance will eventually cause him to break the marriage. Nora’s need for an identity will ultimately cause her to leave Torvald even without Krogstad’s plot. Lastly the amount of deception and dishonesty between Torvald and Nora would have resulted in the same conclusion sooner or later. In this essay I will argue that Nora and Torvald’s relationship would have ended even without Krogstad’s extortion plot.
Also, the film revealed women empowerment and how superior they can be compared to men. While demonstrating sexual objectification, empowerment, there was also sexual exploitation of the women, shown through the film. Throughout this essay, gender based issues that were associated with the film character will be demonstrated while connecting to the real world and popular culture.
Lets be honest, everyone wants to be an alpha. An alpha is the peak for a man, often seen as the highest ‘level’ which we as men can reach. While this may be a stereotype pushed on us by women and other men, it tends to be, in general, one we accept. The alpha is a man which when someone sees and talks to goes damn, that’s a man. A bloke who has it all and everyone knows it.
Nora is a dynamic character. When the play begins Nora is viewed and presented as a playful and carefree person. She seems to be more intent on shopping for frivolous things. But, as time goes on it becomes apparent that Nora actually has a certain amount of seriousness in her decisions and actions in dealing with the debt she incurred to save Torvald’s life. Nora’s openness in her friendship with Dr. Rank changes after he professes his affections toward her. Her restraint in dealing with him shows that Nora is a mature and intelligent woman. Nora shows courage, not seen previously, by manipulating her way around Krogstad and his threats to reveal her secret. After feeling betrayed by Torvald, Nora reveals that she is leaving him. Having
Sorrow and angst swirled inside; Elsie and Lil captivated me by their strength. Society can have a profound impact on a child’s view and perceptions of the world, dictating the cultural norms on how we treat those in different social classes. In The Doll’s House by Katherine Mansfield, we see the theme of class distinction and the influences a parent has on how children view the world. Furthermore, society’s norms impact upon Kezia, Elsie and Lil.
Boys should definitely be allowed to play with dolls. During childhood, male children witness both of their parents caring for babies, cooking and cleaning. Playing and caring for a doll prepares the boy for his evident fatherhood duties. For a boy to only play with masculine toys such as trucks and guns, the boy is not developing his sense of caring, nurturing, or empathy. Denying any child the right to play with the toy of their choice in fear of who they may become is taking away the right for the child to find his or her identity. Playing is essential to the development of children, and limiting their toy choices is detrimental to that development. Not allowing a certain type of toy would affect the child more negatively than allowing him to play with dolls. Also, society tells a boy that playing with feminine toys is wrong, causing an early condescendence towards females. It will not affect the child negatively, therefore in order to become nurturing, respectful adults with a sense of empathy and self, boys should be allowed to play with dolls.