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Heart of darkness joseph conrad interpretation
Themes in Joseph Conrad's heart of darkness
Symbolism in the conrad's heart of darkness
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The Transformation of Marlow - Conrad’s Explication of Europe’s
Colonial Practice in Africa
In “Heart of Darkness'; Conrad introduces his protagonist Marlow, his journey through the African Congo and the “enlightenment'; of his soul. With the skilled use of symbols and Marlow’s experience he depicts the European colonialism in Africa, practice Conrad witnessed himself. Through Marlow’s observations he explicates the naiveness of the Europeans and the hypocritical purpose of their travelling into the “dark'; continent.
Marlow’s experience in Africa starts with the desire for travel and great journeys to conquer the “blank spaces'; on the map and the naive believe that the mission of the Europeans is to civilize the natives. Marlow’s aunt believes that this voyage is a mission to “wean those ignorant millions from their horrid ways.'; (Conrad, 16). In reality everywhere they went they colonized the land, used the natural resources, and left ruins behind them. Marlow says,
“They grabbed what they could get for the sake of what was to be got. It was just robbery with violence, aggravated murder on a great scale, and men going at it blind - as is very proper for those who tackle a darkness. The conquest of the earth, which mostly means the taking it away from those who have different complexion or slightly flatter noses than ourselves...'; (Conrad, 10).
With the unfolding of his journey Marlow starts his “enlightenment.'; We can observe his evolution from “everyday European'; to someone who realizes his own naiveness and begins to see the surrounding reality. This is the moment when he witnesses the shelling of the continent,
“In the empty immensity of earth, sky, and water, there she was,incomprehensible, firing into a continent. Pop, would go one of the six-inch guns: a small flame would dart and vanish, a little white smoke would disappear, a tiny projectile would give a feeble screech - and nothing happened. Nothing could happen. There was a touch of insanity in the proceeding, a sense of lugubrious drollery in the sight;'; (Conrad, 17).
Marlow is watching this occurrence, what to his fellow Europeans appear to be a fierce battle, in his eyes is a senseless destruction. He sees them firing “tiny projectiles'; producing a “pop,'; which symbolically represents the falsity of the European mentality.
With that passage Conrad starts Marlow’s realization, and from this point on he begins his separation from the typical Europeans that surround him.
...Conrad removes Marlow’s bias, but through the inclusion of careful details he is able to establish his themes. The cruelty of white man to the natives, appearances being deceiving, the nobility of the Africans – all are clear messages of this text that come across not from Marlow’s opinion, but rather the careful inclusion of details and symbolism. No bigger symbol helps Conrad reinforce his theme than the continuous battle of light and dark, and his use of the two is the cornerstone from which he builds meaning from symbolism.
Conrad's racism is portrayed in the actions and perceptions of Marlow along his trip up the Congo. Marlow's views of the area during the beginning of the trip are given as inhumane, and uncivilized. The Heart of Darkness for Marlow is the ignorance and brutality that he witnesses from natives as well as Whites that are met upon his trip.
This quote from page 70 points out the futility of the European’s presence in Africa. This is caused by the Europeans taking away from the people of different races and “flatter noses.” These people journey to other parts of the world, then take their resources and possessions, and ultimately claim it as their own. The Europeans go to other countries looking for easier routes, resources, and trade. However, when they stop on foreign lands, they change the way of life for the native population. They bring disease, customs, religion, et cetera, which is then forced onto the natives. This quote highlights the meaningless presence of Europeans in Africa.
Marlow has always been mystified and curious about the parts of the world that have been relatively unexplored by the white race. Ever since he was a little kid he used to look at many maps and wonder just what laid in the big holes that were unmapped. Eventually one of these holes was filled up with the continent of Africa, but he was still fascinated especially by this filled in hole. When he found out that he could maybe get a job with a company that explored the Congo area in Africa he sought after it and got it. After all, it was as a steamship captain on the mighty Congo river. This was "a mighty big river...resembling an immense snake uncoiled, with its head in the sea, its body at rest curving afar over a vast country, and its tail in the depths of the land" (p. 2196). This snake like river was full of mystery to the adult Marlow and seemed to call him to it.
Marlow stands on the Thames River and remarks that the land he and his comrades is standing on was once a place of darkness and an uncivilized wilderness
Marlow’s thoughts are so consumed by Kurtz, that he is built up to be much more of a man than he truly is. In turn, Marlow is setting himself up for a let down. He says at one point, “I seemed to see Kurtz for the first time...the lone white man turning his back suddenly on the headquarters, on relief, on thoughts of home...towards his empty and desolate station”(P.32). When Marlow reaches Kurtz’s station, he begins to become disillusioned. He begins to hear about, and even see, the acts that Kurtz is committing, and becomes afraid of him. He sees in Kurtz, what he could become, and wants nothing to do with it. He does not want people to know he has any type of relationship with him, and says in response to the Russian, “I suppose that it had not occurred to him that Mr. Kurtz was no idol of mine.” (P.59). It is at this point that he begins to discover the darkness in his heart.
Imperialism, Symbolism, and Materialism in Heart of Darkness. In Conrad's Heart of Darkness Marlow, the main character, symbolizes the positiveness of Imperialism. Marlow, as a character, realizes the evil that negative Imperialism has caused and decides it is truly unnecessary. When Marlow states, "I have got a heavenly mission to civilize you," he expresses his good intentions to help the Africans progress and advance.
