Hawthorne's Young Goodman Brown – The Theme

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“Young Goodman Brown” – the Theme Clarice Swisher in “Nathaniel Hawthorne: a Biography” states: ”When Hawthorne called his stories ‘romances,’ he meant that they belong within the romantic movement that . . . . emphasize imagination and personal freedom” (18). It is the purpose of this essay to interpret the theme of Nathaniel Hawthorne’s “Young Goodman Brown” and determine where this “personal freedom” leads. Edmund Fuller and B. Jo Kinnick in “Stories Derived from New England Living” state: “’Young Goodman Brown’ uses the background of witchcraft to explore uncertainties of belief that trouble a man’s heart and mind” (31). It is on that one night of the year when witches have their coven in the deepest woods that the young husbandman, Goodman Brown, takes leave of his wife, Faith: “YOUNG GOODMAN BROWN came forth at sunset, into the street of Salem village, but put his head back, after crossing the threshold, to exchange a parting kiss with his young wife.” The reader receives a premonition of the impending evil intrigue with Faith’s staement of her foreboding, troublesome dreams: "Dearest heart," whispered she, softly and rather sadly, when her lips were close to his ear, "pr'ythee, put off your journey until sunrise, and sleep in your own bed tonight. A lone woman is troubled with such dreams and such thoughts, that she's afeard of herself, sometimes. Pray, tarry with me this night, dear husband, of all nights in the year!" Regarding the theme, the clues increase when Goodman, having left his wife, Faith, all alone and melancholy, enters the woods and encounters a sinister type with whom he has previously made an appointment for this particular evening: As nearly as could be discerned, the second traveller . . . had an indescribable air of one who knew the world, and would not have felt abashed at the governor's dinner-table, or in King William's court, were it possible that his affairs should call him thither. But the only thing about him, that could be fixed upon as remarkable, was his staff, which bore the likeness of a great black snake, so curiously wrought, that it might almost be seen to twist and wriggle itself like a living serpent. This, of course, must have been an ocular deception, assisted by the uncertain light. The evil nature of this individual is made manifest, and thus evil enters the story in a significant way.

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