Joseph Conrad’s Heart of Darkness is a novella that highlights the dark side of European imperialistic ideals through the eyes of an experienced seaman, Charlie Marlow. Marlow tells his story to four other unnamed men while on board the Nellie sitting at the mouth of the Thames River. The story is told through the Narrator, who serves as the voice of the four other men on board. Marlow’s story is of European conquest, “which mostly means taking (the earth) away from those who have a different complexion or slightly flatter nose than ourselves” (Conrad 6) to gain profit through ivory trade. Although his intent is not to tell his story of freshwater exploration, he explains the effect that his journeys had on him and how colonization affected the European settlers and the native “cannibals”.
In Joseph Conrad’s Heart of Darkness, something is always contrasted against something else. Within the title itself, the contrast of light and dark is made. Throughout the book, the contrast is made between good and evil, between the pilgrims and the cannibals that Marlow encounters. Using the ironic opposition of the pilgrims and the cannibals will present a way into a post-colonial analysis of the book.
Joseph Conrad’s Heart of Darkness does not explicitly deal with a struggle between war and peace: the conflict is a psychological, moral one; however, the text’s implications that society is a thin veil over our innate savagery, the darkness at the roots of Western civilization, reveals disturbing truths about the peaceful, orderly lives we take for granted. The key to understanding Conrad’s novella lies in ascertaining the metaphorical significance of the “heart of darkness,” a search which may yield an answer as complex and obscure than any geographical, sociological or psychological solution.
The influence of Joseph Conrad's Heart of Darkness on Mohsin Hamid's The Reluctant Fundamentalist is obvious. Since Hamid's work represents a new Heart of Darkness, the similarity between Hamid's novel and Conrad's novel can be seen in almost the whole novel. This study aims to detect the effect of Conrad's Heart of Darkness on Hamid's The Reluctant Fundamentalist by reading the background of the two authors, the circumstances that led to write both works, by examining the narrative and symbolism in both novels.
In my paper, titled, The Dark and Light, the dark and light imagery in the novella Heart of Darkness, will be described as a demonstration of how much the this imagery is portrayed, and how this it was so significant in the novella. Throughout Heart of Darkness, Conrad uses a plethora of simple colors, objects, and surroundings to convey multilayered images and ideas. These numerous symbols and events in the story have a more in-depth meaning, and are extremely important throughout the story.
It is often said that when considering a work of great literature, the title of such work can be just as important as the context of the story. Authors time and again wait until they have completed the context of their work to give it a title as to make sure this chosen title is the best possible representation of their work. Stated equally as often is that the significance of some of these titles is easy to recognize while in other titles, the significance is only developed gradually. The latter is the case for Joseph Conrad’s Heart Of Darkness. The author implements the literary devices of contrast, repetition and point of view to successfully convey the meaning and symbolism of his title.
Every story has a plot, but not every story has a deeper meaning. When viewed superficially, Joseph Conrad's Heart of Darkness is a tragic tale of the white man's journey into the African jungle. When we peel away the layers, however, a different journey is revealed - we venture into the soul of man, complete with the warts as well as the wonderful. Conrad uses this theme of light and darkness to contrast the civilized European world with the savage African world in Heart of Darkness.
Within the text of Heart of Darkness, the reader is presented with many metaphors. Those that recur, and are most arresting and notable, are light and dark, nature and Kurtz and Marlow. The repeated use of light and dark imagery represents civilization and primitiveness, and of course the eternal meaning of good and evil. However, the more in depth the reader goes the more complex it becomes. Complex also are the meanings behind the metaphors of nature included within the text. It represents a challenge for the colonists, often also signifying decay and degeneration. Finally Kurtz and Marlow represent imperialism and the colonists. All these metaphors come together and contribute not only to the effect for the reader, but also to the overall meaning.
The "Heart of Darkness," written by Joseph Conrad in 1899 as a short story, is about two men who face their own identities as what they consider to be civilized Europeans and the struggle to not to abandon their themselves and their morality once they venture into the "darkness." The use of "darkness" is in the book's title and in throughout the story and takes on a number of meanings that are not easily understood until the story progresses. As you read the story you realize that the meaning of "darkness" is not something that is constant but changes depending on the context it used.
Submitting to Symbolism
Every great author posses the ability to create a novel deeply woven in symbolism and subliminal messages. Underneath the literal journey encountered in Joseph Conrad’s Heart of Darkness lies a tale saturated with subtle, yet, significant imagery that brings forth the true meaning of the novella. Throughout Heart of Darkness Conrad uses a plethora of simple colors, objects, and places to convey multifaceted images and ideas. His fine execution of the tools of the English language allows him to quickly lure the reader aboard the Nellie and not release him until the horror is over.