Marlow’s attitude towards colonization is made very clear in the first pages of the book. He is very critical about the whole process and is very cold towards affair. Marlow states: “It was just robbery with violence, aggravated murder on a great scale, and men going at it blind—as is very proper for those who tackle a darkness. The conquest of the earth, which mostly means the taking it away from those who have a different complexion or slightly flatter noses than ourselves, is not a pretty thing when you look into it too much. What redeems it is the idea only.” (Conrad 70). Marlow’s gains this perspective on colonization throughout his journey, thus already foreshadowing change within Marlow’s character.
Conrad’s shifting setting introduces new environments and attitudes for Marlow to cope with. Marlow begins the novel in “a narrow and deserted street in deep shadow, [with] high houses, innumerable windows with venetian blinds, a dead silence, grass sprouting right and left, [and] immense double doors standing ponderously ajar” (Conrad 45). Nearly all of the surroundings have intimidating connotations, which surprisingly fight Marlow into a comfortably safe and secure standing. Marlow notices the map in the office, and examines it to see just where his travels will take him. After observing the map, he points out that he was not going to the points of Africa that seem welcoming but he “was going into the yellow. Dead in the centre. And the river was there – fascinating – deadly – like a snake” (45). He already realizes he will have trouble transitioning into the new environment, being surrounded by what seems like death. Because Marlow grows accustomed to the urbanized streets of Brussels, the difficulty of the transition to the Congo develops exponentially. Before Marlow knows it, he travels to a land with “trees, tress, millions of trees, massive, immense, running up high” and they “made [him] feel very small, very lost” (75). Marlow, already apprehensive of the change to the Congo, shows his loss of confidence in his new environment.
“ The conquest of the earth, which mostly means the taking it away from those who have a different complexion or slightly flatter noses than ourselves, is not a pretty thing when you look into it too much.” (Conrad 65) So stated Marlow as though this was his justification for ravaging the Congo in his search for ivory. Joseph Conrad’s Heart of Darkness shows the disparity between the European ideal of civilization and the reality of it as is evidenced by the domination, torture, exploitation and dehumanization of the African population. Heart of Darkness is indicative of the evil and greed in humanity as personified by Kurtz and Marlow.
In Joseph Conrad's novel, The Heart of Darkness, Charlie Marlow narrates the story of his journey into the dark continent, Africa. Through his experiences he learns a lot about himself and about the nature of mankind. He discovers that all humans have the capability within themselves to do good or evil. Outside circumstances substantially influence which path a human will take. Marlow travels not only through the darkness of Africa, but also through the darkness of the human soul.
One interpretation of Marlow's relationship to colonialism is that he does not support it. Conrad writes, "They were not enemies, they were not criminals, they were nothing earthly now,-nothing but black shadows of disease and starvation, lying confusedly in the greenish gloom" (p. 27-28). Marlow says this and is stressing that the so-called "savages", or Africans, are being treated and punished like they are criminals or enemies when in fact they never did anything. He observes the slow torture of these people and is disgusted with it. Marlow feels sympathy for the black people being slaved around by the Europeans but doesn't do anything to change it because that is the way things are. One can see the sympathy by the way that he gives a starving black man one of his biscuits. "To tear treasure out of the bowels of the land was their desire, with no moral purpose at the back of it than there is in burglars breaking into a safe" (p. 54). This statement by Marlow conveys that he doesn't believe that the Europeans have a right to be stripping Africa of its riches. He views the Jungles of Africa as almost it's own living, breathing monster.
“ The Marxists hate imperialism and consider it as the highest stage, the peak of capitalism and coincidently Heart of Darkness has been considered as an anti-imperialist work, so the work invites a Marxist approach in itself.” (Sardar) The natives were basically stripped of their agency and were forced under the European influence to do hard labor with the ivory. “This imperial relationship between Europe and the underdeveloped world as defined by Lenin is certainly detectable in the historical setting of Heart of Darkness.” (Sardar) They weren’t given the same opportunities as the others. “European imperialism would suggest that this is a utopia considering they can exploit the African masses for maximum gain and they believe that they bring civilization and light to a dark and savage area…” (Rodarte101litcrit 1) And this is kind of topsy turvy because Marlow dreamed of having a utopia. Now that he has met Mr. Kurtz and has seen, and personally worked with his many wonders that he so powerfully possessed, he’s convinced that what he is doing is right. Marlow was naive and hopeless, and Mr. Kurtz seemed all powerful and glorified. Yet we see through the hands of Mr. Kurtz, power is not to be dealt with people who do not know how to control
Conrad integrates David Hume’s impressionism on a journey to the core of the African Congo led by Charlie Marlow, a character who makes observations based on the evil and menacing world around him rather than revealing his innermost thoughts. In order for the reader to understand Marlow’s mindset, Conrad forces
At the beginning of the novel, Marlow is traveling the jungle and the many scenes of life can be seen. Africa has seems to be taken over by many travelers which makes one wonder what is there ulterior motive? Africa is a third world country, which makes it easy for someone to come in and talk on their soapbox. It is very easy to tell that these men are not the biggest fans of colored people, so it is plausible that they have come to instill a sense of imperialism. As Marlow passes through the waters of the Congo it is easily visible the trouble of the natives. “Black shapes crouched, lay, sat between the trees, leaning against the trunks, clinging to the earth half coming out, half effaced with the dim light, in all the attitudes of pain, abandonment, and despair.” (20) Show that the holding of these colonies has started. The soldiers have come in and taken the inhabitants and are destroying them and taking from them the one thing they deserve over everything, life. The imperialists seem to not care about the Africans and are just there for their land.